Using local materials and traditional methods, the creator of this work Masahiko Imanishi, has brought a distinctively modern interpretation to the classical form of the tsutsu chawan. At the same time, he somehow manages to maintain the simple rusticity that Tanba-ware is renowned for. Stretching back over 800 years, Tanba is counted as one of Japan’s 6 ancient kiln sites and is known for making large pots with red ferrous clay and natural ash glazes with a distinctive greenish tinge. More re...

The image of the brush-drawn circle, known most commonly as the “enso” of Japanese Buddhism, has long been a symbol of strength, elegance, and the simultaneous being and nonbeing (mu) of the universe. A closed enso is associated with the idea of perfection while an open enso represents movement, fluidity, and attainment in the corporeal world. In this composition by veteran Mino potter Takuzo Mizuno, we can see an open enso done in thick feldsparic glaze on a classic background of nezumi Shi...

Khmer bronze mirror in circular form with nice bronze patina overall.

Age: Cambodia, Angkor Vat Period, 12th Century
Measurement: Diameter 23.5 C.M. (size excluding stand)
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

A Chinese jade vase, carved as a lotus leaf with a flower in one corner and a ribbon tying the leaf and its coiled trailing stalk forming the base. The composition is very attractive, the body is quite thinly carved and the stone is of celadon hue. A high quality example of Qing lapidary arts, it measures 14 cm ( 5 1/2 inches) high. It comes with its own custom made wooden base. Age; 19 C. condition: excellent.

The size of Covered Box: 2 15/16" Dia x 5" High Box alone, 6 3/4" High with wooden stand. Stand 4 1/8" Square. The covered box is made with Soap Stone carved around the box with Elephant design. 1/8" depth carved. Two little elephant on top as knob. they are also carved from soap stone. The condition of Box and cover excellent condition. Very little wear. The stand has one little cut error on one corner. It is made in India. The age of item from 1960-1970's.

Up for sale is a pair of Chinese robe's sleeve bands, very intricate embroidery executed in Pekinese stitch, very fine & intricate. Measurements : Approx 7 in x 42 overall, 3-1/8" x 18-1/2" Embroidered area. Good condition, vibrant colors, some stains/color run, some tear in one end of the not embroidered area( See pictures for details).

A Two Very Rare/Fine Korean Silver with Bamboo Head Enameled Hairpine-19th C.: Korea, Joseon period, 19th century, with good silvery black patina. They’re very rare enameled silver hairpins for imperial court ladies for court traditional ceremonial events, a long silver bar ended with bamboo stump and leaves painted in polychrome enamels, green and blue. They’re in good condition but a few enamels off, otherwise very good condition with old silvery patina, they measure 12.5” a...

Up for sale is a single Chinese robe's sleeve band, very intricate embroidery executed in Pekinese stitch, very find & intricate. Measurements : Approx 7 in x 42 in overall, 3-1/4" x 19" Embroidered area. Excellent condition, vibrant colors.

3 large hand painted authentic Yao scrolls,1 smaller and 1 crown, 5 items in total. All in good condition. 108x 45 cm, text on reverse. Undated, estimated to be mid 19th century or earlier. Can be viewed in central London and shipped world wide.

Height approximately 20 cm. In good condition.

Diameter approximately 32 cm. Soft frits at the inner and outer rim. There are no hairline, chip, crack or repair. More pictures are available. In good condition.

Up for sale is a pair of antique Chinese silk civil rank badges - To be worn on the front and back of a surcoat, from late 1800's, executed in KESI /Kossu weaving technique, each has a bear standing on pride rock, bats, peonies, seawaves, sun disc, cloud patterns, buddhist / Taolist auspicious symbols against a brown silk ground; Backed with light blue silk lining. Measurements : Approx. 11-1/2" x 11-1/2" each, it is in very good condition, minor separation along the left and right borders & res...

A very rare pair of ironwood chairs also know as Tieli mu. Ironwood has been used with huanghuali items since the Ming Dynasty. In all the years that I have been collecting Chinese furniture, this is the only pair of ironwood chairs I have come across. Ironwood is usually been confused with jichimu. I find it just as desirable. Size: H. 112cm. W. 60cm. Depth. 45cm Age: Mid Qing.Condition: No repairs.

Japanese limited-edition copperplate etching titled "Big Tree No. 2" by Tanaka Ryohei (1933-2019). Pencil-signed, dated '83, and numbered 33/130 in the lower margin. Paper size 13 1/4" x 12” (image: 9 x 8 1/4"). Never framed. Very good overall condition. There are a few pinhead sized light brown spots in the margin.

Japanese Meiji period Sendai style zelkova (keyaki) wood single-section tansu with characteristic rectangular carved lockplate on the upper drawer, Mokko-style (melon) drawer handles, and hinged door on the right side opening to two drawers. Two side carrying handles. Late 19th century (circa 1880). 46 3/4” wide x 18” deep x 34 1/2” high. Very good overall condition with typical wear, some separations in the wood, and shrinkage to the drawers. From the collection of a 90-year-old Japa...

Large Japanese Meiji period kuruma (wheeled) tansu configured with seven drawers and a locking bar. The top drawer has embossed rectangular iron hardware in the form of a peacock. Warabite handles. 19th century. 47 3/4" long x 19 1/4" deep x 44 1/2" high. Very solid and in good, sturdy overall condition. The wheels are a bit stiff, but functional, and the original finish has only minor wear. There is a short cigarette burn on the edge of the top. From the Tucson, Arizona collection of a W...

Japanese kanto style Kannon Biraki double-stacking personal clothing chest (isho-dansu). Often referred to as a "wedding chest," this tansu would have been used to store a bride's formal wedding kimono. Hinged doors on the upper section open to reveal four drawers. The layout of the drawers is characteristic of the earliest form of kanto style chests. The doors exhibit the traditional configuration of five iron hinges and iron strapping surrounding a round foliate lockplate at the center. W...

Graceful, sensitive, and with a distinctively feminine aura—this subtle work of ceramic art has an air of quiet days spent in the garden or of spending an afternoon brightening up an interior space. Using a technique known as 灰釉 (kai-yu) Terai uses the natural ash of various hardwoods to achieve a subtle textured matte glow which is unique to each piece.

Yoko Terai (b. 1972) graduated from the Kyoto University of Art and later studied under Nobuo Nojima who—upon recognizing...