LARGE RICE WASHER

Massive bowl hollowed out from a single tree, with primitive grooves at inner surface (as funtional design for catching pebbles for cleaning rice up when washing rice) and simple but also functional chiseled-grips at outside, early 20th century, Korea, approx. D 39-39.5 x H 15.5-16.5cm (15.35-15.55 x 6.10-6.49in)...

Antique Korean Koryo bowl with celadon glaze and tight crackling. Very charming, small size. Size: 5.5" diameter, 1.25" height

Korean Wood Oil Lamp and White Porcelain Oil Pot and cover, Joseon Dynasty 19th Century, 19" high, 8" widest point on the bottom, Octagonal shape wooden bottom with column wrapped with ornamental Brass cover with ring in the middle section below the wooden cup, White Porcelain oil pot fitted inside the wooden cup with the cut out area for the porcelain handle. The condition is all original including porcelain oil pot with top.

An individual eating table for serving the meal of the day or drinks and treats to your guests. This table measures about 11" high x 16 1/2" in diameter, and dates to the late Joseon Dynasty. The table has a solid, heavy, carved twelve sided, hardwood top (elm), and a softer wood (like ginkgo) was used for the supporting structures, legs and stretchers. It has all been put together with fitted groves and wooden pegs...

Chogappo made of fragments of asa (choma,ramie or hemp) whose wefts and warps are hand-plied. "Pojagi" is the general name for the wrapping cloth and "chogappo" is one kind of pojagi which is patch-worked with asa or silk fragments.(reference source: "Korean Embroidery and Wrapping Cloths from the Choson Dynasty" published by Japan Art & Culture Association in 1995) Late 19th to early 20th century. In excellent condition except for one hole in the longest belt. All hand-sewn...

NUPTIAL EMBROIDERED SILK POUCH FOR SPOON AND CHOPSTICKS

Mid-Late 20th century, Korea, approx. 27 x 9.5cm (10.62 x 3.74in). Handmade embroideries of flowers and animals at the front, and also auspicious single Chinese character which stand for 'Fortune' and ‘Congratulations', the idiom which stands for “Peacefulness", and the other idiom which stands for the pray for the birth of many boys at the backside. Some expected stains due to aging as is as seen...

Korean pojagi (bojagi) made of fragments of choma (ramie). All hand-sewn. In excellent condition. the first half of the 20th century. 106cm x 120cm Belt:3.7cm x 41.5cm

100-YEAR-OLD HEMP BALLS

Two dead stock pieces unused for 100 years. Early 20th century, Korea. Large: 18.5 x 14cm (7.28 x 5.51in), Small: 12.5 x 9cm (4.92 x 3.54in). *Only hemp balls are available, as other fixtures in the photos are not attached...

キロギ(雁) / KIROGI

Pair of traditional Korean pine wood carving gooses given to the newly-married couple when the ceremonious greetings to their parents after wedding. Mid 20th century. approx. 23 x 6.5 x H 12cm (9.05 x 2.55 x 4.72in), approx. 23 x 7 x H 12cm (9.05 x 2.75 x 4.72in). One neck is removable...

"Muji Hakeme Chawan" which is brushed with white engobe over dark color paste containing iron, and then burned with clear glaze. It is made in Korea in 15th to 16th century during the Joseon Dynasty (1392∼1912). It has kintsugi (mending with urushi and gold powder). It has a paulownia matching box. Diameter:17cm Height:7.5cm

Chogappo made of fragments of hemp which is recycled from old textiles. Both warps and wefts are hand-plied. Pojagi" is the general name for the wrapping cloth and "chogappo" is one kind of pojagi which is patchworked with asa (choma, ramie or hemp) fragments. (Reference source: "Korean Embroidery and Wrapping Cloths from the Choson Dynasty" published by Japan Art & Culture Association in 1995). The first half of the 20thHemp or Ramie ones are for wrapping summer clothing...

SILK JEOGORI JACKET

Basic upper garment of hanbok (traditional Korean costume) for women that wears with skirt as a pair outfit. Early 20th century. Firm and glossy indigo blue silk and inner coton with expected ravels and discoloration due to aging, but not fatal damage like holes or rips.

Color to bottom edge: approx. 37cm (16.73in)
Sleeve edge to edge across the shoulders: approx. 140cm (55.11in)
Armpit to armpit: approx...

Set of Four Wood-Fired Cups by Kim Young Mi. Dimensions of the largest cup: 6 inches wide x 3 inches high, (15cm wide x 7.5 cm high).

Small Korean rectangular stand made of elm wood, elegant lines and design, beautiful patina with traces of red lacquer, very simple and useful, 19th century. 11" high x 19 1/4" wide x 13 3/4" deep.

Dragon painted in 1998 by Renowned Korean Artist Don Ahn aka Ahn Dong Kuk (1937-2013). We encourage you to research Don Ahn's sales record and market prices on sites such as Artsy, so you can appreciate what a great opportunity this is to purchase an original work of art by the master at a price well below the actual value. Don Ahn was a pioneer of Korean art in America...

Yellow Dragon painted in 1998 by Renowned Korean Artist Don Ahn aka Ahn Dong Kuk (1937-2013). We encourage you to research Don Ahn's sales record and market prices on sites such as Artsy, so you can appreciate what a great opportunity this is to purchase an original work of art by the master at a price well below the actual value. Don Ahn was a pioneer of Korean art in America...

Painting of Monkey Reaching for the Moon's Reflection in the Water by Renowned Korean Buddhist Monk and Painter Su An Sunim (born 1940), from the ancient Buddhist parable of the monkey reaching for the moon's reflection in the water. The recent exhibition of Su An Sunim's work at the Zen Buddhist Temple in New York City was the most highly-attended exhibition ever presented by the Korean Art Society. At that exhibition, Su An Sunim's works of similar size and quality sold for multiples of the pr...

Pair of Cranes Painting and Poem by Korean Buddhist Monk Su An Sunim (born 1940). The crane is a an ancient symbol of longevity and immortality. Because cranes were believed to stay with one mate for their lifetime, it is also a symbol of faithful love. When the crane is paired like this, the meanings of immortality and fidelity combine to mean eternal love. The flying-white brushwork and ink washes here display Su An Sunim's mastery of zen art at its best. The recent exhibition of Su An Sunim's...