Antique pair of Chinese porcelain candle stands, painted with blue and white floral motif, square shape with double decker construction, 19th century. Size: 15 1/4" high x 6" wide x 6" deep.

Antique Chinese pair of small bowls, beautifully carved out of green jade, very simple with only a tiny band of decoration in a key fret motif around the outer rim, intricate carved cartouche on bottom, very thin so light shines through, possibly 19th century. Size of each: 1 3/4" high x 4 3/4" wide diameter

Antique Japanese futon cover, beautiful design of phoenix in blossoming kiri tree, cotton with colorful paste resist dye on indigo ground, 4 panels, edging added later, one very good repair, no losses, Meiji Period. Total size: 64 1/2" high x 55 1/2" wide Size without edging: 59" high x 50 1/2"wide

Cambodian temple wall hanging painted with a guardian figure in swirling drapery, beautiful colors on cotton, circa 1930's. Size: 57" high x 18 1/2" wide

Cambodian temple wall hanging, painted with 5 buddhas each with a different mudra and a different animal, beautiful large blossoming lotus in center, blue ground, painted on cotton, some wear and losses, mid 20th century. Size: 73 1/2" high x 44 1/4" wide.

Khmer dong son bronze armlet with nice green patina.

Age: Cambodia, Dong Son Period, 500 B.C.
Measurement: Height 91 C.M. / Width 29.7 C.M.(size excluding stand)
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Thai wooden walking deer with genuine deer horn.

Age: Thailand, Rattanakosin Period, 19th Century
Measurement: Height 91 C.M. / Width 29.7 C.M. (size excluding stand)
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Rare and large Burmese wooden pipe.

Age: Burma, 20th Century
Size of pipe only: Length 41.9 C.M. / Width 10 C.M.
Height including stand: 50.5 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

This is Indigo dye cotton dotyugi coat of the Edo era(1800-1868). It is made of hand-spun and hand-woven and natural indigo dyed cotton. It is katazome, and, as for the lining, the motif of the plover is very beautiful. It has a few thin stains. However, as a whole it is in very good condition. size:111cm x 126cm (43.7" x 49.6")

A group of Burmese wooden seated disciples, with gilded gold.

Age: Burma, Mandalay Period, 19th Century
Size: Height 16.5 - 18 C.M. / Width 10 - 11 C.M.
Condition: Nice condition overall (some expected degradation due to their age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

A very rare crystal tiger from Burma/Thailand. Crystal was thought to have magical powers and the tiger represents strength. It is unknown how they drilled the holes to make it wearable.As you can see they were drilled at both ends, probably before the crystal was carved. Age: over two thousand years old. Size: L. 3cm. W. 1.5cm Condition: Perfect.

Large Korean pure silver tea pot with cloisonne. Decorated with flowers in opaque and translucent enamel. Base marked in Korean and "AG 99". Condition: fine. Dimension: 22.5 cm long, 13 cm high, weight: 640 g.

This is nanako-weave (regular mat weane)silk katsugi kimono very rare of the Edo era(1800-1867). katsugi kimono of nanako- texture silk is very rare. It draw it by hand and dye . It is very impressive, and it is beautiful. It has the change of a slight color. However, it does not stand out. it is in very good condition. size:131cm x 116cm (51.6" x 45.7")

Chinese Qing dynasty Yongzheng period (1723-1735) export porcelain hemispherical form punch bowl decorated with famille rose overglaze enamels and gilt highlights set against a white porcelain ground. A floral spray is in the center and a band of flowers, bamboo, and geometric forms decorates the interior rim. The exterior holds two opposing cartouches featuring a lady and her attendant picking flowers in a garden setting and two opposing leaf form floral reserves surrounded by scattered flow...

From our Indian Subcontinent Collection, a stunningly beautiful 19th century Khavakend-influenced Kashmiri silver teapot of bulbous teardrop form, finely chased in the rosette pattern with paisley and chinar motifs. This extremely fine teapot sits atop a flat rounded base with an avian-form handle, beak-form spout, and a dome-shaped hinged lid. Though the workmanship of this piece is clearly Kashmiri, the overall aesthetic is heavily influenced by the architectural motifs and artistic iconograp...

Japanese gilt lacquer three-case inro, Edo period, 19th century, the flattened body decorated overall with fluttering butterflies, finely rendered in gold, silver and iro-e hiramakie, takamakie and togidashi on a kinji ground with gold foil, aogai and raden inlaid accents, signed Yoyusai followed by a kakihan, the interiors fundame and nashiji (silver oxidized), 3.5''l; together with a copper ojime with bat and floral design in gold, silver and shakudo overlay.

Provenance: Property...

Antique Japanese gilt lacquer three-case inro, in the shape of a large sake jar decorated with two karako (children) surprised by their companion tumbling in a cascade of sake to the opposite side, expertly rendered in gold and silver hiramakie, takamakie, togidashi and usu-nashiji on a kinji ground, the interior's fundame and nashiji (silver oxidized), signed Koryu-saku, Edo Period. together with a lacquered wood bead ojime fashioned as a brocade ball with minute inlay. Provenance: Property ...

Description:

A water dropper was in intriguing twin toad's shape.
In characteristic mustard tint, the vessel was merged by two halves made from clay molds.
Finger prints were left on the clay body by the potter when in the squeezing and applying method of the pieces.
There were obvious incursions happened to the thinner portion of the glaze.
The toads were in uniquely fiercing look which was a iconological characteristic of the dated periods.
One minute glaze fleck w...