Slightly distorted shoe shaped - Kutsugata tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay during the Edo Period (1603-1868). The expertly thrown body was trimmed with a potter's knife in its lower part.

In the style of Oribe-Kuro bowls the bowl was covered with a black glaze which was not achieved by hikidashi (pulling the red hot bowl from the kiln) but by adding cobalt the the iron oxide glaze.

A window on the side was left unglazed and was deco...

A matched pair of Chinese Han dynasty pottery pots. Ht. 10.5cm. Condition: small chips to the mouth rim of cover, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please ask before ordering.

Museum quality Chinese Han dynasty lead green glaze vessel with beast face decoration. Ht. 46.8cm. Condition: small firing frit to the body, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please ask before ordering.

A nice Chinese Tang dynasty sancai glaze water coupe/ dropper. Dia. 8cm. Condition: small chip to foot rim, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please ask before ordering.

An Ancient wooden casket for Buddhist ritual implements lacquered black and decorated with lotus flowers in silver and gold on scrolling vines with an inscription beneath stating it was donated in the New Year of Kenmu 2 (1334). The lacquer, originally black, has oxidized to a mellow chocolate color. It is 33.5 x 18.5 x 13 cm (13 x 7-1/2 x 5 inches). As one may imagine there is a great deal of wrinkling of the lacquer from shrinkage, some losses and much wear to the edges. Nevertheless, the b...

Cup and saucer, both with a flower border in underglaze blue and a peony in the center. The exterior with a light Café-au-lait variation of the brown “Batavia” glaze (Batavia being the Dutch name for the VOC shipping harbour, today's Jakarta). Yongzheng, early 18th century, the base with a shop mark. Diameter of saucer "4 ½ / 11.5 cm, height of cup "1 2/3/ 4.3 cm. Condition: the cup with three chips to the rim and foot rim, two of them with old repairs (cf. pics).

A pair of Imari cups, scalloped rims and decoration of reserves with landscapes and calligraphy in underglaze blue and little berries or dots in overglaze red. Japanese, Edo around 1860, shop mark in underglaze blue. Height "2 ½/ 6.2 cm, diameter "3 ¼ / 8.3 cm. Condition: fine.

Sadamitsu Sugimoto, a great master of the ceramic art scene in Japan, was led by Tachibana Daiki the great Zen teacher and has been producing a lot of masterpieces through over 40 years .He has been studying the world of “wabi, sabi, and yugen” as his life's theme. This piece was made as "manaitasara" to be used at Japanese cuisine or tea ceremony. His shigaraki(stoneware) pieces are made by archaic way in old style kiln "anagama" burning red pine wood, so those ashes are turned to natura...

Sadamitsu Sugimoto, a great master of the ceramic art scene in Japan, was led by Tachibana Daiki the great Zen teacher and has been producing a lot of masterpieces through over 40 years .He has been studying the world of “wabi, sabi, and yugen” as his life's theme. *Tachibana Daiki is well known that former Arkansas Gov. Bill Clinton or Cap.Armstrong asked for teaching. This piece was made in '02 and not used. His shigaraki(stoneware) pieces are made by archaic way in old style kiln "ana...

Chinese Culture Revolution Porcelain Figure of Chairman Mao Zedong

He is 27.5 inches (70 cm) tall by 8.2 inches (21 cm) wide. He is 16.75 Lb.

He has minor rubbing paints, skip glazes, dark spots, chips at the bottom, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you original...

Pair of 19th Century Chinese Blue & White Porcelain Ginger Covered Jar with Christie's Auction Sticker

Each jar is 14.8 inches (37.5 cm) tall by 9 inches (23 cm) wide. Total weight is 17.8 lb.

They have dark spots, skip glazes, chips at the inner rims, and surface wears and scratches (as seen in the photos).

Some of the photos were taken under the sun.

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and ar...

Pair of 19th Century Chinese Cloisonne Enamel Pot with Bird & Flower

They are 7.2 inches (18.3 cm) tall by 9.6 inches (24.5 cm) wide. They are 5.6 Lb.

They are tarnished and have missing enamels, oxidation at the wires, stains, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount ...

19th Century Chinese Silver Filigree Turquoise Carved Plaque God of Prosperity lu Bracelet

It is 6.5 inches (16.5 cm) in circumference by 2.3 inches (5.8 cm) inner diameter and 2.2 inches (5.7 cm) wide. The heart plaque is 1.8 inches (4.5 cm) long by 0.98 inch (2.5 cm) wide. It weighs 42.1 gram.

The silver is tarnished. It also has inclusions at the plaque and surface wears and scratches (as seen in the photos).

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9 pieces 1910's Japanese Shofu Katei Studio Porcelain Tea Set with Egret

The teapot is 10.05 inches (25.5 cm) tall by 6.5 inches (16.5 cm) wide. The cup is 2.85 inches (7.5 cm)tall by 3 inches (7.6 cm)wide. The saucer is 0.7 inches (2 cm)tall by 4.75 inches (12.2 cm)wide. The total weight is 2.7 Lb.

They have dark spots, mild skip glazes, surface wears and scratches, one cup has a small chip at the rim (as seen in the photos).

Our Guarantee: We stand behind all of the items...

19th Century Japanese Lacquered Wood Buddha Zushi Travel Shrine Box

It is 1.2 inches (3 cm) tall by 2.75 inches (7 cm) wide. It is 54.9 gram.

It has rubbing and peeling of paint and lacquer, wrinkle lacquer, chips to the lacquer at the rim, a small chip at the rim, stains, traces of glue at the bottom of the box, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item...

Lee Seung O's innovative paper assemblage, 39 x 31.5 inches, 100 x 80 cm. Lee's work is in the permanent collection of many major museums, including the National Museum of Contemporary Art in Seoul, and he has an excellent auction record, with not a single work going unsold in the many major auctions that have listed his work over the last several years, including Christie's. It is said of Lee Seung O that he is an old spirit with a young mind. While so many young Korean artists are looking to t...

Lee Seung O's innovative paper assemblage, 36 x 28.75 inches, 91 x 73 cm. Lee's work is in the permanent collection of many major museums, including the National Museum of Contemporary Art in Seoul, and he has an excellent auction record, with not a single work going unsold in the many major auctions that have listed his work over the last several years, including Christie's. It is said of Lee Seung O that he is an old spirit with a young mind. While so many young Korean artists are looking to t...

Spring Field
Artist: Unidentified.
Size: Approximately 5.625 x 3.625 inches 14.2 x 9.2 cm
Date: ca. 1910.
Publisher: Matsumoto (No. 425).
Medium: Japanese woodblock print.
Condition: Excellent. Wave in paper where original publisher's tag is attached to the back.
The Matsumoto catalog states, "Butterflies are flitting to and fro among the flowers."
An early and rarely seen design.