PAIR OF RIRUAL TRAYS

Korean traditional wooden offering stands, early-mid 20th century, approx. 21 x 18.2 x H 5.7cm (8.26 x 7.16 x 2.24in) each. Profoundly aesthetically applyable to flower stand or so. Some expected deterioration due to aging as is...

A Pair of Rare/Fine Korean Carved Bamboo Fan Attaching Ornaments(扇錘-선추)-19th C.: Korea, Joseon dynasty, 19th century. The one of the bamboo-fan ornament(扇錘) caved with a wearing bamboo hat fisher man fishing under a long pine tree and the other one carved a old man relaxing under a long paulownia tree beside a big cow, each one attached with a ring shaped jade and a bead on the top and bottom with a black tassels and long strings...

PAIR OF PAINTED WOODEN BIRDS FOR TEMPLE DECORATION

Once installed at the colorful part of temple roof in Korea, early 20th century, approx. 34 x 9 x 1.5cm (13.38 x 3.54 x 0.59in), 33.5 x 8 x 1.2cm (13.18 x 3.14 x 0.47in)...

PAIR OF PAINTED WOODEN BIRD FIGURES FOR TEMPLE DECORATION

Once installed at the colorful part of temple roof in Korea, early 20th century, approx. 13 x 7 x 2cm (5.11 x 2.75 x 0.78in), 12 x 7 x 2cm (4.72 x 2.75 x 0.78in)...

PAIR OF MALE AND FEMALE PHOENIX RICE CAKE MOLDS

Traditional Korean wood carving rice cake molds with geometrical patterns, late 20th century, 10 x 8 x H 11cm (3.93 x 3.14 x 4.33in), 8 x 7 x H 10.7cm (3.14 x 2.75 x 4.21in). Massive weight. Some expected stains, scratches, and cracks due to aging as is...

PAIR OF MALE AND FEMALE DUCK RICE CAKE MOLDS

Traditional Korean wood carving rice cake molds with geometrical patterns, late 20th century, 11 x 6 x H 12cm (4.33 x 2.36 x 4.72in), 10.5 x 6 x H 12cm (4.13 x 2.36 x 4.72in). Massive weight...

Pair of Korean black lacquer over brass vases with mother-of-pearl inlay. The brass is re-purposed from unused artillery shells and the vases are heavier than one would expect. One of the rim looks a little irregular, but the were purchased in Japan, as is, in the first half of the 20th Century. They measure about 7 inches high.

Pair of Joseon dynasty or later Korean wood wedding ducks with subtly modeled feathers covered in layers of oiled stained paper, the heads separately carved and inserted by their long necks into a hole in the body. Each has a typical rectangular recess on the base. The heads have circular eyes and slits in the long beaks. These were traditionally presented by the groom to the parents of the future bride and were displayed during the wedding...

Antique Korean pair of nong, bedside chests for storage. Made of zelkova elm wood panels with cypress wood frame. Hardware is made of brass and has butterfly shaped door latches and hinges. The upper portion of each chest has a row of 4 small drawers with handles featuring bat shaped back plates. There is additional decorative corner hardware on the body and doors of the chest. Hinged doors open to a large open compartment. The doors themselves are finely inlaid with contrasting hardwood...

Pair of Korean late Joseon Dynasty square form wood wedding chests on fixed stands with metal loop handles on three sides. The lids open to reveal a nice sized storage space. A white brass rectangular plate is on the front and and holds a fish lock. Brass and white brass (nickel) hardware accents decorate the edges. Late 19th century. Each measures about 17 1/4" high x 18 1/4" wide x 17 1/2" deep. Very good overall condition with typical wear from use...

A Pair of Fine Korean Embroidered Official Rank Badges/a Double White cranes-late 19th C. Korean, Joseon dynasty, 19th century. framed. A double crane embroidered with white silk thread on dark blue ground, made for a civilian official of first to third rank, a square showing a pair of white cranes above foaming stylized wave and rock work below clouds, worked in the shades of blue, white, pink, yellow, orange, green, purple and brown on the blue silk ground...

Pair of Framed Korean Antique Embroidered Pillow Ends with a Happy Peacock Family and Flowers. Peacocks symbolize the 9 Virtues: a tidy face, clear voice, careful walk, appropriate behavior according to place and time, moderation in eating and drinking, knowing how to be content, existing together, not being obscene, and always returning...

Pair of Cranes Painting and Poem by Korean Buddhist Monk Su An Sunim (born 1940). The crane is a an ancient symbol of longevity and immortality. Because cranes were believed to stay with one mate for their lifetime, it is also a symbol of faithful love. When the crane is paired like this, the meanings of immortality and fidelity combine to mean eternal love. The flying-white brushwork and ink washes here display Su An Sunim's mastery of zen art at its best. The recent exhibition of Su An Sunim's...

PAIR OF CANDLE STANDS

Wooden candlestands in the form with such massiveness, early 20th century, Korea, approx. H 18 x D 11cm (7.08 x 4.33in) each. Aged deterioration as is as seen.


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Antique Korean pair of bedside chests on stands, with natural burl front panels. Both chests have book-matched front doors, meaning each door mirrors the other, creating symmetry. Original finish wood.

Chosun period

Dimensions: 29.25" L x 14" D x 24.75" H (on stands)

Pair of 19th Century Korean Hunting Paintings. Unique to Korea, hunting paintings always depict hunters in Mongolian attire. Koreans had great admiration for Mongolian archery and equestrian skills. Ink and colors on paper. Frame: 46 x 22 inches (171 x 56 cm), 34 x 16 inches (86 x 41 cm).

Fun portrait of Daruma with googly eyes, in quick brush strokes. Above him an inscription that mentions the Buddha, the Bulguksa temple on Mount Toham in Gyeongju, South Korea, the name Seog’un, followed by the seals Lim-Chung…. And Seog’un. Other red seals in the lower left corner and to the right of the character ‘Bul’ (Buddha).

Black ink and some gray on paper. Mounted in brocade and framed in wooden Asian frame. Originally this was a hanging scroll but the mounting was cut ...

Orchids and Rocks Painting by Kim Eung Won aka Soho (1855-1921). Orchids are an ancient Korean symbol of purity, modesty, and virtue. The rock symbolizes eternity, so the combination of orchids and rock have the meaning of eternal adherence to principle. The orchid grows in remote places, but its fragrance spreads over the land, just as the scholar often works in isolation, but through their scholarly and ethical works their influence is felt throughout the land. Talented painters of orchids wer...