Enigmatic script rises like fingerprints from the surface of this vertical black monolith by Shigemori Yoko dating from quite early in her career titled Autumn Field. The piece is slab-formed, the slabs pressed over a surface inscribed with mysterious scrawling and texts, one feels it possible to read, but it proves elusive. Like much of her work it is raw, Like garage band music. There is no other decoration, a powerful statement which staggers to one side. It is 14 x 17 x 40 cm (7 x 6 x 16 i...

Ash simply blankets this vessel by Koyama Kiyoko enclosed in the original signed wooden box titled Shigaraki Shizen-yu Tetsuki Hanaire. It is 29 cm (just less than 12 inches) tall, roughly 5 inches diameter and in excellent condition.
Koyama Kiyoko was born in Sasebo, Nagasaki in 1936. Following the second world war the family moved to Shiga prefecture, eventually settling in the pottery village of Shigaraki. She took a job as a ceramic painter's assistant at a young age. In 1954 she b...

A beautifully carved tray of overlapping leaves interspersed with clustered grapes by Ichikawa Shudo signed on back in a circular cartouche. In one corner an odd round tail leads us to a squirrel head popping through the leaves, as if one were looking up through the vines toward the sky. It is 46 x 35 x 3 cm (roughly 18 x 14 x 1 inches) and is in overall fine condition, There is a slight warp to the bottom of the tray, but it is still bery usable and there is no damage to the carving. Ichikaw...

Chinese Porcelain brush pot with oxblood glaze over white porcelain. Underside is marked with cobalt blue double rings. Shows use,some minor ware. Dates from the 20th century.

Dimensions: 4 3/4" high x 3 1/2" diameter

A large sculpture of interlaced coils containing a glistening membrane by Got Miho enclosed in the original signed wooden box from her Heartbeat of the Skin series. It is 14 x 35 x 15 cm (roughly 5-1/2 x 14 x 6 inches) and is in excellent condition, directly from the artist. When prompted about her message she said: I feel that there is something vaguely present that is never visible in my everyday life. It always speaks to me like a pulse beating deep within my thin skin, insisting on its exis...

Antique Japanese hokai, lidded container for Ka-awase shell game. This unusual square shaped hokai has a footed base and it's sides are fashioned with many horizontal ridges. With faceted corners and intricate gold and black lacquer. A flower and lattice motif with reserves of birds and young pine shoots. The interior of the box is lacquered a dark brownish black. Extensive gilt copper hardware with incised details of scrolling vines.

Age: Meiji Period (1868-1912)

Dimensi...

An antique Japanese transom (Ranma) made of Hinoki (Cypress) wood. Hand carved image of a crouching tiger moving with stealth and grace in a bamboo forest. Pronounced wood grain adds depth and movement to the image.

In Japan, the Ranma was placed above the Fusuma doors to provide air circulation in both rooms that it shared. The tiger represents power and good luck with the bamboo representing strength and tenacity.

Age: Taisho Period (1912-1926)

Dimensions: 71 1/2" wide ...

An E-karatsu Yobitsugi bowl made of various shards attached with wide bands of gold to a discarded base: the pieces dating from the Momoyama to early Edo periods. It is 22 x 20 x 6 cm 8-1/2 x 8 x 2-1/4 inches) and comes enclosed in a modern kiri-wood collectors box titled E-Karatsu Hachi.
This method of using pieces from multiple works with lacquer repair is called Yobitsugi. Yobitsugi is a form of kintsugi that entails combining pieces of different objects together in order to create a ...

A striking Tenmoku Vase by maser of the genre Kamada Koji enclosed in the original signed wooden box titled Ginsho Tenmoku Hyo-gata Kabin. It is 15cm (6 inches) diameter, 31cm (12 inches) tall and in excellent condition. Kamada Koji (sometimes written Kamata) was born in Kyoto in 1948, and apprenticed under Shimizu Tadashi from the age of 19. In 1971 he graduated from the Kyoto Prefectural Ceramics Research facility and began teaching there while beginning his research into Tenmoku ware. The...

Ivory netsuke depicting a monkey skillfully grasping and riding the legendary earthquake fish Namazu, an imposing catfish-like creature with an eel-like body, which was believed to cause earthquakes with its movement. The famous Kadori Myojin is represented by a monkey. She takes on the role of guardian, keeping the Namazu under close control to prevent the potential triggering of a catastrophic earthquake. This netsuke is signed under the Masakazu base. Origin: Japan Period: Edo 19t...

Berries change color among the drying leaves clinging to the vine-wrapped vessel by Yamada Yoshiaki enclosed in the original signed wooden box titled simply Kabin. It is 31.5 cm tall, 16.5 cm diameter (12 x 6-1/2 x 6-1/2 inches) and is in excellent condition.
Yamada Yoshiaki was born in Ishikawa, home of Kutani wares, in 1948. He studied under Yamachika Tsuyoshi and Takegoshi Taizan whose influence is apparent. He began exhibiting in 1975 with the Souzou Bijutsu-kai Art Organization. Since...

A beautiful faceted white glazed Sencha set for steeped tea by Living National Treasure Shimizu Uichi enclosed in the original signed wooden box titled Haku-yu Bancha-ki (White glazed Set for Bancha Tea). The cups are roughly 7.5 cm (3 inches) diameter, the same height and all are in excellent condition.
Shimizu Uichi (1926-2004) was born in Kyoto the son of a ceramic dealer. Discarding the family business, he apprenticed in plastic arts under future Living National Treasure Ishiguro Mune...

Exquisite Nezumi Shiino Chawan from the renowned Okuiso Eiroku (1930-1987), a disciple of the legendary Kato Tokuro, renowned for his mastery of Shino pottery. The artist's signature adorns the base, a testament to its authenticity.

Diameter 15cm
Height 7.1cm

There is a minor glaze chip which occurred during firing.
Comes with signed wooden box



Okuiso Eiroku, born in Kyoto in 1930, initially delved into Western-style painting at Kyoto College...

A classic vessel reflecting the grace of Song-Yuan period aesthetics by master of the genre Suwa Sozan II (Torako) enclosed in the original signed wooden box. It is 13 cm (5 inches) diameter, 25 cm (10 inches) tall and in excellent condition. A prime example of this early female Japanese potters work.
Suwa Sozan (1852-1922) was born in Kutani country, present day Ishikawa prefecture, where he initially studied before moving to Tokyo in 1875. Over the next 25 years he would gravitate betwe...

An elegant and fine ink-stone (Shezhou, Anhui) made of carved, dark schist with minor, green-brown inclusions. One “eye.” Two small feet at top end. Fitted and finely carved lid of chicken wing wood (jichimu). The inscription reads: “A treasure from the Zhishi shanfang.” In a Japanese box from the 19th century (with full inscription). China: Qing, probably 18th cent. L 16,5 cm, W 11 cm. Condition: Excellent (small chip in ink-well).

Ming dynasty longquan celadon stem cup, good condition no damage no chip no crack no restoration, please see picture for detail, size: 13 cm diameter 10.5 cm height.

A beautiful Chinese snuff bottle in pebble-form carved from white-black mottled jade. The stopper is made from coral or coral-imitating glass, with bone spoon. The flask needs standing help. Condition: few traces of usage. Dimension: c. 6.3 cm height.

Bizen does not get much better than this ash blasted vase with lots of hi-iro coming through by leading artist Mori Tozan enclosed in the original signed wooden box titled simply Bizen Hanaire. It is 26 cm (over 10 inches) tall and in excellent condition.
Mori Tozan was born into one of the six main families of traditional Bizen in 1938. He trained under his illustrious father Mori Chikuzan. He has been awarded many prizes at the Japan Traditional Craft Exhibition, the Japan Ceramic Art ...