Everything you could want in firing effects decorate the various sides of this Iga Tsubo by Tanimoto Yo enclosed in the original signed wooden box. It is 23.5 cm (9 inches) diameter, 26.5 cm (10-1/2 inches) tall and in excellent condition.
Born in 1958 the son of Iga potter Tanimoto Kosei, Yo was raised among the kilns and has always had his hands in clay...

A rare bowl by Ninnami Dohachi from the Sangama kiln dating from the later Edo period wrapped in a silk pouch and enclosed in a fine custom made Kiri-wood collectors box. Deeply impressed into the base is the six sided Sangama kiln mark. It is 5-1/2 x 5 x 3 inches (13 x 12.5 x 9 cm) and is in excellent condition...

Molten glaze in volcanic plumes extending from a yellow blast wrap tendrils around this exquisite Bizen vessel by Baba Takashi enclosed in the original signed wooden box titled Bizen Yohen Tsubo. The kiln effects are spectacular, covering the blackened Bizen clay with yellows, charcoals and a myriad of natural tones. It is quite large at 15 x 13 x 9-1/2 inches (38 x 33 x 24 cm) and is in new condition. Depending upon destination, special shipping consideration may be required...

A superb example of the mastery of Bizen Saiku-mono sculptures by Nishimura Shunko dating to the pre-war era. The musculature and bone structure of the creature is clearly visible, and it wears a cloak of ash glaze like fur, the tail actually covered in dry “goma” textured ash, and the lower extremities showing a fine assortment of Hi-iro flame colors on the raw clay. Stylistically there appears to be some influence of the pottery technique of Okinawan Shisa (lions)...

A very unusual work by the challenging artist Nakata Atsushi covered in red lacquer with modern designs enclosed in the original signed wooden box titled URUSHI TEA BOWL. It is 11.5 x 13.5 x 9.5 cm (4-1/2 x 5-1/4 x 3-3/4 inches) and is in New condition.
Nakata Atsushi was born in Toyama in 1968, and studied in the blossoming field of videography at Osaka University of Art however chose the path of potter after working at a friends kiln while at school...

A Pottery pouch covered in polka-dot silver glaze inspired by traditional textiles by pioneering female artist Tsuboi Asuka threaded with genuine silver couched chord and enclosed in the original signed wooden box. It is 11 cm (4-1/4 inches) tall and is in excellent condition.
Tsuboi Asuka was born in Osaka in 1932, but the family moved to Tokyo when she was 12...

A breathtaking work by Miyake Yoji enclosed in the original signed wooden box titled Nuki-e Kinsai Sakura-mon Kaki. The unabashed use of gold on this piece is extraordinary. Quite large, it is 39 cm (15-1/2 inches) tall, 27 cm (11 inches) diameter and in excellent condition. This is a step beyond even for an artist known for his bold patterns and designs; this would make a powerful centerpiece for a collection of contemporary Japanese pottery...

Japanese pair of round fish plates. The raised details of the fish is painted in blue glaze. Along the edges, an impressed pattern makes up the fish's dorsal and pectoral fins. On the bottom, the maker's mark is a tiny blue floret.

Taisho Period (early 20th century)

Dimensions: 10 3/4" wide (mouth to tail)

Ash forms enigmatic shapes on this exquisite cocoon shaped wall vase by Yamada Jozan IV enclosed in the original signed wooden box. It is 8 cm (3 inches) diameter, 6 inches(16 cm) tall and in excellent condition.
Yamada Jozan IV was born into the house of third generation Living National Treasure Yamada Minoru in 1954. He graduated the Tokoname High Ceramics Course in 1973, before entering Osaka University of art...

A perfect example of the Early Edo Tea aesthetic in this Chatsubo dating from the first half of the Edo period, a splash of black over rust with a white glazed waste from the Seto region around modern day Nagoya. It comes with an ancient wooden bung and wrapping cloth. The pot is roughly 27 cm (11 inches) tall and in overall excellent condition, with typical wear around the foot. No cracks or repairs...

A rare set of five tiny Gosu cups for drinking Gyokuro steaped tea from the Shidehara kiln of Sanda in Hyogo prefecture dating from mid to later 19th century (Late Edo to Meiji). Fish circle the cups as they swim among water plants. Each cup is 2 inches (5 cm) diameter and in great condition.
Shidehara was a kiln established in the Sanda district of Hyogo prefecture in the mid 18th century. They created works based on continental styles of Gosu, Sometsuke, aka-e and later celadon...

A refined set of 5 later Edo Sake cups in a hybrid E-gorai style from the Kosobe kiln of Igarashi Shinbei decorated with pale blue designs (gnarled plum trees?) under thick cream colored glaze on very thinly potted clay blended with shiseki for great effect...

It is a privilege to introduce this incredible sculpture by the young female ceramicist Furui Akiko enclosed in the original signed wooden box titled Tsubomi (bud) dating from 2017. It is made up of hundreds of rolled sheafs of shaved clay covered in a white slip and fused together. The amount of work which goes into each sculpture is obvious, making her work great value.
Furui Akiko was born in Aichi prefecture in 1987. She graduated the Aichi University of Education in 2010, and had h...

Remnants of yellow glaze covers this Heishi (Heiji) bottle form from the Owari-Seto area engraved clearly about the neck with three lines. A quintessential Kamakura pot. There is much degradation to the glaze typical of Seto which has withstood a millennium of earthquake, fire, war and abuse. That anything survives so long in Japan is miraculous. It is 9-1/2 inches (24 cm) tall, 6-1/2 inches (16.5 cm) diameter and comes wrapped in old cloth in an old wooden box.

A lovely hand formed bowl in the shape of an inverted mushroom with brush strokes (Kushi-me) defining the gills and the bulbous stipe laying like a handle to one side. A speckled yellow glaze (typical of Maiko) covers the sandy clay, with a drape of green and white seeping like milk from one side. It is roughly 21 cm (8 inches) diameter and in excellent condition, stamped on the base Mahiko (In traditional writing the character for Hi is interchangeable with the character for I as is Fu and U)...

Splendid and absolutely rare double vase of old Karatsu-yaki. It has a vivid Chosen-Karatsu glaze, and the grandiose embellishment of color creates a sublime sense of tension between the dark glazed and color infusion.

This very decorative vase was made around the mid 19th century (late Edo Period).

Very good antique condition with only a light crack of glaze on the back of the white top, which enforces the all over wabi-sabi look.

Size: 23 cm height x 25 cm w...

An elegant Edo period Mokko-Gata bowl decorated in gosu floral motifs over yellow under a clear glaze from the kiln established by Chinese Ming émigré Chin Genpin (Chen Yuanyun 1587-1671) around 1660 in Nagoya under direction of the Daimyo of Owari Province Tokugawa Mitsutomo. The piece makes use of Seto clay covered in a combination of imported yellow glaze and local glazes mimicking the popular Annan Yaki of Southern China and Vietnam. It is 15.5 x 11 x 7 cm (6 x 4-1/2 x 3 inches) and is i...

Pierce-work combined with over and under glaze decoration create the perfect picture of spring on this bowl by Takahashi Dohachi enclosed in the original wooden box signed Kachutei Dohachi and titled Kenzan Yo Tsubaki Bori Hachi (Kenzan style Camelia patterned Carved Bowl). It is 20 cm (8 inches) diameter and in excellent condition.
The Dohachi Kiln was established in Awataguchi by the retainer of Kameyama fief, Dohachi I around 1760, and the name Dohachi was brought to the forefront of ...