A late 16th.century Azushi-Momoyama Period (1573–1600) vase in elegantly-shaped meiping form, with a gradual outward curve on the shoulder, with short-knopped neck, incised beneath the greenish-yellow / olive glaze.

The vase is decorated with kanji letters...

This beautiful vase is a truly Japanese expression of a classical Chinese form. Fashioned after Song Dynasty pieces that are thought to have been introduced in the 9th century from Syria, the fine Kinuta celadon glaze is masterfully recreated by one of the most skilled Kyoto potters of the Meiji period. The outer ring of the foot is unglazed showing the fine porcelain clay this piece is constructed from and the glazed center bears the seal of the Imperial Court Artist who fashioned this piece...

This past summer I had occasion to visit Richard Milgrim in his Mountain Studio and asked him to pair some sake cups and Tokkuri for us. It is a rare opportunity to have an artist personally select pieces which he feels work together. This set is making use of his signature Concord glaze (Konko-yu) from America, with clay from Japan, while the cup is also using a variant of that glaze Black Concord (Konko-guro). The Tokkuri is 9 cm (3-1/2 inches) diameter, 12 cm (5 inches) tall...

This magnificent Oni Azami chawan is a perfect embodiment of the tradition of Japanese pottery by legendary master and modern avangarde artist Suzuki Goro, mint condition and enclosed in its original signed wood box and a hand painted cloth by the artist himself.

Oni means demon, in Japanese, and azami is the name of a famous flower in Japan (thistle in English) with an explosive charakter. Oni Azami.

Suzuki Goro surely needs no introduction...

Japanese antique pair of small Inari Shinto shrine foxes made of pottery with traces of Mica in the clay. Originally painted, these foxes still have traces of bright pigment. Also called Zenko, these good spirit Kitsune (foxes) are specifically associated with the Goddess, Inari.

Believed to be both messengers and guardians, Kitsune served Inari in her role as the Goddess of agriculture, specifically rice...

A beautiful example of Shigaraki pottery—the result of techniques perfected over centuries by dedicated artisans residing in the provinces east of Kyoto. This piece, made by master potter Sugimoto Sadamitsu, achieves a kind of asymmetrical balance of both form and color, displaying classic Shigaraki markings of emerald green, red ochre, and pale ash.

Sugimoto (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age...

Massive 18” high Japanese Meiji period “cong” form Satsuma earthenware vase finely decorated on the four rectangular sides in polychrome enamel and gilt highlights with vertical scenes of figures in landscapes featuring the four seasons. The base holds a square four-character “respectfully made by Ryuzan” mark. Circa 1900. 18” high, 7 1/2" square; weight: 17 lbs. Very good overall condition with some typical wear to the overglaze pigments and gilt, particularly at the rim...

A stone formed bowl covered entirely in platinum by Inayoshi Osamu enclosed in the original signed wooden box accompanied by the shiori and Shifuku. The bowl is carved and torn from a block of clay, then textured with natural stones specially selected for their surface patterns, splashed with glaze and then covered in platinum, creating dry. Matte regions punctuated by glistening liqid spatters...

A traditionally crafted Bizen sake cup with a rich mineral glaze giving this guinomi a metallic look. The craftsman who made this piece, Takahiro Ishii, was born in Tokyo in 1977, and, after studying ceramics for a number of years, he moved to Bizen to become a ceramics teacher and later opened his own kiln. He takes a philosophic approach to his work as evidenced by the following quote, “As a ceramicist, I feel that the point is not just to produce pieces...

A large and important work by Miyanaga Kozan of overall raw clay in a Nanban style with drips of color featuring a tiny colorful crab crawling out of a hollow in the base. It is 30.5 cm (12 inches) tall and in excellent condition, in an age darkened wooden collectors box titled Makuzu Yaki Kabin, Miyagwa Kozan Sei followed by a very large stamp...

A petaled vase in snow s\white porcelain with silver blossoming from the rim by Itaya Narumi enclosed in the original signed wooden box. It is 12.5 cm (5 inches) diameter and in excellent condition, from the artist this year. Itaya Narumi was born in Gifu in 1991, and graduated the Toki City Ceramics Research Facility in 2015. She has participated in several exhibitions since, with an emphasis on natural forms and tactile senses.

Sturdy storage jar for tea leaves or other goods with horizontally ribbed surface, sloping shoulder with very short neck. Coarse but dense clay with small inclusions. Outside middle brown with cream-colored and yellow natural ash glaze. Mingei.
Japan, 18th/19th century.

Height 7.5 inches, width 6 inches at the neck. Ash glaze partially rubbed off at upper edge and at the body commensurate with holding and using, otherwise very good condition.

Described on the wood box as a tokkuri (sake flask) with kin-kousai (metallic Iris) glaze, the size and form would allow this piece to function just as well as a small flower vase...

A high quality Arita porcelain dish decorated with an auspicious pattern composed of a central motif made up of three shippo or cash symbols bound together by a stylised Peony leaf vine; a variant of the more usual ribbon tied cash see EW3193. The cavetto decorated with a Tako-karakusa ground and the rim with a diaper band. The reverse is meticulously painted with a band of stylised lotus pattern to the base of the footrim...

An unusual Arita dish with an out-turned rim decorated in a greyish toned under-glaze blue with a Chinese Export Qianlong “Chinoiserie” style pattern featuring a conventionalised landscape of Pagoda and Islands surrounded by two bands of diaper containing four floral sprigs, Peonies and Chrysanthemums...

An unusual Arita dish of typical scalloped rinka form decorated with a variant of the so-called “Sweet Pea” pattern...

A beautifully crafted vase from a studio potter in the hills of Iga, a few hours drive east of Kyoto. Iga-ware has quite a long history—by some accounts dating back to the 7th and 8th century—with the major kilns being established some time around the end of the 16th century. Similar in many ways to Shigaraki pottery, the glaze is the result of kiln ash being vitrified and melted on to the surface of the clay body at extremely high temperatures during firing, which can last many days. To add...

Beautiful lobed Kutani yaki dish in Yoshidaya style, modern. Decoration of camellia in white, aubergine, green, speckled yellow and gilt. The back with a character in gilt, possibly Qiu, meaning Autumn. It is also defined by Graesse in his classical work about pottery and porcelain marks as from the village of Shinomine in Arita. Diameter "6 ¼ / 16 cm, height "1 ¼ / 3 cm. Condition: fine.