Lovely Chinese antique half round table, made of hard huali wood with thick piece of white marble on top, very elegant lines, late 19th century. Size: 34" high x 32 3/4" wide x 16 1/4" deep.

Dong Son bronze bangle with decorative lines excavated from Cambodia with nice green patina.

Age: Cambodia, Dong Son Period, 500 B.C. (size excluding stand)
Measurement: Diameter 14.5 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Dong Son bronze bangle with decorative lines excavated from Cambodia with nice green patina.

Age: Cambodia, Dong Son Period, 500 B.C. (size excluding stand)
Measurement: Diameter 14.5 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Dong Son bronze bangle with decorative lines excavated from Cambodia with nice green patina.

Age: Cambodia, Dong Son Period, 500 B.C.
Measurement: Diameter 13.5 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Chinese antique figure of Fugen the Bodhisatva of Faith and Practice, She is sitting on top of her elephant vehicle with one foot on a lotus blossom, carved of wood with muted gold and red lacquer, 19th century. Size: 16 1/2" high x 14 3/4" wide x 9 1/4" deep.

Description:

A tripod porcelain censer was finely potted in the form of an archaic bronze Li vessel.
The flattened everted rim poised above the wide straight neck when the compressed globular body with a band around the shoulder extending down to form flanges on the outer side of each leg.
The legs tapering down to the orange-russet unglazed tips.
The censer was covered all over in an even pale-green glaze and thinning to a whitish-green tone at the rim and flanges.
All...

Large Chinese Jin dynasty (1125-1234) Henan globular form stoneware jar with a high neck decorated on opposite sides of the shoulder with two appliqué dragons running around the circumference of the horizontally ribbed body. The interior is fully glazed and the exterior glaze stops well above the unglazed base. The rich black/brown glaze, referred to as “temmoku” by the Japanese, is permeated with russet accents. 7 3/4" high x 9" diameter.

Chinese Yuan to early Ming dynasty very heavily potted melon form sugary textured pale bluish-white porcelain lidded teapot decorated with moulded stylized birds on opposing sides. A prominent luting line is visible around the mid-section of the ribbed body and the interior is glazed. Small loops are at the edge of the lid and top of the rounded handle for attachment. The slightly concave unglazed base and old firing flaws have oxidized burnt orange. Circa 14th century. 4 3/8” high (to to...

During the Edo period, the daimyo (Feudal lords) from each region was required to live in Edo (today’s Tokyo) every other year. This type of Kamishimo (official attire for samurai) with small repeated patterns (komon) was like their uniform when they attended official function in the Edo castle or others. Each region had their own design made. The characteristic of kamishimo komon was that it looked plain (one color) when it was looked at in the distance. The pattern of the Tokugawa s...

Illustration of a scene from the Noh theater titled “Ohara Goko” by Kogyo Tsukioka (1869-1927) from the series "One Hundred Noh Dramas" published by Daikoku-ya in 1923. Very good impression quality with silver and gold metallic highlights and extensive embossing on the blue robe. Standard vertical oban print measuring about 14 7/8"V x 10"H. Very good overall condition. There is a slight wrinkle in the paper at the upper right corner.

From our Southeast Asia Collection, a superb Indonesian ebony wood carving of a Legong dancer, expertly rendered capturing the marvelous grace and elegance of this traditional Balinese dance.

As Wikipedia describes it, "Legong is a form of Balinese dance. It is a refined dance form characterized by intricate finger movements, complicated footwork, and expressive gestures and facial expressions. Legong probably originated in the 19th century as royal entertainment. Legend has it that a pri...

From our Southeast Asia Collection, a superb Indonesian ebony wood carving of Ruana, expertly rendered with such animation and ferocity that the character looks almost demon-like, so much so that we actually find this particular piece a bit creepy.....But that is ultimately testimony to the tremendous skill of the carver.

For those unfamiliar with the differences between ebony wood and the other woods in the hardwood / rosewood family, ebony wood is especially dense and heavy and very d...

A beautifully carved and polychromed alabaster figure of a standing female divinity, wearing a dark green sari scattered with a gilt floral pattern, both hands held out towards the front, youthful face with large eyes and simple gilt diadem encircling her black-painted hair, Indian, 19th century. Size: 31" high x 13 1/2" wide x 7 1/2" deep.

Japanese woodblock print by Yoshitoshi, Tsukioka (1839-1892) entitled "The Fever of Taira no Kiymori". A triptych print, the scene is of the tyrant Taira no Kiyomori as he writhes in fever just before death. According to legend, the evil Kiyomori burned down a temple and is fetched for retribution by Emma-o the King of Hell, Kiyomori's wife and son kneel and pray for his salvation while demons and the souls of Kiyomori's victims surround him. Print date: 1883. This print is in good conditi...

Chinese pair of Famille Verte porcelain plates with blue glaze and color overglaze on white ground, design of fish and underwater plants, each plate has delicately scalloped surface radiating outward, Kangxi Period, mark on bottom, circa 1700. Size of each: 5 1/8" diameter x 7/8" high

Description:

A black-glazed covered box was molded with an interesting motif of butterfly on the surface.
The box was an excavated piece obtaining with obvious evidences of burial earth and whitish incursions in the glaze.
Some similar boxes were in the book of (The Collection of Chinese Box), a book of a famed connoisseur and antique dealer,Ma Wei-Du.

Date: Tang Dynasty, 618-907

Provenance: Henan province.

Width: 7.2cm. Height: 4.5cm.

A CUSTOM-MAD...

Unusually large Chinese late Qing compressed globular form incense burner with slightly everted rim supported by three short legs and covered overall with an amber-colored monochrome crackled glaze that extends to cover the bottom of the feet. The glaze drips down the walls into the unglazed interior. This censer is likely from a South China kiln. A custom-made heavy hardwood stand is included. Estimated to date from the 19th century. 10” diameter x 4 38” high (7” high including the s...

Chinese Northern Song (960-1127) dynasty qingbai (yingqing) porcelain glazed bowl with relatively straight sides and slightly flared rim decorated on the interior with combed abstract swirling floral patterns. The smooth, thin, crackled olive-green glaze pools in the center and accumulates at the exterior foot. The low foot is unglazed, revealing a gray-white body. 10th/11th century. 7” diameter x 2 3/8” high. Very good overall condition. This bowl is from a Phoenix, Arizona collection...