This life sized Chinese cast iron head of Buddha features a relaxed, benevolent expression with downcast gaze consistent with the introspective Southern Song dynasty and is probably from the period. The elongated ears are unadorned though each appearing to retain a small pin from the casting process. The hair, with part at the forehead, is consistent with earlier castings of Buddha from the Song dynasty and features evenly spaced whorls instead of tightly arranged curls...

This Chinese, Ming dynasty figure of Dizang (in Sanskrit, Ksitigarbha), often depicted as a monk, is cast in iron. Details are finely carved into the surface including decoration of the lotus base, trim and elements of the jiāshā (robe), and the figure's facial features. At least three small iron pins and one pin hole remain at inconspicuous points, attesting to the casting process (look for these in the last two enlargement images)...

A Ming cast-iron figure of Vairocana, the Dharmakaya Buddha, the most important of the Five Dhyani Buddhas, the one from whom the other emanate from; his name means "luminous" or "embodiment of lightâ€. He is sitting on a lotus throne, holding his hands in Abisheka Mudra (consecration gesture). On the back side there is a dedication: donated by the Li family. Ming Dynasty, 1368–1644. H. 27. Condition: Very good but with few casting mistakes on the back

A cast iron beast, probably a tiger. The elongated shape of the animal, the size, the sagging of the back, suggest that it is a brush rest. There are a lot of modern cast iron copies, which may be the case here, but we can certify that this little tiger has been in the Sakura collection for at least forty years, which proves nothing. Sculpture smal but powerfull. Good condition. Length: 85mm The price is depending on the doubt.