A Blue and White Deep Dish decorated in the centre with a single flowering plant. Within a scrolling floral border. Base with a Fuku Mark. Arita C1680-1710. Diameter; 14.3 cm Condition; one minute frit

Antique Japanese large porcelain charger. Decorated with a blue and white glazed scene of a bird and peony flowers. A separate round reserved is dedicated to the open sky with a bird in flight and wisps of clouds. The rim is painted with an lined motif. Six character mark on the back.

Age: Meiji Period (1868-1912)

Dimensions: 3" high x 18" wide

Japanese Seto ware umanome "horse-eye" dish. Also called ishizara (stone ware) this type of sturdy plate with it's iconic iron oxide glazed circular motif would have been used in a rural inn to serve hearty food to travelers. An appreciation for the natural beauty of items made and used deftly by practiced hands became popular through the Mingei movement in the 20th century.

Age: Late Edo/Early Meiji period (mid 19th century)

Dimensions: 2" high x 10 3/8" wide

Medium sized Japanese blue and white charger with center koi floating center in a celadon green space. Rimmed with bamboo and blossoms.

Age: early 20th century

Dimensions: 15 3/4" long x 12 1/2" wide 1 3/4" high

A highly detailed spiraling double-gourd shaped pair of bottles, the flattened sides decorated with alternating designs o florals and intricate geometrics by the elusive Nakamura Shuto enclosed in the original signed wooden box. Each is 8 cm (3 inches) diameter, 18 cm (7 inches) tall and in excellent condition...

A spiraling porcelain tower in two parts forming a container by Yamaura Yosuke enclosed in the original signed wooden box titled Shiroyari no Futamono (White Spear Container) It is 20 cm (8 inches) tall and in perfect condition.
Yamaura Yosuke was born in Fukui in 1982, and graduated with a masters from the Shizuoka Universilty of Art and Culture in 2008. He went on to further study at the Tajimi City ceramics Design and Technical Center, graduating in 2010...

LITTLE GIRL FACE

Anonymous pottery relief attached with wooden plate. Showa period, 20th century, Japan. 17 x 17 cm (6.69 x 6.69in).


selected by Pottari




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If you are familiar with the work of Hiramatsu Ryoma you know that he creates very unconventional ceramics inspired by forms found in nature. Here we have a set of sake cups inspired by “Ou-tekko” (pyrite) and “Ammonite” (same in English - a kind of sea fossil). Part of a series he has been developing for several years now, the ancient Ammonite fossil has been the inspiration behind his latest creations...

Tokkuri, or sake bottle, made of stoneware with almost straight sides, its neck slightly ex-centric. The hip show some hidasuki, oxidation from rice straw, the sides are rough from ashes settling onto the lip and shoulders during firing.

Artist mark on bottom (Croix de Lorraine). Museum inventory number on bottom L75.30.3

Kato Kiyonobu, Japan, 1975 or shortly before.

H 4.5 x W ca...

A Shodai-yaki plate from early in the production of that ware, some several hundred years old now. It comes with a label and old monochrome photograph of the piece both stamped with the Kumamoto Museum (Hakubutsugkan) stamp. The plate is a kiln flaw, with a split in the rim in two places which ocured during the firing process, The plate is 27 cm (10-3/4 inches) diameter and is in overall fine condition, enclosed in a red ^-lacquered old Edo period wooden box...

Pair of Japanese Porcelain Seated Hound Dogs. White ground coat with whimsical cloud like patterns in gold, russet, and black. Alternating color collar tied behind the neck with gold bell. Finely rendered teeth and tongue. The impressive scale for the pair, each is sitting with mouths open.

Age: Early 20th Century

Dimensions: 7" wide x 15 1/2" high x 8 3/4" deep

A guinomi on a tall pedestal in white by female artist Koike Shoko enclosed in the original signed wooden box titled Shiroi no Katachi (White form). It is 8 cm (3 inches) diameter, 6.8 cm (2-1/2 inches) tall and in excellent condition.
Born in 1943, Koike Shoko graduated Japan’s top art school (the Tokyo University of Art) in 1969. Eschewing the world of public Exhibition, Shoko has concentrated on private venues and museums...

A fabulously sculpted Ao-Bizen Koro Incense Burner in the shape of a thatch roofed boat dating from the Edo period enclosed in a wooden box titled and annotated by the artist Mashimizu Zoroku titled Bizen Ao-yaki Funa Gata Koro. It is 24 x 8.5 x 9.5 cm (9-1/2 x 3-1/2 x 4 inches) and is in excellent condition.
Mashimizu Zoroku I ((Shimizu Tasaburo, 1822-1877) studied under his uncle Wake Kite and established his independent studio in 1843, taking the name Mashimizu Zoroku...

Tokkuri, or sake bottle, made of porcelain, its belly cut to eight vertical facets, covered with a white opaque glaze with a few brown specks.

Unsigned

Kato Kiyonobu, Japan, 1975 or shortly before

H 5.4 x W ca. 3.5 in.

Minimal traces of usage, otherwise excellent condition

Comes with the original wooden storage box inscribed on the cover: White glaze, faceted. Signed: Kiyonobu. Red seal: Kiyonobu...

Large square platter with rounded corners, scalloped rims and an uneven surface. Yellowish cream-colored stoneware that turned orange-brown by the fire, covered in a gray-blue finely crackled glaze with greenish spots.

Signed on the back: Getsu (Yamanaka Gesson).

Hagi, Japan, 1980?, 1990s?

H 2¼ x W 11¾ x D 12 in.

Mint condition

Comes with the original wooden storage box...

Rare 1910's Japanese Hand Painted Noritake Nippon Plate with River Scene Marked Toki Kaisha

It is 1.25 inches (3.2 cm) tall by 10.1 inches (25.77 cm) wide. It weighs 1.5 lb.

It has dark spots and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

This amazing incense burner is shaped like a cottage. The roof is removable and the incense fumes escape through four chimneys made in the roof. The cottage is built with a white Kyoto stoneware plates, the details are incised in hollow or modeled in slight relief and enameled in green, red and gold. This is a very rare form of incense burner, difficult to create, the firing cracks are there to testify to this...

Displaying a bold Oribe glaze and sweeping comb pattern culminating in a dynamic vortex, this wonderful platter is the result of years of trial and error by one of Japan’s most lauded ceramic artists of the 20th century. Awarded the title of Living National Treasure for a lifetime of innovation, advocacy, and creative expression, Suzuki’s pieces stand as a lasting testament to his artistic genius...