A rare stucco sculpture which originally had three heads on this Deity, two are remaining and part of a third one remains. This type of Diety had it's influence from the Gandhara also was a jewel of Buddhist civilization. Scholars of Gandhara traveled east to India and China and were influential in the development of early Mahayana Buddhism. Size with stand. H. 23.3cm. W. 15 cm.

Finely cast bronze censer on four linked feet with very elegant flower décor on the body and fretwork on the rim, patinated in a rich brown. Bottom decorated in low relief with repeating, extremely fine fretwork of faces. Seal on bottom: Dai-Nihon Bunsei nen Seimin sei. Japan, Edo period, early 19th century.
H H 2-7/8 x diam. 6 ½ inches.
Excellent condition

Murata Seimin (1761-1837), bronze sculptor active in Edo, well-known for his fine casting of bronze vessels and animals.

This antique Seto piece features a warm matte ash glaze with several patches of darker and lighter pigmentation. The molded clay shows striations that resemble textured wood grains—highlighted by a soft patina developed over many decades of use.

Seto is a pottery tradition established in the 12th century with the aim of reproducing fine Chinese porcelain and tenmoku-style chawan—which were hard to come by in Japan at the time. Later, during the Muromachi period, Seto potters es...

Beautiful and slightly distorted masterpiece Mizusashi (water jar for tea ceremony) of dark Seto yaki with black and brown glaze. Around 1900, Meiji Period. No chips, no cracks.

Size: 18 cm height x 13 cm diameter on top.

Shipping included

This remarkable tea bowl is from the kilns of Yoshida Shuen (1940-1987)—an apprentice of Miwa Kyusetsu (1910-2012) who was awarded the status of Living National Treasure in 1983. It features a warm milky beige glaze with light umber accents and shows a bit of exposed clay on the kodai (foot) where the artists seal is located.

Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery. Hagi-ware is prized for its subdued colors and class...

An excellent example of Japanese rustic charm that transcends its humble origins to embody a refined artistic work, this mizusashi, or fresh water pot used in tea ceremony, displays a beautiful natural ash glaze that includes dazzling ochres, browns, grays, and yellows splashed across the intentionally rough and contoured ceramic landscape.

Iga-ware pottery dates back to 7th and 8th century and—like so many other pottery styles in Japan—takes its name from the region where it wa...

A very rare 19th century elaborate head dress (Kanmuri or crown) of gilded parts inset with glass surmounted by a phoenix flanked by two dragons for use in the Japanese Noh Theater. A golden phoenix takes flight from the peak, surrounded by sun, moon and flaming jewel from which are suspended extravagant chains of glass and coral beads and gilded ornaments. Made of brass, paper, wood and thin wire, the entire is covered in gold with the sun and moon in enamel and burning jewels in glass. On t...

Ohara Koson
Monkey in a Tree
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1910-1923.
Publisher: Daikokuya
Medium: Japanese woodblock print.
Reference: K41.21 and plate 30 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
"Made in Japan" stamped on verso.
Condition: Excellent with very slight bend at lower left corner. Uncirculated.
Provenance: The Robert O. Muller estate.

A stunning Miniature Polychrome Oval Painting of SHAH JAHAN (1592-1666), 5th MUGHAL EMPEROR Mirza Shahabuddin BAIG MUHAMMAD KHAN SHAH JAHAN, framed, 19th Century. Very good condition. Size: 11 x 8 cm.

A very rare round tea stand made of huanghuali with an insert burl wood top by a round stretcher and the splay legs ended in "Lin Zi" head feet. Age: Early 19th century.

Japanese indigo ikat cotton coat, with neutral color sakiori (rag woven) cotton collar, its edges reinforced with white sashiko stitching.

Size: 35.25" L x 36" H

Antique Tibetan gilt bronze Dakini, with traces of silver, inlay of coral and turquoise. In her hands are a raised kappala (or skull cup) filled with the elixir of life, and a curved blade. She is dancing on top of corpses to show her rule over ignorance and ego. Her lotus pedestal is made of gilt copper.

The Dakini are wrathful female deities often shown nude with long, flowing hair and glowering expression. Their name means "sky dancer" in Sanskrit as they lead the deceased into th...

Tibetan gilt bronze Buddhist deity figures, posed into a tantric Yab-yum ("Father / Mother") position is a common symbol in the Buddhist art in India, Button, Nepal, and Tibet. It represents the primordial union of wisdom and compassion, depicted as a male deity in sexual union with his female consort. Its also a reincarnation image of creation. The male deity figure wears an elaborate crown with inlay of diamonds and pointed finial. He holds in his hands a vajra (mean...

Fifteen-piece Japanese Satsuma earthenware tea set consisting of lidded teapot, lidded sugar vessel, lidded creamer, six cups and six saucers. The set is densely decorated with the Kannon, Rakan (Buddhist disciples), and dragon pattern in raised moriage enamels and gilt. “Great Japan Satsuma” mark to base. Meiji period (circa 1900). Teapot: 6 1/4" high x 7 1/4" wide (handle to spout); sugar vessel: 5 1/4" high; creamer: 4 3/4" high; saucer: 5 1/2" diameter; cup: 1 7/8" high x 3 3/4" diam...

Takahashi Shotei (Hiroaki)
Returning Home, Evening
Date: Pre-1936 (1920s or 1930s)
Publisher: Watanabe Shozaburo. No. 508 in 1936 Watanabe catalogue.
Medium: Japanese woodblock print.
"Made in Japan" on verso.
Size: Chuban. Approximately 10 x 7 inches.
Provenance: The Robert O. Muller estate.
Condition: Excellent. Uncirculated.

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Antique Chinese porcelain cricket cage of a gourd form. Its lid has reticulated air vents, enamel peonies and Chinese characters and gilt edge details. The cage front has enamel scene of a young boy and girl having tea in a field of flowers, with an inscription on the backside. Red four character mark on base.

Size: 4.75" L x 2.75" W x 1.75" H

Antique Sumatra / Indonesian sterling silver betel nut box. Its sides are decorated by impressions of flowers and vines, as well as the corners of the lid with top handle. There are four lidded compartments and one open compartment inside with patina from use and remnants of slaked lime. Embossed silver hallmark on bottom of box.

The practice of betel nut chewing is common in many parts of South Asia. Slices of the areca nut would be wrapped in betel leaves and chewed, giving a mild...

A Beautifully carved tube shaped jade. It is hard to date this piece and cannot say that it is from the Hongshan period (3000BC). It is most likely from a later period as these item are extremely rare. It is not know what these were used for but it is thought to be for the hair ornament to hold the pony tail. Size: L. 8cm. W. 5cm