Japanese plique-a-jour cloisonne enamel vase densely decorated with a bouquet of flowers set against a celadon green background. Chrome rims. Dates from the Occupation period (1945-1960). Measures about 3 3/4"H x 3" diameter. Very good overall condition. There is a faint interior stress crack at the shoulder that cannot be felt (see enlargements 6 and 7). The neck is very slightly tilted.

Japanese early Showa period rectangular form cypress wood tabako-bon smoker’s hibachi with a removable top containing a small round hole (2 1/2" diameter) designed to hold a cylindrical bamboo holder for pipes and ashes and a larger hole with a copper cylindrical container (about 5 1/4" diameter) for holding charcoal. Recessed side carrying handles. 14” long x 7” high x 8 7/8” deep. The curved sides measure 7/8" in thickness. Weighs 7 lbs. Early 20th century. Very good solid overall...

Japanese Showa period monochrome green musen shippo wireless cloisonne vase decorated around the circumference with a band of flowers and scrolling foliage executed in layers of stacked enamel. Chrome rims. 8 1/2" high. Post World War II (circa 1945-1960s). Very good overall condition.

Wearable art: Beautiful Shibori hand tie-dye work on silk haori (short kimono jacket). It is lined with a white silk with some basting stitches still intact. This haori will make a gorgeous jacket.

Japanese Shoki (demon queller) doll for the Japanese Boy's Day. The story of Shoki came from ancient Chinese folklore. He was known to cure ailing emperor of the Tang Dynasty when he was plagued with nightmares. Shoki showed up in the emperor's dream and chased the demons away. This store was later adopted by the Japanese. Shoki became to be the only non-Japanese figure displayed in early Japanese Boy's Day festival since the Edo period (1603-1868). Circa 1910 to 1930. This is not a ...

Japanese shin hanga woodblock print titled Maple" by Tsukasa Yoshida (1949 - ) dated 1970. The artist's red square seal is at the lower right. The print is pencil-signed in the lower right margin, dated and titled in Japanese in the left margin, and titled in English in the lower left margin. The known paper size is 16”V x 11 1/4”H (image: 14 1/2”V x 9 3/4”H). This print has been framed with UV glass and archival materials in a traditional 19"V x 15"H wood frame with rounded corners. I...

Japanese shin hanga woodblock print triptych titled “Pine,” Plum,” and “Bamboo” from the “Friendly Garden Series” commissioned by the Franklin Mint and published by the Yoshida Family Studio in 1980. Each of the three prints is pencil-signed in kanji at the lower right margin and black ink signed and titled at the lower left image. The artist’s red seal is below the black ink signature. The three prints have been reframed with archival materials and UV Plexiglas in the origina...

Japanese shin hanga woodblock print by Shoda Koho (1871-1946) titled "A Bridge in the Rainy Season." This image was originally printed by Hasegawa circa 1910-1920. This lifetime impression was published after the name change from Hasegawa to Nishinomaya Yosaku and dates circa 1936-early 1940s. The Nishinomaya publisher’s seal is in the lower right margin. The artist’s black ink signature and red seal are at the lower left corner of the image. Paper: 10 ¼”V x 15 1/8”H (image: 8 7/8�...

Japanese shin hanga woodblock print by Ito Yuhan (1882-1951) titled "Fuji from Taganoura" published by Nishinomiya Yosaku in the 1930's. Signed at the lower right corner of the image. Paper: 16 1/8" x 10 5/8" (image: 14 1/2" x 9 3/4"). The painterly effect in Ito Yuhan's woodblock prints are achieved through the elimination of black key block lines. Very good overall condition. This print was never framed and has excellent color and full margins. There are some vertical wrinkles down the c...

Japanese shin hanga woodblock print titled “Keisho” (Make-up), No 2, from a series of six self-published prints titled “Women’s Manners of Today” by Kobayakawa Kiyoshi (1899-1948). At the upper left, the print is dated 6th month of Showa 5 (1930) and signed with the artist's red bird/duck seal below. The title is in kanji in the lower margin. A seal at the lower left margin shows it is from a limited edition of 100. Naga-oban (visible size: 19 7/8" x 11 3/8"); frame: 27" x 18 1/2."...

SIZE : Width 5.1'' , Length 4.6'', Height 3.1'', Weight 290 g + Signed box 290 g

This is a tea bowl of Japanese SHIGARAKI pottery ware. This was made about 30 years ago. SHIGARAKI is the pottery of Shiga Prefecture in Japan.

It is chosen as one of the oldest 6 potterys in Japan. Shigaraki, Bizen, Iga etc are very popular as pottery of Japanese WABI-SABI.

This amazing tea bowl has a very good natural glaze. It presents a lovely sense of view, touch and hold in the hands. ...

Rarely seen Shigaraki kettle with a fantastic shape, slightly deformed without any damage or repair. It dates from the early stages of the Edo Period.

Shigaraki is one of the oldest pottery towns in Japan with a history dating back more than 1,200 years. Historians say that local kilns were producing roof tiles when the emperor Shomu briefly relocated his palace to the area from Kyoto in 742 AD. These days, many Japanese know Shigaraki for its Tanuki or Japanese raccoon dog ceramic...

Japanese Late 20th Century (late Showa to Heisei Period) shigaraki ceramic vase by artist Miyoshi Kentaro (1953-2018). Small cabinet or bud vase with wonderful textured surface and splendid kiln produced glaze effect. Comes with tomobako (original wood box with artist signature and chop mark) and tomogire (original wrapping cloth with artist mark). Kentaro, born in Hokkaido, Japan, was known for making both echizen and karatsu wares, but this piece is shigaraki, as noted on the tomobako by Ke...

Exceptional Japanese incense cabinet kodansu in wood covered with a profusion of mother-of-pearl flowers and bone leaves, engraved and inlaid with the shibayama technique. Bottom in nashi-ji lacquer.
Handles, finishes and feet in silver. The handle can be turned to lock the cabinet.
Inside, three removable drawers in black lacquer with hiramaki-e lespedeza decoration, interior and door in nashi-ji, bone handle in the shape of buds.

This kodansu, use to store the utensils...

Old (1900's) Japanese Shakudo Gold & Silver Mixed Metal Box with Flower & Grasshopper

It is 1.25 inches (4.2 cm) tall by 3 inches (10.6 cm) wide. It is 505 gram.

It is tarnished and has rust, stains, rubbing of gilding, oxidation, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the a...

Special offer: A 100 year old impressive large Seto-Yaki Chawan, hand shaped pottery tea bowl of wonderful Seto clay. It fits perfect into the palm of the hand. The seal of the potter is stamped on the bottom.

No chips or cracks. The Chawan comes with its original wooden box.

Size: 7,9 cm height x 13,6 cm in diameter.

Free shipping.

An unusual Seto Tea Bowl, shaped like a flower in the upper area, with stunning glaze and a wonderful foot ring, made around 100 years ago during the Taisho Period (1912-1926).

It is in great condition with no chips or cracks - ready to use for the tea ceremony.

Ceramics produced in Seto City are known as Setomono (Seto ware), which has become a generic word for ceramics not only in Japan but also world-wide. Having a history of over 1,000 years and a matching tradition...

Stunning set of ten Japanese Ya (arrow) Yumi hawk feather and reed arrows with gold gilt lacquer and iron tips. Once used to shoot long distances by long bow primarily before the main introduction of firearms by the Portuguese in 1543. The "no" (shaft of the arrows are made from yadake bamboo and can have different shapes – straight, or tapering, these being straight.
Typically they use bamboo from the Kanto area. This is for a purely practical reason: bamboo will not grow fast enough ...