Chinese Song / Yuan Dynasty Buddhist Lotus Jar

This rare and interesting pottery jar was made between the 10th and 13th centuries, during the Five Dynasties period (AD 906 - 960), Song Dynasty (AD 960 - 1279) or possibly the Yuan Dynasty (AD 1279 - 1368) and has been excavated from a Buddhist site in Yunnan province.�

It is quite "heavily-potted" and relatively highly-fired. The jar and cover have been formed with a lotus leaf design. In places are remains of white and red pigment, ...

Attractive Thai classical acrylic painting depicting lovely Kinaree. Original by Anon. Size: 14.5" x 17" (37 x 43 cm.) Available framed or unframed. Shipping cost to USA $ 50.00

A truly magnificent Qianjiang porcelain vase C.1880's, this vase has all the added features not normally encountered in Qianjiang porcelain. First, it is a human figural painting, secondly it is a painting of two foo dogs, and that with beautiful calligraphy in red and black to the sides of the paintings. As an added bonus, this vase comes with the original papers and reciept of purchase. It was purchased in China in 1980 when genuine antiques could still be purchased; and yet legal to purchase...

A rarely encountered limited edition Japanese woodblock print over gold leaf depicting a solitary blue, white, and gold tree set against a barren foreground titled simply "Tree" by Joichi Hoshi (1913-1979) dated 1974. Pencil-signed "J. Hoshi" and dated '74 at the lower right, with the artist's square red seal above. Pencil-titled in kanji at the lower left and marked with the edition number 6/95. Paper size: 10"V x 13"H (image: 7 1/4" x 10 1/2"). Very good overall condition. Two tiny pieces of t...

From our Southeast Asia Collection, a small but fine Burmese ink on palm leaf sutra with thayo embossed wood covers, depicting Buddha under the Bodhi Tree of Enlightenment flanked by two adorants in the center medallion, then encircled by disciples and zoomorphic entities in the surrounding images. The reverse side contains sutra writings in Burmese script, not yet translated. Overall workmanship is quite fine with great attention to detail, reflecting the devotion, reverence, and skill of the c...

From our Southeast Asia Collection, an inscribed lacquerware covered vessel from the famed U Aung Myint workshop in Myinkaba Village, Pagan Burma (Myanmar), from which the British Museum has commissioned pieces for display in London. See Isaacs and Burton, Visions from the Golden Land, Burma and the Art of Lacquer page 222-223. We had the honor, privilege, and education of watching artisans in this famous lacquer workshop creating modern masterpieces in the yun style, an extremely labor intensiv...

This is an old mitsuore ningyo (triple jointed doll) from the Meiji period (1868-1912) or possibly earlier (late Edo period). The body of this doll was made with the Ikkanbari method. In this method, layers of washi (Japanese paper) were glued (lacquered) together over a wooden mold to form the shape of the body parts. It was then coated with layers of gofun, the mixture of ground oyster shells and animal glue. The eyes of the doll are painted from the inside, the arms can be shaped to a c...

Original Painting by Thai Artist Jantana Jaembai, signed and dated Buddhist Year 2532 (1989 A.D.), depicting a Siamese Princess and her entourage making merit at a temple to the Lord Shiva. Size: H. 11" x W. 8", available framed or unframed.

Fine 19th Century Thai Rattanakosin Disciple in adoration with beautiful gilding. Good original condition, no repairs, Size H. 6.5" x W. 3" x D. 4"

Unusual and rare 19th Century woodcarving from Northern Thailand depicting an erotic figure surrounded by vines/foliage, natural solid teak wood, no finish, in good condition. Size: L. 40" x H. 11" x D. 2"

Very attractive large Chinese Turquoise Porcelain Vase with lotus flowers and a crane. Gold rim and handles. Top condition. Size: H. 14" x W. 14.5"

Stunning 19th Century gilded wooden structure from Burma (ca. 1858, Mandalay) resembling Palace Throne. Composed of several large individual hand carved pieces, easily assembled and suitable as stunning large Mirror or entrance/passage into special alcove/room. High quality gilding. Good condition. Size: H. 114" x W. 71" Very rare, high impact!

A rich color profusion with well executed brush strokes done in a rapid fashion that demonstrates the power of a Japanese artisan. This truly unique Japanese brush and seal box is a must have for the serious Oriental arts collector; dated to the late Meiji period C. 1910, this box is in excellent antique condition, considering the delicate lacquer and paint job this box would be considered a rarity in both its beauty and condition. These are rare in the condition shown here and are now very di...

From our Indian Subcontinent Collection, a large and fine vintage thangka, either Tibetan or Nepalese, executed in a subdued yet very elegant palette emphasizing substantial gold use, along with blue, coral, gray, brown, taupe, white, and light green, all painted in an unusually meticulous and finely detailed fashion that is almost more like satsuma workmanship than typical thangka painting. For those who enjoy the look and spirituality conveyed in thangka paintings but do not care for the gaudy...

Shiko Munakata (1903 ~ 1975)
Title: Nakisakebi from the Dream Carp Series originally published in 1940. This edition 1989.
Size: Approximately 13.5 x 12.25 inches
Published by Munakata Studio. Issued in Yaskawa calendar.
Medium: Japanese lithograph.
Condition: Excellent. Full margins on all sides (not shown).

A pair of Burmese wooden seated disciples, with calm facial expression, lacquered and gilded with inlay of colorful glass pieces on the borders of the robes, one of them sitting in adoration posture with two hands attached to each other indicating respectful manner. Traces of original lacquer and gilding remain in excellent condition.

Age: Burma, Mandalay Period, 19th Century
Measurement: Height 46-47.8 C.M. / Width 30-32.3 C.M.
Condition: Nice condition overall...

From our Southeast Asia Collection, a lacquerware masterpiece from the famed U Aung Myint workshop in Myinkaba Village, Pagan Burma (Myanmar), from which the British Museum has commissioned pieces for display in London. See Isaacs and Burton, Visions from the Golden Land, Burma and the Art of Lacquer page 222-223. We had the honor, privilege, and education of watching artisans in this famous lacquer workshop creating modern masterpieces in the yun style, an extremely labor intensive craft where ...

From our Southeast Asia Collection, a fine original Burmese watercolor of a solitary young monk at prayer. From memory we think the scene depicts one of the many alcoves at the massive Ananda Temple complex in Pagan, though in all candor we cannot be entirely certain. In any event, it is a stirring and highly evocative portrayal which in its simplicity, captures a deep and genuine sense of reverence and serenity. Much of this comes from something as subtle yet masterful as the artist's depictio...