Japanese bronze mirror. Edo period. Superb deep casting. 12.6 diam. 1.5 high Excellent condition. Long inscription on right hand side.

Japanese bronze mirror. Edo period. Seal lower centre. Good deep casting. 12.2 diam 1.4 high. 572 grams unpacked.

Classic Shino yaki matcha chawan (tea bowl) for Tea Ceremony made during Meiji Period in late 19 century.
The seal of the potter is stamped on the bottom.
The fine crackle look with natural kiln vivid cracks gives the bowl an authentic wabi sabi feel .
Overall it is lovely example of an old, professionally crafted Shino tea bowl.

Shino ware pottery is produced in today's Gifu prefecture since 16th century and it is distinguished by thick white glazes, red marks and the...

Bronze statue of Buddha, in monk's robes, wearing a kind of diadem, sitting on a throne, his hands in bhumisparsa mudra. Old glass inserts on the diadem, some missing. Burma, Mandalay period, 19th century. Height: 10 cm. Some abrasion, otherwise very good condition.

Authentic antique Chinese porcelain scholar's brush rest with pale Celadon glazed, Ming dynasty (1368-1644 AD).

Made of biscuit porcelain in a crescent shape in the classic Wu Shan "Five Mountains" form.

The base is recessed and pierced at both ends with small holes.

The ceramic brush rest in the form of the mountain has been a popular design since the Ming dynasty.

REFERENCES:

A similar brush rest is published in the Lempertz catalogue: Auction 1061, Asiatische Kunst, 04...

TEABURI BRAZIER

Refined Japanese ceramic 'teaburi' (small hand-warmer brazier) of minimally roundish cylinder form coated with calm glossy pale glazing, early 20th century, approx. H 20 x D 17cm (7.87 x 6.69in). Profoundly heavier than its looks.


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* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be a...

Tenmokujawan, a tea bowl which is mended with kintsugi with seigaiha (wave pattern) makie. Tenmokujawan is a pottery tea bowl which is fired with Tenmoku glaze (iron glaze). It is made in Seto in Aichi prefecture, one of places where copies of Chinese potteries were manufactured. 17th or 18th century. Diameter:11.8cm, H:5.8cm

19th century hand carved Asian figural cheroot pipe with a Mother-of-Pearl disk inset on each side and a dark red lacquer rim. A very unusual and collectible pipe that was used "back in the day" when smoking cheroot in pipes was fashionable. Missing its stem which could have been metal or reed. Measures 3.5 inches long.

Porcelain cover for jar or vase. Decorated with enamel flowers and birds. The exact dimensions are written on the photos so you can check that the lid fits your vase correctly. I think that given the flattened shape of the lid, it probably belonged to a jar rather than a vase. China late Qing dynasty. Diameter 20cm. Good condition.

KURAWANKA SAKE FLASK

Japanese Hasami ware kurawanka*-type white porcelain tokkuri (sake flask), mid-late Edo period, mid 18th – early 19th century, approx. H 19.7 x D 10.5cm (7.75 x 4.13in). Characteristically calm and refined white texture with such pale blue-gray reflection. (Those photos are shoot in natural daylight.) Aged crack/chip at neck as is, but in practically and aesthetically usable condition.

*Reference: https://hotoke-antiques.com/kurawan...

This is nishijin-Weave kinran silk Wonderful small bag in Edo period(1800-1868). There is a mirror in Edo period in the inside. There is neither stain nor damage. The state is very good. I recommend it for your collection. size::Width15cm (5.91inch) 　Vertical width 9cm ( 3.54inch)

Special Offer: Reduced from $500 to $300. Rare and unusual 3 paneled piled blanket from the Rawang ethnic group in the Kachin State, Burma. The ground is woven from hemp, the reddish head ends are dog hair .There are a few areas that have a bright colored commercial yarn but other than that, all natural dyes. In the red field there are some bits of missing weft noted in enlargements. This piece is circa 1950 (plus or minus), definitely old an old piece. The Rawang are an upland living ...

Edo Period (19c) Yusai Awazu Brown Glaze Chawan formerly in the collection of Nishimura Toshimichi.
The mark Awazu is stamped at the bottom.

Yusai Awazu (1770-1848) was a government official in Inaba Province, an old province of Japan in the area that is today the eastern part of Tottori Prefecture, in the late Edo period.

He was from the house that served as Toneri (servants for imperial house and aristocrats) for generations, and was a disciple of Suehiro Unge in Hig...

Japanese antique natural indigo dyed hand-spun Jōfu Hemp or Ramie long roll fabric. It is a precious piece of cloth. It is a traditional Japanese Basho leaf design. There is no dirt. There are many small repair marks. There are several small holes. But the fabric is good. Two pieces are sewn together. Size: Length: 4m 54cm (178.7) Width: 34cm (13.38 inches)

Statue of a Taoist exorcist ("yingong"), in formal attire, sitting on a throne, holding his commandment baton in his right hand and a bowl containing the lustral water in his left. Wood, coated with polychrome painting. Animal hair used to represent the moustache and the beard. Votive box at the back, lid missing. China, early 20th century. Height: 25 cm. Painting partly flaking, otherwise very good condition.

Bizen ware Sake set of Tokkuri and Guinomi made by Bizen master Joji Yamashita (b. 1947) The mark of the artist is carved on the base.

Joji Yamashita was born in Tokyo in 1947. He moved to Canada in 1967 where he graduated from Vancouver Art School.
After returning to Japan in 1970, he studied Bizen ware under Isezaki Jun and established his own kiln in 1978.

Joji Yamashita has been awarded with numerous prizes from the Japan Traditional Craft Exhibition, the Japa...

種字不動明王図 / SHUJI FUDO MYOO

Japanese esoteric Buddhist hanging scroll mounted with woodblock print of 'Fudo Myoo' (Acala as the God of Fire) expressed with 'Shuji' (Monosyllabic Sanskrit character that symbolizes its particular Buddhas), Edo period, 19th century, approx. 108 x 29.5cm (42.51 x 11.61in), originally in such damaged condition as is, so that backed with extra paper as seen (so having curling).


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