Beautiful Korean screen with six rice paper panels depicting people amidst gorgeous scenes of nature. Each panel is mostly monochromatic with conservative usage of color in muted shades of yellow, pink, blue, and purple. There are large blooming flowers with a sparrow flying overheard in every panel. Size: (entire screen) 61" height, 106" width, (artwork only) 27.75" height, 12" length

Quartz snuff bottle carved with a basketweave design, with an etched, ropey carved texture above and below the woven pattern, with an agate bottle topper. 19th century Size: 3" height, 2.5" width

Beautiful milky white glass vase with enamel paintings of brightly colored birds perched upon branches, with budding flowers of blue, yellow, and pink, and a thin ring of gold around the the mouth. Stamped and signed in back and marked on bottom. Size: 6.25" height, 4.25" width

Adorable and wonderfully detailed jade carving of a sheep, with finely carved wool patterns, eyes with pupil and lids, and hooves. 20th century contemporary. Size: 2.25" length, 1.5" height.75" width

Beautifully carved peking glass lotus, with bright white, pink, and green glass layers. Peking glass is a special process in which glass is dipped into differently colored glass layer by layer, and the excess is carved away. Note the symmetry achieved by the artist. circa 1950s Size: 5.25" height, 5.5" width

Painting of General Chang Kai-Shek by Aimee Annette Lozier, oil on canvas. Aimee Lozier (1900-1996) descendant of the 17th century French painter, Eustache LeSueur, born in Oakland, California. She attended California School of Fine Art and studied under Otis Oldfield. Most well known for character portraits of famous political figures including this one of Chang Kai-Shek. In this painting he stands with hands on his sword, in the background are masses of tiny soldiers. Signed. Dated 19...

Lovely Japanese antique Imari-ware porcelain bowl, eight sided, beautifully painted in traditional Imari colors with details in gold, scenes of mountain pavilions and baskets of chrysanthemums in alternating fan shaped reserves, Meiji Period. Size: 8 3/4" wide diameter x 3 1/8" high.

Chinese slab of jade, carved with an indented circular and a mokko (melon) shape into its surface. It is meant to be used by a calligraphy artist for the grinding and collecting of ink. 18th/19th century Size: 1/4" thickness, 3.75" height, 1 and 5/8" width

Beautiful Chinese spirit/scholar's rock with a dark hardwood stand. Scholar's stones, or gōngshí, are called as such for scholars' appreciation of the stone's unusual shapes, textures, asymmetry, glossiness, color patterns, and even the sound it makes when struck. It is a gorgeous and contemplative viewing piece. Size: 17.25" height, 16.5" width

Very large Chinese porcelain charger, blue and white glaze with scenes of scholars in a garden, beautifully painted. Early 20th century. Size: 27 1/2" wide diameter x 4 3/4" high

Japanese small headside box for storage of small personal items, three small drawers, nice grain, Taisho Period. Total size: 8" high x 13 1/4" wide x 9 1/2" deep.

Beautiful kiri wood isho (clothing) tansu chest, originating from the Mikuni region of Japan. It features iron hardware with heart motifs, five drawers with hirute shaped handles and elegant backings and locks, and a bottom corner lockbox with two small drawers hidden inside. Keys are included. Meiji period (4867-1912) Size: 40.5" height, 34" width, 16.75" depth

Beautiful Chinese antique tray made of intricately carved red cinnabar with carved black lacquer overlay, the red lacquer is carved in a tiny patterned background while the black lacquer is carved as a scene of scholars in a garden setting with black mountains rising on the other side of a carved cinnabar lake, the edges are carved with flowers and bats, stands on four small feet, late 19th century. Size: 16" long x11 1/2" wide x 1 3/4" high

Sino Tibetan bronze statue of the Buddhist deity Tara, the "mother of liberation" and representation of the virtues of success in work and achievements. She is a tantric figure whose image is used as a focus for meditation. She is shown gesturing the Dharmachakra Mudra, or Wheel-Turning Mudra, expressing the continuous energy of the cosmic order. She wears elaborate jewelry and her hair has applied blue pigment. Size: 9" height, 6" width

Chinese wooden hand carved mask of a smiling man, its jaw left open so that the wearer had an easier time speaking. Features of the mask include red lacquer lips, black lacquer eyebrows, nice carved details such as the teeth, nostrils, wrinkled forehead and hair. 18th/19th century Size: 6.75" height, 4.75" width

Antique hand-carved wooden half mask of some sort of god or deity, with recognizable features of a deity such as the elongated earlobes, and winglike hair and eyebrows. Has small traces of red lacquer, and above its lips are remains of where many bunches of hair would once have been, missing due to antiquity. Visible chisel marks are apparent inside. 18th/19th century Size: 11" height, 7" width

Balinese Mask of a fanged man/demon used in the art form of the Topeng dance drama, which came about in the 15th century in Bali and Java. The Balinese version of Topeng would include many different character masks, some speaking and some non-speaking. The mask has real hair mounted on strips of leatherr lacquered face and eyes, with a lot of detailed carvings such as his teeth and wrinkles. circa 1920s Size: 8" height, 5.75" width

Balinese Mask of a strong male or Panglembar Keras, used in the art form of the Topeng dance drama, which came about in the 15th century in Bali and Java. The Balinese version of Topeng would include many different character masks, some speaking and some non-speaking. The mask has real hair mounted on strips of leather for his eyebrows and mustache, with carved sideburns, lacquered face and eyes, and metal inlaid teeth. circa 1920s Size: 9.75" height, 6" width