Statue of Buddhist god Wenshu --- also known as Bodhisattava Manjusri --- in formal attire, wearing diadem and jewelry, his hands holding the stem of lotus flowers resting on each shoulder, sitting in "bhadrasana" on his lion, the lion itself crouching on a stylised lotus base. Bronze, with encrusted dark green patina. China, late Yuan/early Ming dynasty. Height: 18.8 cm. Very good condition.

It is the decoration and this really brilliant cobalt blue that makes this jar to an realy extraordinary nice example of an Qing Dynasty blue and white vase / jar. Qing Dynasty, late 18th. century. H.: 9,4 cm. Diameter: 8,7 cm. Condition : Perfect.

Large limited edition Japanese lithograph with red sumi-e brush strokes by Toko Shinoda (b. 1913) titled "Fleeting Dream." This early undated image is pencil-signed, titled, and numbered 26/30 in the lower left margin. Paper size: 28 5/8" x 22". This print was never framed and is in excellent overall condition. From a Phoenix, Arizona estate. It was originally purchased from the Tolman Collection.

Large limited edition lithograph with red sumi-e brush strokes by Toko Shinoda (b. 1913) titled "Ancient Song." This early undated image is pencil-signed, titled, and numbered 12/35 at the lower right. The red calligraphy is more vibrant than it appears on the main image. Paper size: 27" x 20 3/4". Very good overall condition. There are three small pieces of linen tape on the reverse top edge. This print is from a Phoenix, Arizona estate. It was originally purchased from the Tolman Collection. ...

Large Indian bronze sculpture of Shiva Nataraja, Lord of the Dance. This form of Shiva demonstrates his most dynamic aspect: that of Shiva the Creator, Shiva the Preserver,and Shiva the Destroyer all combined in a dance which makes up the cycle of time. Each of Shiva's four hands show important clues as to his distinct importance: one hand holds the drum which makes the first sound of creation and one the flame of universal destruction. One hand is held in abhayamudra, the gesture that say...

H. 11,6 cm. Very nice age wear and a soft patina with traces of puja worship. Provenance: Belgian private collection.

Collection of 4 genuine late 19th century detached Thai manuscript paintings. Largest 37x25 cm. Can be viewed in central London and shipped worldwide.

Height: 3 cm (1.2 in)
Length: 4 cm (1.7 in)

Fine marine material netsuke of a grazing horse; fine hair work; inlaid horn eyes; some age lines present; good condition

Height: 23cm (9.2 in)
Width between handles: 14 cm (5.5 in)
Weight: 2.1 kg (4.6 lb)

Fine Chinese bronze vase by Shisou; inlaid silver decoration throughout; dragon chasing a flaming pearl over waves above herringbone diaper-work; pearl and part of the dragon’s head is solid silver; very heavy; signed Shisou; good condition

One old cup in floral form was in type of Song Guan ware .
Crackled glaze were covered on old-feel body clay.
One firm touch-up was at footring. Not obvious and was only on the glaze.
Date: Ming/Qing Periods

Width, 8.6cm

Chinese Qing dynasty bronze censer or incense burner. 15,5 cm wide from ear to ear. 10,8 cm mouth diameter. 6 cm high. 904 gram weight. good conditions.

This is a Qing Dinasty, Flattened, Rectangular form tapering towards base snuff bottle, with rounded shoulders, rounded straight neck, and raised rounded rectangular footing. It is mostly of brick red color with some subdue light brown streaks. A light sheen on its surface enhances its natural Cher stone color. It comes with a metal base light brown jadeite stopper. The Chert name was given to a range of impure siliceous rocks, that were identified in the late 1960's , at the Geologica...

Wonderful Minpei/Awaji ware tea bowl made by the legendary 1st Minpei Kashu during the Edo Period, with deep glaze cracks and soft cobalt blue pictures. It comes with a signed wooden box and a signed and sealed attestation of Hasshu Uewashi, issue number 256. Hasshu Uewashi was a famous judge of Japanese pottery who worked during the Meiji and Taisho Era.

Awaji ware was founded in the early 1830s by Minpei Kashu (1796-1871) from Iga village.

He was born in 1796 into a we...

This is a 19th century, Bulbous, Spade shaped Snuff Bottle with rounded shoulders, rounded straight neck, and flat oval footing. It has a rainbow of colors ranging from dark brown, dark red, caramel, beige, and white bands over an olive green ground that turns brown towards the mouth of the bottle. It also has mineral inclusions. It is carved on both sides with bamboo shoot themes. It has a very lustrous surface. It comes with an orange coral stopper. This well hollowed bottle, has...

This is a Qing Dinasty, 18th/19th century, Flattened, Rectangular form tapering towards base snuff bottle, with rounded shoulders, flared short neck, and raised oval footing. It has a deep, rich spinach-green color with dark mottling. It is excellently carved in-relief, all around, with birds perching on leafy Chrysanthemum branches rising from rocks. It comes with a light green jadeite stopper with a black collar. This well hollowed bottle is in excellent preserved condition. Bottle M...

Exhibition Photos for Seifu Yohei III, IV works at The Cleveland Museum of Art, July 2017 thru January 2018.

Seifu Yohei III (1850, Kiei 3rd, thru 1914, Taisho 3rd).
He was born in name of Okada family, when he was young man he wanted to become as the painter so he became the student of Tanomura Chokunyu in Osaka and studied Japanese painting and Nanga painting but he gave up as the painter because of his illness. Later he became the student of Seifu Yohei II and change to pottery...

Additional Exhibition Photos for Seifu Yohei III, IV works at The Cleveland Museum of Art. July 2017 thru January 2018. (Please note: all exhibiting items are not for sale.)

Song Dynasty jarlet with two ears and embossed floral design. High resolution images on request.