CHOPPING BOARD

Massive and fatty wooden chopping board once used at an ordinary household in Korea, mid-late 20th century, 40 x 20 x H 8.8 cm (15.74 x 7.87 x 3.46in). Aesthetically appliable to a display stand for the tea utensils or flower arrangement as well...

NUPTIAL OCTAGONAL SEWING BOX

Traditional Korean octagonal sewing box sent to a bride-to-be from a groom-to-be, as a light-weight paper-mache gem but with the sense of profound presence in such largeness, shape, and lovely color pattern reminded of ‘Obangsaek’ (https://en.wikipedia.org/wiki/Obangsaek), mid-late 20th century, approx. H 24cm (9.44in), D 32.5cm (12.79in)...

MINHWA, ROOSTER

Korean folk painting (ref. https://en.wikipedia.org/wiki/Minhwa) on handmade traditional Korean paper, attached with an aluminum frame with acrylic board, originally from mid 20th century, approx...

MINHWA, DOG

Korean folk painting (ref. https://en.wikipedia.org/wiki/Minhwa) on handmade traditional Korean paper, attached with an aluminum frame with acrylic board, originally from mid 20th century, approx...

Shaman's Feast Woodblock Print on Traditional Hanji Paper by Hong Sung Dam in 1982 (21 x 15 inches, 53.5 x 38 cm, including margins). Hong Sung Dam is a woodblock print artist who was a leader of the minjung, the peoples' political movement that arose from the ashes of the Gwangju Massacre where the Korean government slaughtered hundreds (some witnesses say thousands) of their own citizens in the streets in response to demonstrations in Gwangju...

New Life Woodblock Print on Traditional Hanji Paper by Hong Sung Dam in 1982 (29 x 20 inches, 74 x 51 cm, including margins). Hong Sung Dam is a woodblock print artist who was a leader of the minjung, the peoples' political movement that arose from the ashes of the Gwangju Massacre where the Korean government slaughtered hundreds (some witnesses say thousands) of their own citizens in the streets in response to demonstrations in Gwangju...

Memorial to Kim Koo by Chung Young Gok aka Kang Ho, a friend of Kim Koo. The second and third photos here are of Chung Young Gok with Kim Koo. The calligraphy states that it was composed on the occasion of a 1978 memorial ceremony to Kim Koo (1876 - 1949), the leader of the independence movement during Japan's occupation of Korea. The ceremony was at Baek Beom Sa Buddhist temple...

1971 Oil Painting by Choi Young Rim. Frame: 30 x 24 inches, 76 x 61 cm; Painting: 20 x 15 inches, 51 x 38 cm.

Large Korean pure silver tea pot with cloisonne. Decorated with flowers in opaque and translucent enamel. Base marked in Korean and "AG 99". Condition: fine. Dimension: 22.5 cm long, 13 cm high, weight: 640 g.

Korean mask for use in dance performances widely known as talchum or Yangju Pyolsandae Nori. Though these dances vary by region, they all share common themes such as exorcism, ritualistic dance, satire, and parodies of wealthy upperclassmen and would often be performed on the day of Buddha's birth and other seasonal festivals...

Ode to Autumn, fan painting by one of Korea's most famous contemporary artists who worked in the traditional style, Lee Nam Ho aka Geum Chu (1908-2001), beautifully framed and newly silk mounted. The sparrow sings to the beautiful flower of autumn, the camellia, an ancient symbol of faithfulness in Korea. The bamboo on the right is a symbol of resilience and integrity...

Painting of Scholar Under Moonlit Plum Blossoms by Park No Soo aka Nam Jeong (1927-2013). Just the first page of a google search reveals both the renown that Park No Soo enjoyed internationally, and the adoration he received locally in Korea. His minimal style and palette is instantly recognizable, and this beautiful, contemplative painting is a fine example of his inimitable, expressive brushwork, from the silvery-blue sliver of a moon, to the unique rendering of orchids and rocks...

Vase or jar with globular body, standing on a short foot and with everting rim. Moon jar. Underglaze blue decoration of carp swimming in water. Signed and sealed. Bottom marked as well. Korea, late 19th or early 20th century.

Height 12 in., width 12 ½ in.

Mint condition

Ex coll. Peter K. Warren, CT

A small framed Korean woodblock print, with vivid pigments of yellow, magenta, and blue, printed images of whimsical Korean masks and banners. Numbered 31/500, title 183, with signature in pencil, and red chop by artist.

Size: (entire frame)11.25" L x 11.25" H (artwork only) 4.25" L x 4.25" H

Painting of Monkey Reaching for the Moon's Reflection in the Water by Renowned Korean Buddhist Monk and Painter Su An Sunim (born 1940), from the ancient Buddhist parable of the monkey reaching for the moon's reflection in the water. The recent exhibition of Su An Sunim's work at the Zen Buddhist Temple in New York City was the most highly-attended exhibition ever presented by the Korean Art Society...

Lilac Fan Painting by Jeon Yeong Suk aka Yeo Cheong (1960 - ). The lilac is an ancient symbol of peace and harmony. 21 x 6.5 inches, 53.5 x 16.5 cm. This, along with our Stock Numbers 1319 and 1320, is part of a set of three fan flower paintings by Jeon Yeong Suk.

Chrysanthemum Fan Painting by Jeon Yeong Suk aka Yeo Cheong (1960 - ). The chrysanthemum's many petals is an ancient symbol of an abundant life or fertility. 21 x 6.5 inches, 53.5 x 16.5 cm. This, along with our Stock Numbers 1318 and 1320, is part of a set of three fan flower paintings by Jeon Yeong Suk.

Peony Fan Painting by Jeon Yeong Suk aka Yeo Cheong (1960 - ). The peony is an ancient symbol of prosperity. 21 x 6.5 inches, 53.5 x 16.5 cm. This, along with our Stock Numbers 1318 and 1319, is part of a set of three fan flower paintings by Jeon Yeong Suk.