Good porcelain blue and white Ming Dynasty bowl with abstract pattern of boats on water. There is one tiny flea bite chip on the rim noted in last enlargement, otherwise very good condition. D: 10.7cm/4.2in and H: 5.4cm/2.1in.

Nice old carved hardwood box from the Shan State, Myanmar with traces of original lacquer. This was collected around 1988 in Northern Thailand, and originally dates to early the 20th century. Please note this is not a tourist piece artificially stressed to look old. The Shan have a strong shamanistic tradition which seems to blend well the local Buddhist religion, possibly this was used to house shaman paraphernalia. The box is carved from a single piece of wood and the sliding lid has...

1920's Japanese Satsuma Vase with Flowers & Chocolate Colored Rim by Yabu Tsuneo Signed Meizan

It is 5.5 inches (14 cm) tall by 3.5 inches (9 cm) wide. It weighs 0.8 lb.

It has rubbing of gold and paint, chips and hairline cracks at the lip, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% ...

A large rosewood, huanghuali brush pot, bitong of simple cylindrical form with thick walls and the base with an inset plug. The wood grain has particularly nice patterns, with a few 'ghost eyes', and a wonderful deep honey-brown patina. H 16 x 16,4 cm Diameter Late Ming/ early Qing Dynasty. Condition: good with a couple of chips at the lower part and thin hairline at the bottom.

Finely cast statue of Buddha, in monk's robes, sitting cross-legged on a double lotus throne, his hands in bhumisparsa mudra. The lotus throne is nicely sculpted partly in openwork, on its lower part. Bronze, with fine age patina. Burma, Ava Style, 18th century. Height: 13 cm. Very good condition. Provenance: old Dutch collection.

Gyosui Suzuki
Two Egrets (Herons) Among Flowers with Moon
Date: 1930s.
Print size: Approximately 9.5 x 5 inches.
Publisher: Nishinomiya Yosaku (Stamp on verso).
Artist's seal lower left.
Medium: Japanese woodblock print.
Condition: Back top edge has paper residue. Very light crease upper left (photo).
Note: Very rare. We could find no other example of this design.

Vintage teak Buddha, carved around 1980/90, traces of pigment and signed at the bottom in Burmese script, in the classical Pagan style. H: 14cm/5.5in and base W: 9.5cm/3.9in. Sculpturally very well proportioned. Free shipping

Sparrows in the wisteria trellis. Beautiful old calligraphy are also depicted. Painted with ink and pigments on paper. The artist is unknown. Circa 19th C.

Some insignificant light marks, traces of crease that has been restored on the back, and foxing are present on the painting, otherwise the painting is in very good condition for the age. Some light marks, traces of damage that have been restored, light crease are present on the mounting, otherwise the piece has been simply restored and ...

A Chinese cloisonne vase, Qianlong, with garlic neck and octafoil body. Height 13cms. Jingtai four-character mark. Good condition.

Fine quality Ohi Ware chawan, tea bowl, Macha bowl by Yoshio Iwamura (1925-1987). Raku ware with mottled bright green and bluish glazes which remind of seaweed. It comes with the original, signed and inscribed wooden box; bowl with impressed seal Ohi. H 8 x 12 cm. Perfect condition. -------Yoshio Iwamura studied under Izukura Juro in Kaga. Later founded the Oyabu kiln in Ohi village, Ishikawa prefecture. Member of the Asia Art Society and the Kaga Art Association. Director of the Ohi Ware...

Title: Traveling. Painted with ink and pigments on silk. Signed and sealed.

Katsuda Tetsu(1896-1980) was a Japanese painter from the Taisho(1912-1926) and Showa era (1926-1989). He studied Western painting at Tokyo School of Fine Arts (now Tokyo University of the Arts). He turned to Japanese painting and became an apprentice to Yamamoto Shunkyo(1872-1933) in 1923. He graduated from Kyoto City Painting College (currently Kyoto City University of Arts) in 1930.His history paintings ``Amak...

Kishi school neko tora tiger in the bamboo. Painted with ink and pigments on silk. Signed and sealed. Circa 19th C. Edo era.

In the 18th century, the activities of Maruyama Okyo (1733-95): Maruyama School painting and Matsumura Goshun (1752-1811) are well known. The Maruyama school had an easy-to-understand and decorative painting style based on sketching, and had a great influence. On the other hand, Ganku (1746 or 1856-1838), who is said to have been born in Iwasehama (Toyama City in Ja...

A fine,large and very heavily cast Japanese bronze flower vase of shaped dodecagonal cross section, with central reticulated floral section and pierced galleried rim. 15 in. 38 cms. high and 29 cms across the top. Edo/Meiji period, mid 19th century. Signed on the base Gyoko. Weight in excess of 3kg.

Finely cast, with fine details, miniature statue of Bodhisattva Tara, the Buddhist Goddess of Compassion, wearing a diadem, a dhoti and jewelry, sitting on a lotus throne in "lila asana" posture with her right foot resting on a lotus flower. A lotus in full blossom is resting on each arm. Bronze, with nice age patina. Tibet, early 20th century. Height: 5.4 cm. Very good condition.

Old buddhist altar representing Buddha and two bodhisattvas, each one standing on a lotus and backed by a mandorla, the whole group surmounted by the Buddhist Flaming Pearl and resting on a double lotus. Apocryphal reign mark beneath (Emperor Qian Long). Bronze with fine age patina. China, late 19th century. Height: 17 cm. Very good condition.

Yoshimoto Gesso
Blue Bird on Plum Branch
Date: 1930s.
Print size: Approximately 9.625 x 5 inches.
Publisher: Nishinomiya Yosaku (Stamp on verso).
Artist's signature lower right.
Medium: Japanese woodblock print.
Condition: Back top edge has paper residue. Point-sized dot in sky.

A small Chinese marble torso fragment, Tang dynasty, 10 cms wide. This has been in a UK collection for 25 years. Purchased in Beijing 1990's.

Large furoshiki made of hand spun cotton and vegetable indigo dye. It has tsutsugaki (freehand drawing with paste-resist-dye technique) crane and turtle motif. Used and has some stains and tiny holes. The second half of the 19th century. The crest is "Ken-ni-Katabami Mon, (sword and oxalis). W:132cm, L:145cm