Fine Late 19th Century Bunraku Puppet of a Sambaso Dancer. This rare Bunraku puppet is operated by three Puppet Masters, who make it come to life to present a magical theatrical experience. He is carved of wood and covered with Gofun. He wears a beautiful Robin egg blue and Saffron orange robes. His head is adorned with a silver and black hat featuring a rising sun. He is holding bells and a fan. 24.5 inches, 62cm.

Next to the Kabuto (Helmet), one of the most expressive parts of the Samurai's Armor is the Face Mask. This Middle Edo Period metal "armor for the face" is known by many names: mengu, menpo, mempo, men yoroi, katchu men. Menpo means "face and cheek" and is generally used for masks with nose pieces. This menpo is covered with a high quality gold lacquer. The inside is a negoro-like finish of red lacquer. Sporting a fantastic horse hair mustache. Obviously constructed by a highly skilled craft...

Fine early example of a Jomon Period Dogu Clay Figure, the earliest known Japanese figures. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, and then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare. This primitive abstract fertility figure has a futuristic look. There are fun theories that st...

Late Edo Period Musha Ningyo of Ushiwaka- maru, a brave boy who grew up to be the great warrior Minamoto Yoshitsune. This is a Ningyo of the finest quality. He has a wonderfully carved face and hands and sports a fantastic hair style and has a beautiful costume of sumptuous brocades. 8h x 6.75w inches, 20.5 x 17 cm.

Extremely Rare Edo Period Isho Ningyo Pulling a Wagon with a Crane. Early 18th Century Ningyo like this very rarely come up for sale. This Isho Ningyo is special, as it resembles a Karakui (mechanical) Ningyo. This important Ningyo has a classic face with painted features, sumptuous embroidered textiles, and is pulling a cart that has a crane inside. It stands on a lacquered base. A similar example is in the Homa Museum in Japan. 14.5h x 9.5w inches, 37h x 24w cm.

Japanese Gosho Ningyô with Samurai Attire, Signed by the 10th Generation Ningyo Artist Rozon. This master work is the results of ten generations and three centuries of ningyo artists. Unfortunately, it seems it is the end of the line for this studio. The children are not interested in continuing, which we think is sad. This Gosho is one of the most amazing examples of 20th century Japanese art. It features so many wonderful examples of great Japanese art forms. The face is just beautiful w...

Late Edo Period Takeda Ningyô of Kabuki Actor Dolls Portraying Benkie and Yoshitune. It is rare to find this type in such fine condition. This wonderfully mesmerizing work of art is so striking in its posing and expression, positioned on a lacquered and wood platform. A fascinating find for the Japanese theater enthusiast. 14h x 23w inches, 35.5h x 58.5w cm.

Rare Edo Period Kokin-bina Style of Empress & Emperor. Minor wear, fading to textile, otherwise fine condition. A classic, very early example of a Dairi-bina Imperial Couple for the Hina-matsuri Girl's Day celebration. The Emperor and Empress are seated atop a woven ungenberi fronted dais. They are a very fine early example. The emperor is wearing a lacquered court cap and tail, holding a shaku scepter, the me-bina lady is wearing a spectacular crown, and has a fabulous painted fan. All formal...

Exceptional Gonin Bayashi Five Musician set for the Hina Matsuri (Girl's Day) celebration. Just a wonderful grouping: a chanter, flute player, two hand drummers and a floor drummer, each with an expressive and well-modeled face, finely carved fingers and hands in precise gestures for their individual instruments, sumptuous silk brocade costumes, short swords, silk fiber hair, and large inset glass eyes. They are of the finest quality. 7 inches, 18 cm tall.

Pair of Inari Foxes of sculptured and fired clay with luminescent powered white glaze. In traditional Japanese art, a pair of foxes typically flank the deity Inari’s shrine image. But in modern times, images of Inari have all but disappeared, replaced instead by images of Oinari’s messenger, the magical shape-shifting fox (kitsune 狐). Here the symbolism is two-fold. First, rice is sacred in Japan, closely associated with fertility (the pregnant earth) and with sustaining life. Inari ...

A decorative fragment taken from the cuffs (horse-hoof shape) of a summer silk dragon robe with five clawed front facing dragons (couched pure silver wrapped threads) on a fish net like gauze weave. Each dragons appears to be wearing headdress. The cuffs from each sleeve are sewn together in the center and the borders are silver brocades. Circa, first half of 19th century. Approx. 19" x 15 1/4"

From our Southeast Asia Collection, this is the second offering from our four-part series of Burmese Hyper-Realism Masterpieces executed in charcoal. From a technical perspective, these are some of the most extraordinarily realistic renditions in charcoal that we have ever seen, from any culture and from any time period. The artistic talent reflected in the creation of these works is really nothing short of amazing, especially when considering the inherent limitations of working in charcoal comp...

Large Chinese basket, tall stacking carrying basket, made of bamboo with iron handle, three compartments, outfitted with removable glass top so that it may be used as an end table or stand, the basket has a large character on the top and woven patterns on all sides, the tiered basket sits in a large bamboo frame with handle, Republic Period. Size: 37" high total (30 1/4" high to top of stand) x 18 1/2" wide x 18 1/2" deep.

This is a very rare round hole coin known as a Yuan, as identified by the single character on the right. Yuan was a city in the state of Liang in ancient China. This coin has not been acid treated nor artificially aged, it is well worn and has the verdigris that is natural and impossible to scrape off by conventional means. These range in size and weight from 41.2 to 43 mm, and range 8.8 to 10.7 grams). Condition is fine. Date: about 300 B.C.E. Warring states period. This coin measures 1 3/8" ac...

Rare Chinese Neolithic Painted Pottery Jar - Machang

This pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. The inside of the mouth and the upper body have been decorated with geometric patterns in purple and black fired-on mineral-based pigments. Most known Machang jars of this general size and type have two handles; this is particularly rare ha...

Rare Chinese Neolithic Painted Pottery Jar / Cup - Machang

This small pottery jar, or cup, was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. Most known Machang jars of this approximate size have two handles; jars such as this with only one handle are particularly rare. The outer surface and inner mouth have been decorated with geometric patterns using fired-...

A lucky ammer in red decorates the inside of this large bowl by Mamiya Eishu enclosed in a period wooden box. It appears to read Kishoho or Kishohon (the method to satisfaction or the root of satisfaction respectively). The bowl is 7-1/2 inches (19 cm) diameter and in excellent condition. Eishu (1871-1945)entered the priesthood at the age of nine at Ryutakuji Temple under the training of the priest Tengan. 13 years later he was sent to one of the main temples, Tenryu-ji, in Kyoto to study un...

From our Southeast Asia Collection, this is the first offering from our four-part series of Burmese Hyper-Realism Masterpieces executed in charcoal. From a technical perspective, these are some of the most extraordinarily realistic renditions in charcoal that we have ever seen, from any culture and from any time period. The artistic talent reflected in the creation of these works is really nothing short of amazing, especially when considering the inherent limitations of working in charcoal com...