A small bag made of deer skin with shibori (tie-dye) pattern. The brown color is dyed with the technique called "fusube-gawa". The deer skin is smoked with burning rice straws and gets brown color. Fusube-gawa is used for armors or wallets in Edo period. It has silk cords and lining. In excellent condition. Late 19th to early 20th century. 15cm x 18cm

One of the finest, most daring, and well-crafted works I have seen by this legendary artist who is known for his non-conformist and bold style. Suzuki Goro has outdone himself with this Rose Oribe ceremonial tea bowl. Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). The most common types in this genre are Oribe-guro with jet-black glazes and feldspar ornamentation, Ao-Oribe with dark-green glazes, followed by the somewhat rarer type of Oribe known as...

Five Oribe plates of elongated rectangular form splashed with red by important contemporary potter Yamada Kazu and enclosed in the original signed wooden box titled Kakuyu Oribe Choho-zara. Kakuyu-oribe is a style developed by and unique to Kazu. Each is roughly 15 inches (38 cm) long and all are in excellent condition.
Kazu was born in Tokoname city, one of Japans ancient kiln areas, into a line of potters. He would have been influenced early on by his father, Yamada Kenkichi and uncl...

A large and elegant Wa-gumi basket by Yufu Shohaku signed on the base made up of alternating strips of finely braided bamboo rope and bands of raw bamboo. This is a dramatic work measuring 22 x 20 x 14 inches (56 x 50 x 35 cm).
Yufu Shohaku (b. 1941) is a second-generation bamboo artist from Beppu, the son of Yufu Chikuryu, putting him in the lineage of Sato Chikuyusai. Shohaku began making bamboo baskets in elementary school and achieved mastery by middle school. With his father, he cr...

An Imari miniature condiment set of hexagonal baluster form decorated with trailing foliage in underglaze blue, iron red and gilding. Consisting of four small ewers, three marked with A for azin, vinegar, one marked with “S” for syrup; three with plain covers, one with a perforated cover. A complete pepper pot with perforated cover, 7cm high, and a pillar form salt, 6.2cm high. The cruet or condiment stand is also of hexagonal form with a central candle stick, 16.5cm by 16.5cm and standin...

A rare English soft paste porcelain copy of a Ko Imari Kinrande Kikugata Bowl with janome, bulls eye base. This class of porcelain in Japan is usually attributed to the late Edo period, c.1750-1780. This particular bowl is attributed to the Worcester factory in the Marshall Collection at the Ashomolean Museum, but it is now thought that these bowls were manufactured at the Derby factory. It shows that there was still demand for expensive Japanese porcelain in England during this comparatively la...

A pair Japanese hairpins in the fluttering style, worked in silver alloy and having attached metal strips. Showing beautiful peony flowers, one with tiny coral beads forming the center. Ending in a mimikaki (ear spoon). Condition: missing metal stripes, professional cleaning needed. Dimension: 16.9 cm long x 4.5 cm wide.

Japanese Ceramic Hibachi, Showa period, early 1900's, 8 1/2" high, 9 1/2" diameter-top rim opening, 9 1/2" diameter-bottom, 13 1/2" widest middle area, with vertical blue and white stripes on the lighter powder blue background main body, and two open holes to keep the Hibachi utensils which stands on high black glazed stand, all in one(1) piece. The condition is good except glazed top rim area is pitted from many years of usage using metal utensils, and small kiln glaze popped area on the side....

Chinese Tang dynasty YUE YAO bowl decorated with incised dragon motive inside and lotus petal at outer wall. 17,3 cm diameter. Repaired conditions.

Japanese print of a woman holding a calligraphy paint brush, by Shiko Munakata (1903-1975). A zen Buddhist, he worked in oil painting, then woodblock printing, calligraphy and ceramics. He is sometimes called the Japanese Picasso because of his prolific multi media creative work. He was part of the sasuka-hanga movement and the mingei, folk art, movement. He is from the northern region of Aomori and incorporated many of those local themes into his art. The text on the back of the image suggests ...

A Baba Nyonya hair ornament made of gilt silver with rubies or glass stones. Condition: one stone is lost, wear to gilding, pin end minimally distorted. Dimension: 10.2 cm long x 2.4 cm wide, weight: 8 g.

Five completely unique bowls by important contemporary artist Yamada Kazu showing five unique aspects of Mino-ware enclosed in the original signed wooden box titled Meshiwan, Shino, Hikidashi guro, Oribe, Kiseto, Kakuyu Oribe and dating circa 2000. Each is roughly 5 inches (12.5 cm) diameter and all are in excellent condition.
Kazu was born in Tokoname city, one of Japans ancient kiln areas, into a line of potters. He would have been influenced early on by his father, Yamada Kenkichi and...

MATOI

Old local farm tool for threshing beans called 'Matoi' (also 'Mamebuchi') in Tohoku region as the most primitive threshing tool. Quite a powerful form. Early 20th century. Large 46cm (18.11in), Small 43cm (16.92in)


selected by Jinta




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Eye-catching gold gilt Meiji Period C.1900 sake shop sign. Kanji characters read `Kiwami no Kotobuki` sake or Ultimate Happiness sake. The carving is in the shape of a sake keg. Excellent condition with minor lacquer wear. Old iron clamps were added in the back. See pictures. Size is 15" tall and 13" wide. Ask for shipping quote.

Antique Chinese pair of small porcelain plates. Foliate rims and raised design of two fish and swirling waves. Intricately modeled with great detail. Very delicate and beautiful.

Song Dynasty

Size of each: 4" wide

Antique Chinese hardwood brush pot. Made of huanghuali wood (Dalbergia odorifera) of a cylindrical shape, the base with a slight protruding lip. The front of the brush pot is carved with a stylized bamboo forest; The opposite side carved with a calligraphy inscription and artist's chops. The original finish brings out the natural "ghost eye" woodgrain characteristic of huanghuali.

18th/19th century

Dimensions: 6 5/8" x 6 5/8" x 6 1/8" H

Antique Japanese unusually small kannon biraki (hinged doors) tansu chest made of kiri (paulownia) wood. The top portion of the chest opens to reveal a compartment with a single shelf. The bottom portion has two exterior drawers. Elaborate iron hardware is like that of a larger kannon biraki chest and includes heavy hinges and cross bracing on the doors with an ivy leaf mon (crest).

Edo Period (early 1800's)

Dimensions: 16 1/4" high x 19 1/4" wide x 10" deep.

8 Pages of a Tibetan painted manuscript. 5 paintings of Demons on each page. Undated, estimated to be 17th century or earlier. Approx size 28x 12 cm. Edges damaged and some paint loss, check images closely, can be viewed in central London and shipped worldwide.