A mesmerizing piece of ceramic art, this exquisite tenmoku tea bowl embodies the rich traditions of Japanese craftsmanship that are inspired by over a millennia of Chinese artistry. With its distinctive deep red glaze, reminiscent of brilliant sunsets, red chili peppers, and festival colors; its presence creates an enchanting visual allure. The bowl's form is elegantly simple, with a gently flared rim that invites contemplation. Crafted with precision and care, this piece reflects th...

A small Cizhou jar was applied on the surface with black glaze.
In fine shape, the jar was adapted with a newly made lacquer cap.

Date: Yuan periods, 13th Century.

Height: 6.1cm.(without cap), 7.1cm (with cap)

Lovely spherical Ge type crackleware glazed Qing jar with very light celadon tone. There are some chips and cracks so please view enlargements. Authentic antique Ge wares have become very rare in the past 20 years, I was lucky to find this one. H: 7.5cm/2.9in and D: 9cm/3.5in.

A spectacular large vase by Kashima Aya featured at the “Ceramic Synergy Exhibition” held at the Kyoto Kyocera Museum of Art in late 2023. In fact, the initial form is created, then a thin layer of ceramic is made separately, dried, then cracked, and the individual pieces are applied like mosaic to the prepared form. The space in between the tiles is then abraded, the tiles glazed with color and the space n between glazed with iron. Each piece requires a great amount of painstaking dedicati...

1920's Chinese 22K Gold & Jadeite Carved Plaque Bracelet with Calligraphy Marked

It is 6.4 inches (16.2 cm) in inner circumference by 2.2 inches (5.6 cm) in inner diameter. The gold calligraphy plaque 0.5 inch (1.2 cm) long by 0.55 inch (1.4 cm) wide. The jadeite plaques range from 10.4 mm to 11.8 mm long by 9.1 mm to 9.65 mm wide. It weighs 17.8 gram.

One gold calligraphy is detached. The jadeite plaques have cracks, flea bite chips, and inclusions. The bracelet has surface wear...

Old Japanese Olive Green Cloisonne Silver Vase with Biwa (Loquat) - Unsigned so Attributed to Gonda Hirosuke

It is 9.84 inches (25 cm) tall by 7 inches (17.8 cm) wide. It is 2.9 Lb.

It has small dents at the silver bottom's rim, tarnished silver, and surface wears and scratches (as seen in the photos).

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Pair of Vintage Chinese Lac-Burgaute Mother of Pearl Inlay Lacquer Double Gourd Bottles with Calligraphy "Big Luck"

Each bottle is 5.6 inches (14.2 cm) Tall by 5.1 inches (13 cm) wide. Total weight is 1 Lb.

They have cracks, stains, peeling of lacquer, chips, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return ...

Stoneware chawan with beige cracked glaze. The decoration represents bamboo and plum blossoms. Attributed to Aoki Mokubei (1767-1833). Width: 12 cm Height: 7.5 cm. Period: 19th century.

STONES IN THE BEDS

Stones are from Tsugaru coast in Western Aomori area, Northern Japan, with smooth feeling of touch as its features. Beds are made of pottery. approx. 6 x 6 x H 3 cm (2.36 x 2.36 x 1.18in) each.


selected and made by Jinta




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PHALLUS DOLL

Traditional Obata folk clay doll from Shiga, Japan. Showa period, 20th century. H 27 x W 10 x D 9 cm (10.62 x 3.93 x 3.54in).


selected by hotoke




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our Sales Policy under any circumstances. Thank you.

A large basket handmade of bamboo strips. In excellent condition except for a minor break, however no problem for use. 20th century. Diameter:43.5cm, H:17cm

A protective deity is carved into this Piece of a pillar from Himeji Castle dating from the Meiji period restoration of the Tenshukaku (main tower). It is branded with the Yaki-in which reads Himeji Jo Ko-zai-in (Brand of the old wood from Himeji Castle). It has long been a method of raising funds in Japan to offer replaced pieces of a historical building to those who donate to the restoration. These pieces are commonly branded with a special seal, called a yaki-in, which is heated and burnt ...

A pair of boro tabi (socks) made of indigo dye cotton and thick cotton cloth for soles. It has fine sashiko for reinforcement on insteps. Metal claps are lost in one of the pair. The first half of the 20th century. W:10cm, L:21.5cm

Meisen haori (jacket) with dots pattern, which are double kasuri. Both warp and weft kasuri yarns are stencil-resist-dye. It has hand-braided cords in front. Mid 20th century. Generally, in good condition except for a few stains in the white silk lining. W:123cm, L:90cm

This is his Tsutsugaki item, which is impressive with its very surreal pine and bamboo designs drawn in Tsutsugaki during the Edo period. The young pine tree in the center of the picture is drawn in an unbelievably large and surreal manner, and the bamboo, which is also impossibly deformed, is drawn in the background. This is quite an unconventional item among the indigo-dyed items of the Edo period. There are three areas that have been repaired, but the discoloration is slight and not noticeabl...

A handle surmounts the peak of this beautifully rendered vase by Myagawa (Makuzu) Kozan enclosed in the original signed wooden box titled Seiji-yu Sometsuke Te-oke-gata Kabin (Celadon Handled Bucket Shaped Vase with Blue and White Design). It is 16 cm (6 inches) diameter, 32.5 cm (13 inches) tall and in excellent condition.
The name Kozan was granted by Prince Yasui-no-Miya in 1851 in honor of the tea ware produced during the later Edo for the imperial Court by the tenth-generation head ...

A large white Tea Bowl by Kashima Aya enclosed in the original signed wooden box. The technique is deceptively complex. In fact, the initial form is created, then a thin layer of ceramic is made separately, dried, then cracked, and the individual pieces are applied like mosaic to the prepared form. The space in between the tiles is then abraded, the tiles glazed with color and the space n between glazed with iron. Each piece requires a great amount of painstaking dedication to complete. It is ...

Antique Chinese 17th century Qing Dynasty Kangxi period. Large, Famille Verte porcelain charger signed with artemisia mark. Fine hand-painted and enameled with landscape scene of a mountainous river with trees, houses, a viewing pagoda, and various figures on a bridge and shore, including a fisherman seated in a boat. All surrounded by a band of twelve rectangular panels containing flower heads. The rim is adorned with a band of latticework.

The base with the unglazed channel foot rim enclo...