Small gilt bronze altar dedicated to Bodhisattva Padmapani, resting on four pillars, showing the Bodhisattva standing, backed by an aureola, holding a gourd in his left hand, his right hand in appeasing/blessing posture (abhaya mudra). Fine patina. China, Northern Wei Dynasty. Height: 8.3 cm. Very good condition.

The size of Koro : 8 1/2 "High with cover x 3 1/2" Dia. Globular, Stand Size: 5 1/8" Dia
21 cm H x 9 cm Dia x 13 cm Stand Dia
This is Very Fine Japanese Hirado Koro one tier of reticulated w/two handles
supported by Kiku flower petals(chrysanthemum flower). It came with two Bells
on the ear of Koro. It make sound of Kara-Kara(Japanese sound expression).
This wonderfully made Hirado Koro is by 15th Nakazato Moemon. World renown
Hirado artist. Koro came with Original...

Additional photos of Hirado Koro by 15th Nakazato Moemon w/Tomobako

Antique pair of small Inari Shinto shrine foxes carved of wood. Originally painted, these foxes have acquired a deep, dark over many years. Also called Zenko, these good spirit Kitsune (foxes) are specifically associated with the Goddess, Inari.
Believed to be both messengers and guardians, Kitsune serve Inari in her role as the Goddess of agriculture, specifically rice. Part of the folklore surrounding the fox is it's ability to shape shift into a human form. It is believed that Inari ...

Saito Hodo (aka Nishimura Hodo)
Street in Front of Restaurant
Date: 1920s-30s.
Size: Oban. 19.75 x 13 inches.
Publisher: Takemura Hideo.
Signed "H. Saito" by the artist.
Medium: Japanese watercolor.
Condition: Excellent.
Note: Paintings and woodblock prints variously signed "H. Saito" (Saito Hodo) and "Nishimura Hodo" were published by Takemura Hideo. They are very likely by the same artist. Works with these signatures had similar style and at times depict...

Saito Hodo (aka Nishimura Hodo)
Street After Rain (雨後の街)
Date: 1920s-30s.
Size: Oban. 19.75 x 13 inches.
Publisher: Takemura Hideo.
Signed "H. Saito" by the artist.
Medium: Japanese watercolor.
Condition: Excellent.
Note: Paintings and woodblock prints variously signed as "H. Saito" (Saito Hodo) and "Nishimura Hodo" were published by Takemura Hideo. They are very likely by the same artist. Works with these signatures had similar style and at times ...

Rare Large Chinese Ming Dynasty Swatow Porcelain Incised Celadon Dish - Flying Horses

This large and rare porcelain dish, of the type known as "Swatow" ware, was made during the Wanli reign (1573 - 1620) of the Ming Dynasty at the Zhangzhou kilns in Fujian province where many such wares were made for export around South-east Asia. More specifically, this dish was very likely produced at one of the kilns in Pinghe County, possibly at Wuzhai village where very similar incised celadon dishes ar...

Rare Chinese Song / Yuan Dynasty Glazed Stoneware Censer

This stoneware censer was made during the Song Dynasty (AD 960 - 1279) or possibly the Yuan Dynasty (AD 1279 - 1368). It is quite "heavily-potted" with both inner and outer surfaces coated in a crackled transparent olive-green glaze reminiscent of yue ware, apart from the sturdy foot that remains unglazed. To the inside centre there is kiln grit embedded within the glaze. On opposing sides at the shoulder are two small loop handles. <...

Chinese Southern Song Dynasty Moulded Qingbai Porcelain Vase

This attractive pear-shaped vase was made during the Southern Song Dynasty (AD 1127 - 1279), most likely at one of the kilns in Fujian province. Interestingly it is made in several sections that have been luted together. The mid section is decorated with a scrolling lotus blossom pattern, below which is a repeating lotus leaf pattern. It is coated in a finely-crackled pale greenish-blue qingbai glaze of good colour, the colour at i...

Chinese Ming Dynasty Celadon Glazed Porcelain "Bullet" Jar

This porcelain jar was made during the Ming Dynasty (1368 - 1644). It is very "heavily-potted": jars of this type are known as "bullet" jars due to their shape. They were made at kilns in Guangdong province as well as, possibly, other kiln sites. Many were exported and this type of jar can be found throughout South-east Asia, widely used for containers of salt and other foodstuffs and liquids. This example is coated in a thick pale c...

Fine Chinese Song Dynasty Glazed Stoneware Jar (Dragon Chasing Pearl)

This interesting stoneware jar was made during the Song Dynasty (AD 960 -1279). It is quite "heavily-potted" with deep ridges to the body and the applied decoration around the shoulder featuring a dragon chasing a pearl. The story of the dragon's pearl is one of the oldest tales in Chinese folklore. In addition to the dragon and pearl are five small appliqués. It is coated in a yellowish-brown glaze. The colour of the gla...

Chinese Northern Song Dynasty Qingbai Porcelain Bowl in Kiln Saggar

A rare opportunity to acquire a Northern Song Dynasty (AD 960 - 1127) kiln saggar still containing its Qingbai porcelain bowl, excavated from a kiln site in the Jingdezhen area of Jiangxi province. This is one of a variety of different Qingbai porcelain wares in saggars, mostly bowls and dishes of varying sizes and patterns, that we were very lucky to be able to acquire some time ago and now offer for sale. 

Northern ...

Chinese Northern Song Dynasty Qingbai Porcelain Bowl in Kiln Saggar

A rare opportunity to acquire a Northern Song Dynasty (AD 960 - 1127) kiln saggar still containing its Qingbai porcelain bowl, excavated from a kiln site in the Jingdezhen area of Jiangxi province. This is one of a variety of different Qingbai porcelain wares in saggars, mostly bowls and dishes of varying sizes and patterns, that we were very lucky to be able to acquire some time ago and now offer for sale. 

Northern ...

New Reference Book: Classical Chinese Furniture – Marcus Flacks

Unlike other Asian cultures of the 17th and 18th centuries, the Chinese did not sit on the floor. The simple fact that the Manchu invaders imported highly flexible furniture from their yurts influenced the development of Chinese design and decorative arts. Within a few years of the Manchu invasion, Chinese craftsmen combined their highly refined design aesthetic with extraordinary exotic woods, veneers, and lacquer to create s...

Chinese Song Dynasty Qingbai Porcelain Twin Fish Dish (Ex. Lammers Collection)

This dish, or shallow bowl, was made during the Southern Song Dynasty (AD 1127 – 1279). It has a moulded decoration featuring, in its centre, two fish swimming amongst waves. The two fish are an emblem of harmony and a happy marriage. The bowl is coated in a pale greenish Qingbai type of glaze. The rim remains unglazed, allowing the bowl to be placed in a firing ring in the kiln as part of a stack of similar bow...

Fine Chinese Southern Song Dynasty Incised Celadon Porcelain Bowl (19cm)

This high-fired bowl was made during the Southern Song Dynasty (AD 1127 - 1279) in the 12th or 13th century at the Anqi kilns in Fujian province. Such wares were made for export around south-east Asia; indeed this bowl has been recovered from a shipwreck and various sea-growths still adhere to the surface in places, particularly to the unglazed base.

It has an attractive incised decoration, a spiral pattern in its ...

Large Chinese Ming Dynasty Stoneware Jar with Spout

This unusual jar was made during the Ming Dynasty (1368 - 1644). Apart from the short spout at the shoulder, it is a conventionally-shaped storage jar. The outer surface and inner mouth are coated in a black glaze. The glaze falls just short of the bottom of the jar leaving the concave base unglazed. Likewise, the inner surface also remains unglazed.

This is quite large jar with a height of 22.25cm, diameter 20.5 cm. The upper part of t...

Rare Chinese Northern Wei Dynasty Glazed Pottery Stove (AD 386 - 534)

This very rare pottery model of a stove was made during the early Northern Wei Dynasty (AD 386 - 534). It is "heavily-potted" and made from a reddish pottery that is highly-fired and coated with a dark amber glaze that has been applied unevenly and has degraded in places. To the top of the stove are various items of kitchen ware, although they are indistinct as the moulding is not very crisp and the glaze is quite thick i...