Late Qing Dynasty (19th century) Chinese lady’s front-opening summer gauze kesi surcoat decorated with eight polychrome roundels, featuring a central crane surrounded by butterflies and flowers, set against a dark cobalt blue ground. The crane motif indicates the robe would have been worn by the wife of a first-rank civil official. The sleeve ends are decorated with a water and wave motif...

Chinese Qing dynasty (19th century) Daoist priest’s robe densely embroidered in a pattern of complex iconographical symbols set against a pale celadon silk background created entirely from satin-stitch embroidery. The style is the traditional rectangular front-opening form which rests on the shoulders and has the lower part of the sides sewn together to form armholes. The center back is embroidered with a flame-bordered circular cartouche containing a pagoda flanked by flying birds...

A Chinese paired apron wraparound silk gored skirt, woven in tapestry (kesi, kossu, k'o-suu) technique with some silver wrapped threads and painted details, attached to an undyed cotton waistband and trimmed by a brocaded band. The panels are showing an imperial imagery of the celestial landscape with five-clawed dragons and phoenixes, against a green ground. The "long" dragons were probably covered by peacock feathers, rarely survived to the present days...

Three Mandarin Hat Finials. A clear glass of the 5th rank. Two gilt of the 7/9th ranks. Chinese Qing 1644-1911. Height of clear finial; 4 1/8" (10.3 cm). Condition; minor faults, slight corrosion to small gilt finial.

Super fine old wool pangden cloth- all hand spun wool and natural dyes. This piece is an exceptionally large piece consisting of 5 panels, circa 40 to 50 years old. I have had quite a few of these in the past and this is one of best I have seen.The weave is very tight and heavy and would make an excellent small blanket or throw rug. In the past these were worn by married women, but these days they are a fashion accoutrement for the modern Tibetan woman...

Beautiful women's vintage silk cheongsam (or qipao) dress with gold trim and satin borders. It has water droplet shaped fasteners with gold swirls within, mandarin collar, and slits on either side. The first style of qipao emerged in the Qing Dynasty when the Manchu social group called the Banners came to be. All Han Chinese under the banner were forced to dress in qipao instead of traditional Han dress...

This was the traditional jacket used by girls of the Yi Chinese ethnic Minority. Girls wore this style until they were married. This garment is small and was most likely worn by a child between 7-10 years old. Condition considered good...intricate batik work, original silver buttons,hand embroidered detailing around collar,front closure,sleeve and bottom borders... wonderful display item...

This vest made by Chinese Miao ethnic minority....from region of Huang Ping. It is roughly 50 years old... The amount and skill of the hand stitching embroidery and applique animal characters is wonderful...Cotton fabric appears to be homespun...The Miao of the region grew and harvested their own cotton Great wall piece..and will fit an average size man...

Classic long sleeved silk brocade cheongsam aka qipao. This is all hand tailored and hand sewn, definitely not off the rack. Beautiful floral pattern (lotus, chrysanthemum, and pomegranate blossoms) with foliate scrolls, this pattern can be traced back to Ming Dynasty blue and white porcelain. The zipper has come off the track other than that perfect condition. See enlargements for dimensions. Clean but could use a steam press. More dimensions can be provided for a serious buyer.

Classic heavy silk or cotton and silk blend fabric black cheongsam or qipao top with blue silk lining, circa mid 20the century. Perfect condition, and clean. Tailor made and all hand sewn. Dimensions in enlargements.

Fine old Yao embroidery with Chinese characters, from the Kin Mun Lantien subgroup Yunnan/Vietnam. This piece is in excellent condition with no damage, but the indigo has “bled” and is circa early 20th century. It is made from all handspun cotton with an intense indigo dye. These are documented in the Jess Pourret book “The Yao”. Embroidered patch W: 14cm/5.5in and L: 20cm/7.9- with fringe 139cm/54in. Free shipping.