Tibetan or Mongolian Rare Buddhist Tantric painting of sets of offerings (rgyan tshogs). Undated, estimated to be 18th century Inks and colours on cloth. 54cm square

This is a large, early and powerful Tibetan copper repousse head. The piece is adorned with a crown of five skulls surrounded by flames.There is some very minor damage to the figure's left ear, a split, visible in the photos. Two of the crowns have lost their finial, again visible in the photos. The piece is substantial, sitting a generous 5-3/4" in height. The piece was most probably surmounted by a flame(?), now also missing...

What an amazing statue: early 18th century four-armed Avalokiteshvara purple bronze Buddha, the Bodhisattva of infinite compassion.

The statue is made of high class purple bronze, with rests of gilt and color, very impressing with 51 cm (20'') height and a weight of approx...

Un panneau de bois sculpté en relief d'une divinité. Travail indien ou Himalayen. Ceratinement trés ancien. Au revers le bois a été fortement vermoulu, toutefois l'ensemble est solide. 205x130mm

A very fine solid cast Tibetan bronze depicting a six-armed Mahakala. Excellent detail- note the finely cast skull crown as well as the excellent facial detail. The piece is free of any damage and measures 4-5/8" in height

Statue of Buddha Amithaba or Amitayus, wearing an unusual diadem, jewelry and dhoti, sitting cross-legged on an elevated throne backed by a flaming mandorla, holding the elixir of immortality in his hands. Bronze, with a fine reddish-green patina. This statue is a Sino-Tibetan work, dating late 18th century/early 19th century. Height: 18.5 cm. Very good condition. Provenance: acquired from a Hong Kong antique dealer in 1978.

A delicately cast fire-gilt bronze image of the Four-armed Avalokitesvara (Tibetan: Chenrezig; Chinese: Sibi Guanyin), the Bodhisattva who embody the Universal Compassion, seated in Dyana-asana on a lotus flower. Original sealed bottom. Tibet, 17th cent. H 11 cm. Condition: very good gilding with natural patina due to handling.

An antique Tibetan religious storage cabinet used for food preparation with lift-off cover. Hand painted front panel depicting a scene featuring a seated Buddha with worshippers, a temple, elephants, a deer, a monkey, ducks, horse, a rabbit, and a wise man surrounded by attendants. The panel is framed with an arabesque design.

Age: 18th Century

Dimensions: 48" Wide by 27 1/4" High by 13 3/4" Deep

An antique Tibetan storage trunk with hard mounts and a hand painted dragon that appears to be dancing holding sacred jewels in each claw. A magnified textile pattern surrounds the dragon design. Hinged cover opens to a spacious storage area. Natural wear and marks on the cover over its long history of use.

Age: 17th to 18th Century

Dimensions: 34 1/2" Wide by 19 3/8" High by 13 1/4" Deep

A powerful image of Padmasambhava also known as Guru Rimpoche, the reputed founder of Tibetan Buddhism. Carved mostly of a single piece of precious dark purple sandalwood (zitan). Remains of colours and gold. Tibet, 17–18th cent. H 15 cm. Condition: Very good but of course with wear due to age. The trident (khatvanga) is missing.

17th Century Tibetan Thangka of Avalokitesvara with original silk mount and silk cover from a renowned and published collection. Mount: 46 x 28 inches (117 x 71 cm), Painting: 28 x 20 inches (71 x 51 cm).

Antique Tibetan carved wooden ritual staff handle with three heads; the top head is a skull, the second head is presumably Padma Sambhava, the third is presumably Guru Rimposhe, on new metal stand. Size 5.5" 16th / 17th century.

17th Century White Tara Tibetan Thangka. The White Tara goddess symbolizes transcendent knowledge and purity. In ancient Tibet, it was believed that Tara was reincarnated in every virtuous and pious woman. She was born from the eye of Avalokitesvara, the Bodhisattva of compassion, and became his wife. Most of these thangka were photographed through glass frames, so there may be a little blurriness. This thankga was in an exhibition at the University of Texas Art Museum. Mineral pigments on silk...

17th Century White Tara Tibetan Thangka. The White Tara goddess symbolizes transcendent knowledge and purity. In ancient Tibet, it was believed that Tara was reincarnated in every virtuous and pious woman. She was born from the eye of Avalokitesvara, the Bodhisattva of compassion, and became his wife. Most of these thangka were photographed through glass frames, so there may be a little blurriness. This thankga was in an exhibition at the University of Texas Art Museum. Mineral pigments on silk...

17th Century Bhaisajyaguru Thangka. Antique Tibetan Thangka of the Medicine Buddha seated upon a lotus throne, holding the medicine bowl, and surrounded by Heavenly clouds and four Bodhisattva. Most of these thangka were photographed through glass frames, so there may be a little blurriness. This thankga was in an exhibition at the University of Texas Art Museum. Mineral pigments on silk. 16 x 12 inches, 40 x 30 cm.

17th Century Vajravarahi Tibetan Thangka. Fine Antique Tibetan Thangka of the Sakti of Samvara, Vajravarahi (Tibetan: Hod-zer Chan-ma), Goddess of War and Victory, with a necklace of skulls, a staff of skulls, a skull bowl, and a crown of skulls. She is dancing on a lifeless body surrounded by a mandorla of flames. Most of these thangka were photographed through glass frames, so there may be a little blurriness. This thankga was in an exhibition at the University of Texas Art Museum...

17th Century Tibetan Amitabha Thangka, 46.5 x 25.5 inches, 118 x 65 cm. Most of these thangka were photographed through glass frames, so there may be a little blurriness. This thankga was in an exhibition at the University of Texas Art Museum.

17th Century Tibetan Arhat Thangka, 36 x 26 inches, 91.5 x 66 cm. Most of these thangka were photographed through glass frames, so there may be a little blurriness. This thankga was in an exhibition at the University of Texas Art Museum.