Fine AVA Bronze Buddha subduing Mara, seated in the Lotus position on a stepped throne depicting 2 layers decorated with fine double lotus leaves in high relief. Original patina, good condition, no repairs. The Buddha's right hand is touching the earth while his left hand is in gesture of meditation. 15th Century, Burma. Size: H. 23 cm. x W. 12 cm. x D. 7.5 cm. Very RARE!

Attractive AVA Bronze Buddha seated in the Lotus position on a double stepped throne subdung Mara. Very nice original smooth verdigris patina. Gentle and serene expression. 15th Century, Burma. Very good condition. Size: H. 23 cm. x W. 9.5 cm. x D. 9 cm. Good condition. RARE!

Large 15th Century BRONZE AVA BUDDHA, subduing Mara, on double Lotus stepped Throne, original verdigris patina. H. 38.5 cm.

Beautiful and rare AVA Bronze Buddha subduing Mara, 17/18th Century, Burma, with downcast eyes, fine patina, good condition, no restorations, size: 16 cm. x 6.5 cm x 5 cm.

Beautiful and rare Ava Bronze Buddha subduing Mara, with downcast eyes, fine patina, small hole front base, fine condition overall, size: H. 16cm x 6.5cm x 5cm, 17/18th Century

Magnificent and rare AVA 3-Seasons Bronze Buddha subduing Mara with serene and calm expression, downcast eyes. Has an exceptional aura and superb red/gold patina. Good condition, size: H. 78 cm x W. 47 cm. x D. 36 cm.

A large SONG DYNASTY Period,SAWANGKALOKE-SRICHANALAI SIAMESE-THAI Black-Blue partially glazed Ceramic Bottle, 14-16th Century. It has 2 raised intact nodules to the shoulder as well as horizontal incised ring ribbing towards the top. Size: height 15.5 cm. x 12 cm. diameter. The base measures 7.8 cm. Good overall condition with no chips, cracks, hairlines, nor restorations whatsoever. This is definitely a seldom found size for this type of ceramic glazed bottle. A real Collector's item!

Description: A wood manuscript cover was wonderfully carved by traditional craftsmanship.
By a unique design of rectangular panel in the center, the Shakyamuni Buddha seated on an Indian Pala-style throne with lion base and in earth-witness gesture...

A Thai Niello Silver Tea Caddy C1940. Base marked Silver 925%. Height 8.5 cm. Weight including thin liner 179gm. Slight dent on corner of cover

From our Southeast Asia Collection, a good contemporary nephrite jade carving of a mother elephant with her infant. Sourced directly from the Chiang Mai region of Thailand in the early 1990's, the jade is a very deep emerald green color, somewhat darker than the website photos which seem to have lightened the jade color due to the flash...

A Thai Brass Kettle with an Overhead Handle. Well decorated in relief with birds and squirrels among and below a dense floral pattern. Thai L19thC. Height to top of handle: 9 1/4" (23.5 cm) Condition: very good, traces of polish

A rare Tausug sash made in tapestry weaving, raw silk with geometric pattern and zigzag design from the Sulu Archipelago near Mindanao in the Philippines. Provenance: old Swiss collection. Condition: faded, one narrow side maybe little shortened, patina, stained, discolored, few small thin areas and one selvage with small fraying. Dimension approx.: 36 cm x 275 cm.

A rare Tausug raw silk sash fragment woven in two pieces. Tapestry weaving with geometric pattern and zigzag design from the Sulu Archipelago near Mindanao in the Philippines. Provenance: old Swiss collection. Condition: slightly faded, one narrow side shortened, patina, little staining, a small hole. Dimension approx.: 33.3 cm x 228 cm.

From our Southeast Asia Collection, a superb original and signed acrylic painting on canvas depicting an Indonesian Barong Dance. Though this particular piece does not share the same museum provenance as our other Barong Dance offering (see item # 938720), we think it is at least of equal merit. Some may even think it is superior...

From our Southeast Asia Collection, a superb Indonesian ebony wood carving of a Legong dancer, expertly rendered capturing the marvelous grace and elegance of this traditional Balinese dance.

As Wikipedia describes it, "Legong is a form of Balinese dance. It is a refined dance form characterized by intricate finger movements, complicated footwork, and expressive gestures and facial expressions. Legong probably originated in the 19th century as royal entertainment...

From our Southeast Asia Collection, a superb Indonesian ebony wood carving of Ruana, expertly rendered with such animation and ferocity that the character looks almost demon-like, so much so that we actually find this particular piece a bit creepy.....But that is ultimately testimony to the tremendous skill of the carver...

From our Southeast Asia Collection, a superb original and signed acrylic painting on canvas depicting an Indonesian Barong Dance, deaccessioned from the Agung Rai Museum in Ubud, Bali in 1997.

The Barong Dance is one of those wonderful and almost magical expressions of Indonesian mythology, where themes of good and evil are pitted against one another through a cultural tale played out as a dance...

From our Southeast Asia Collection, a stunning and large martaban-type lacquer jar from the famed U Aung Myint workshop in Myinkaba Village, Pagan Burma (Myanmar), from which the British Museum has commissioned pieces for display in London. See Isaacs and Burton, Visions from the Golden Land, Burma and the Art of Lacquer page 222-223...