Chinese Northern Song Dynasty Qingbai Porcelain Bowl in Kiln Saggar

An opportunity to acquire a Northern Song Dynasty (AD 960 - 1127) kiln saggar still containing its Qingbai porcelain bowl, excavated from a kiln site in the Jingdezhen area of Jiangxi province. This is one of a variety of different Qingbai porcelain wares in saggars, mostly bowls and dishes of varying sizes and patterns, that we were very lucky to be able to acquire some time ago and now offer for sale. 

Northern Song...

Found in the Philippines. Featuring a rounded melon shaped body and a waisted neck that flares to its mouth with a curved spout, opposite an applied flat handle and is covered overall in a green-white 'qingbai-type' glaze, except for the base which remains fully unglazed. A similar example can be seen in the book 'Chinese and South-East Asian White Ware found in the Philippines, on page: 90;56. Measurements: height (7.5"inches or 19cm). Condition: some wear to the glaze from burial ...

Chinese Eastern Han Dynasty Glazed Pottery Jar (AD 25 - 220)

This pottery jar of "hu" form was made during the Eastern Han Dynasty (AD 25 - 220) and comes from Shaanxi province in the northwest of China. It is made from a relatively highly-fired reddish pottery and is quite "heavily-potted". There are decorative incised lines surrounding the jar at its shoulder. The surface of the jar and the inner mouth are coated in a unusual coloured glaze, varying in places from a yellowish olive-green t...

Chinese Eastern Han Dynasty Glazed Pottery Jar (AD 25 - 220)

This pottery jar of "hu" form was made during the Eastern Han Dynasty (AD 25 - 220) and comes from Shaanxi province in the northwest of China. It is made from a relatively highly-fired reddish pottery. There are two thin incised lines surrounding the shoulder. The outer surface and inner mouth are coated in a fairly thin glaze of unusual colour, shades of a yellowish olive-green, the colour and glossiness of which varies in places ...

A Chinese White Glazed Yuhuchunping Vase with Flowers in Biscuit. Circa, 1368-1644, Ming Dynasty. Found in the Philippines. Featuring a pear shaped body rising from a short straight foot, tapering to its shoulders onto a long waisted neck and flaring out to its mouth. The vase is adorned with cloud patterns and flowers in biscuit and is covered overall in a white glaze, except for the foot-ring. Measurements: height (11.5"inches). Condition: in perfect condition. No chips, no cracks,...

Intricately carved clay adorned with a complex and multi-layer Oribe glaze, this piece is one of the best I have encountered by this talented and multifaceted artist. Though Oribe dates back to the 15th century, Tsukamoto has managed to keep it fresh and engaging for his many fans.

A native of the city of Toki in Gifu Prefecture, from 1977 he studied under Harukiyo Nonaka and was trained in the techniques of Shino ware. A year later he graduated from Aichi Prefectural Se...

The poem etched on the side of this exceptional piece reads: In the future — happiness — and long life — two sprouting leaves —to grow a thousand years. Indeed a positive message, perhaps to accompany a warm cup of sake on a quiet winters evening.

Ōtagaki Rengetsu (1791-1875) was born into a Samurai family but soon after adopted by the Ōtagaki family, from the age of seven to sixteen she was a lady in waiting at Kameoka castle where she was trained in the arts ...

A beautiful old Kyo-ware tea bowl slightly elongated on one end producing an interesting and unique effect. The collector who furnished the box labeled it as being by the legendary potter Ninsei (17th C.). Though the potter’s mark suggests this could be the case, there is no way to confirm for certain other than by its age and undeniably elegant craftsmanship. Believing it to be quite precious, the previous owner bestowed it with the poetic name "Ibitsu" which means "warped" or "cu...

A beautiful and very old Hagi tea bowl; showing signs of long use and appreciation. The gold repairs add to the overall composition and highlight the important role this piece played in someone’s tea practice. Though still functional to be used as a ceremonial implement, this would fit much better as a treasured display object.

In excellent condition this tea bowl is 5.1 inches in diameter at its widest point (13cm), and stands 3.1 inches tall (8cm). It comes with a pe...

Father to internationally known Hagi potter Kaneta Masanao (the 8th generation Sanzaemon potter), though he never achieved the same level of notoriety as his son, his pieces have a grace and elegance all their own as demonstrated here with this charming tea bowl. With its milky crackled glaze and split foot (wari-kodai) showing the rich clay this piece was fashioned from, it possesses strong character and has a calming presence, bringing a sense of stability. Perfect for those deepen...

A delightful Hagi tea bowl from the Jōzan Kiln in Yamaguchi Prefecture. Very representative of the genre with its milky glaze and ido-shape. This piece is a step above their typical offerings as can be discerned not only from the lovely composition but also from the quality of the box and the silk pouch that was also custom furnished. For those interested in getting better acquainted the world of Hagi without spending the thousands of dollars typical for works by better known artist...

A stunning GENUINE KANGXI QING DYNASTY Polychrome Porcelain Dish depicting several figures on horseback in front of a guarded palace. Excellent condition. Size: 38 cm. (15"). Base has cobalt blue double ring and period marking in the center.

A beautiful GENUINE FAMILLE VERTE QING Octogonal Polychrome porcelain Piecrust Dish painted with 2 female figures and a child observing the goldfish in a small pond in the garden. It also depicts various panels of nice flora, rabbits, scrolling and plants. 3 red Character Markings on base. Very good condition. Size: 38 cm. diameter

Height: 4.8 cm (1.9 in)
Width: 2.5 cm (1 in)
Depth: 1.7 cm (0.6 in)

Japanese carved netsuke of a standing man; inlaid horn to hair and shirt buttons; finely stained; very well modelled; natural material; a/f to side

A new series, experimenting with his recently developed glossy white glaze, a chawan with iron decoration by Murakoshi Takuma enclosed in the original signed wooden box titled Haku-yu Chawan. It is 12 x 13 x 8 cm (4-3/4 x 5 x 3-1/4 inches) and is in perfect condition, directly from the artist this Fall.
Murakoshi Takuma is one of those enigmas who simply lives to work with clay. He does not seek to make a living through pottery, but through his primal approach has earned a following which...

A green pool fills the basin of this steep sided bowl, the walls dragged by the fingers by Murakoshi Takuma enclosed in the original signed wooden box titled Hai-yu Chawan. Large Shiseki bubbles of white feldspar crystals burst through the surface. It is 12 x 13 x 7.5 cm (4-3/4 x 5 x 3 inches) and is in perfect condition, directly from the artist this Fall.
Murakoshi Takuma is one of those enigmas who simply lives to work with clay. He does not seek to make a living through pottery, but t...

Crystalline green ash covers most of the rough clay that makes up this small steep sided bowl by Murakoshi Takuma enclosed in the original signed wooden box titled Hai-yu Chawan. It is 11 x 12 x 8.5 cm (4-1/4 x 4-3/4 x 3-1/2 inches) and is in perfect condition, directly from the artist this Fall.
Murakoshi Takuma is one of those enigmas who simply lives to work with clay. He does not seek to make a living through pottery, but through his primal approach has earned a following which keeps...

1930's Japanese Satsuma Tea Set with Bamboo Marked "Kinkozan"

The teapot is 6.15 inches (15.6 cm) tall by 6.4 inches (16.3 cm) wide. The sugar is 3.7 inches (9.4 cm) tall by 5.6 inches (14.3 cm) wide. The creamer is 2.5 inches (6.3 cm) tall by 4.8 inches (12.2 cm) wide. The coffee pot is 10.1 inches (25.6 cm) tall by 6.7 inches (17 cm) wide. Total weight is 4.8 Lb.

They have rubbing golds, mild skip glazes, surface wears and scratches (as seen in the photos).

Our Guaran...