Fine Chinese Han Dynasty Painted Pottery Horse & Rider (206 BC - AD 8)

This fine and attractive pottery horse and rider was made over 2,000 years ago during the Western Han Dynasty (206 BC - AD 8). It is made from a grey pottery, quite "heavily-potted", that has been "cold painted" in a base coat of creamy-white pigment with the details picked out in various coloured pigments. The horse stands alert, head facing forward, the rider sitting in the act of holding the reins to the horse. The pa...

Fine Chinese Han Dynasty Painted Pottery Horse & Rider (206 BC - AD 8)

This fine and attractive pottery horse and rider was made over 2,000 years ago during the Western Han Dynasty (206 BC - AD 8). It is made from a grey pottery, quite "heavily-potted", that has been "cold painted" in a base coat of creamy-white pigment with the details picked out in red, pink, brown and black pigments. The horse stands alert, head facing forward, the rider sitting in the act of holding the reins to the hor...

Kawase Hasui
Spring Snow, Kiyomizu Temple, Kyoto
Date: 1932.
Size: Oban 15.0 x 10.5 inches.
Hasui signature and seal lower right.
Publisher: Doi Hangaten. Carver: Harada. Printer: Yokoi.
Edition: Early postwar (1950-63).
Reference: Hotei No. 276.
Medium: Japanese woodblock print.
Condition: Top margin partially trimmed. Toning at lower left corner. Slight margin creasing.

A set of Chinese painted pottery soldier.

Age: China, Tang Dynasty, A.D. 618 - 907
Size: Height 23.3 - 24.4 C.M. / Width 5.9 - 6.1 C.M.
Size including stand: Height 29.1 - 30.7 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adhering (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actua...

9 METER-LONG GHOST SHUNGA SCROLL

Rare find of very long shunga (pornographic painting) scroll without any texts on paper, approx. 29 x 900cm (11.41 x 354.33in), early 20th century, Japan. Some expected creases and worm holes as is. The story is that an woman who married with a high-ranking Buddhist priest had shortly treated as an object for the sexual pleasure of many priests then died and became a vagina ghost and revenge on those priests.


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Box and its tray in black lacquered wood decorated with bindweed in gold and silver powdered lacquer. Details of gold squares. Black interior. Nice finish. No signature. Japanese work from the end of the 19th century or the beginning of the 20th century, Meiji or Showa period. Good condition except for some wear on the corners visible in the photos. No catering.

Pair of hard porcelain pheasants covered with "famille rose" enamels, gilt details. "compagnie des indes" style. Although the style is Chinese from the 18th century, these are late copies Probably Chinese work from the 20th century, perhaps from the Republican period. The enamels are beautiful and thick, some details are gilded. Base unglazed, no mark. Good condition, except the beak of a pheasant broken and badly restored . Height: 29cm

Small cast bronze incense burner in the shape of a duck. The bird is lying on its folded legs and gracefully twists its neck to groom its plumage. There has never been a lid because the opening on its back is clean without grooves and without any trace of friction or wear. The carving is of good quality, the eyes and nostrils are particularly well executed. Chinese work from the 18th century or much earlier. Below, between the legs, the bronze cracked and was repaired with tin solder. Beautiful...

Chinese Qing to Republic period porcelain lion dog seated with an open mouth revealing ferocious teeth and a well-formed protruding tongue, covered overall with a golden amber glaze. 8 1/2" high x about 8" long. Early 20th century. An old price tag is adhered to the unglazed base. Very good overall condition with possibly a tiny loss or production flaw to the side of one tooth. From a Paradise Valley, Arizona estate.

An Export Mother of Pearl Thread Winder. Carved in relief on one side with a couple on a terrace and the reverse incised with a seated man and attendants. Chinese 1820/40. Length; 3 1/2" (8.8 cm). Condition; excellent.

A Pair of Famille Verte Saucer Dishes. Decorated with groups of flowering lotus and storks inflight. The reverse with a rich Batavian glaze. Old French collection labels. Kangxi C1720. Diameter; 8 3/4" (22.1 cm). Condition; Light wear, small chips to foot. Firing flaw to rim of one dish

A Japanese fascinating embroidered silk hanging tapestry depicting a flying Phoenix 鳳凰 and a Kirin 麒麟, the two most powerful and sacred beasts of all Japanese within a silk frame finely decorated with a dense pattern of stylized motifs. The central scene is very unusual and it represents a Phoenix in flight in the upper part and a Kirin looking at each other. Even the back is finely embroidered with a dense decoration of stylized motifs on a blue background. The kirin and the ph...

A gosu blue Satsuma sculpture depicting Jurōjin 寿老人, one of the seven lucky God (shichifukujin 七福神) holding a fan with his right hand and finely decorated with red, turquoise and blue polychrome enamels enriched with gold motifs. The Kimono is finely decorated with floral and phoenix motifs. The sculpture is signed Satsuma Senjudō’ 薩摩宣壽堂 on the back within a rectangular gold reserve with Shimazu Mon (Emblem of the Shimazu family). God of Wisdom. Jurōjin 寿 �...

Heavily distorted shoe shaped (kutsu) Kuro Oribe Chawan from the mid 19th century (late Edo) with a strongly flaring mouth made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife in its lower part and covered with a very deep black iron oxide glaze inside and outside.

A window has been left unglazed and shows a typical Momoyama era design. The somewhat irregular foot reminds of the late production of Oribe tea bowls of the 1620-ies at th...

Width approximately 25 cm. Few soft chips at the tipspout. In good condition.

Width approximately 22.5 cm. In good condition.

Rare “spirit calling” bell from the Yao Mien ethnic group of Guangxi, Vietnam, Laos. This would be used in Daoist ceremonies by Dao Guang priests and an example may be seen in Jess Pourret’s book: The Yao, plate 570, pg 207. The bell is attached to a bear’s tooth and has a "sweet" tone. This a genuinely old piece, circa late 19to early 20 the century. Please see last enlargement for scale. Free shipping.

Poutaï in porcelain enamelled mainly in yellow, details in blue, green, pink, white and gold enamels. The deity is represented seated, relaxed as usual. The jovial expression is well treated. The subject was executed in large quantities but the one we present here today is more interesting than usual because its yellow color is particularly appreciated in China, its expression is beautiful and it is in perfect condition. Underneath there is an intaglio stamp, probably a workshop mark? The clay ...