Looking something akin to dragon skin with gilded beads glistening between the scales, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative imagination and challenges the traditional boundaries of what defines a guinomi (Saké cup). Described as a “Kiretsu-mon” (ki = turtle, retsu = cracked, mon = design/ crest), according to Hiramatsu, his inspiration for this piece (and a number of others) came from an ancient form of sea life known as an Ammonite—a large spiral...

This experimental work by young artist Hiramatsu Ryoma demonstrates his creative imagination and challenges the traditional boundaries of what defines a tea bowl. Described on the box as a “Kiretsu-mon” (ki = turtle, retsu = cracked, mon = design/ crest), according to Hiramatsu, his inspiration for this piece, and a number of others came from an ancient form of sea life known as an Ammonite—a large spiraled mollusk who’s shells are often found fossilized today. The inside of the bowl is ...

A Splendid Khmer Sandstone Carved Relief With four Kneeling Deities, Angkor Baphuon 11th Century The Khmer Sandstone relief, carved with four kneeling deities. Finely carved in deep relef with fine details Estimate Value: $2 500 - $4 000 Measurements: Height - 24 cm (9 1/2 In)9 Width - 40 cm (16 In) Don't hesitate to send your offer, we always do our best to offer the most attractive pieces for the best price. SATISFACTION GUARANTEE - We have been offering SE Asian Arts A...

The Finely Cast Bronze Stupa, with 4 seated Buddha Figures facing the 4 cardinal directions. The Buddhas, seated in decorated niches. The Stupa decorated with floral patterns, various animal figures. Each Buddha figure flanked with kneeling adornants. 13th Century AD, Angkor Bayon period. Estimate value: $5000 - $6000 Measurements: Height - 36cm (14 In) and 16 cm (6,5 in) Provenance: US Private collection. Don't hesitate to send your offer, we always do our best to offer the most attractive pie...

18th Century bronze Vishnu Figure, Seated on a stylized lotus Throne. The divinity seated in royal ease, his right hand holding a stick, symbol of his power. Wearing a tiered conical hair dress, short vertically striated sampot with overlap, jeweled collar, armlets, anklets and pendeloque earrings. His throne decorated with lotus buds and flower and the figure is seated beneath a nicely decorated arch. This piece dates back to the 18th Century, About 250-300 years. In very good conditi...

A polished gypsum sculpture reminiscent of the matte works of Nigoshide ceramics from her home prefecture by Sugano Chi enclosed in a swooden box titled Akerakan and featured in the book Sugano Chii (published 1997). It is 16 x 14.5 x 16 cm (6-1/4 x 4-3/4 x 6 inches) and is in excellent condition.
Sugano Chii was born in Saga Prefecture in 1909, on the Southern Island of Kyushu, and graduated the prefectural Saga Prefectural Ogi Girls School in 1927 before being accepted in the Tokyo Wom...

If you are familiar with the work of Hiramatsu Ryoma you know that he creates very unconventional ceramics inspired by forms found in nature. Here we have a sake set he describes as “Ou-tekko” (pyrite) and “Ammonite” (same in English - a kind of sea fossil). Part of a series he has been developing, the ancient Ammonite fossil has been the inspiration behind his latest creations. Pyrite, meanwhile refers to the metallic patterning on the outer surface of the clay body. Truly unique pieces...

From our Indian Subcontinent Collection, a good Kashmiri silver surahi (water flask), 19th century, of compressed globular base with elongated neck and attached stopper secured by linked silver chain, well-decorated with chased vegetal and floral designs typical for Kashmiri silversmithing of this period. Overall a very attractive example with elegant proportions and good presence.

Size and Condition: 9 1/2 inches tall, 5 1/2 inches in diameter at its widest point on base. Excellent co...

An excellent offering from Higaki Ryota of Katsura Kiln, this piece displays a classic and iconic shape coupled with a beautiful Kase-guro glaze said to be used over 400 years ago by Chojiro. The color of this tea bowl changes quite dramatically, taking on the characteristics of its environment; light and cheerful in direct and bright lighting, more austere, deep, and reflective in standard tea room lighting. Perfect for those venturing into the world of Raku tea-ware or for those lo...

This elegant work of Karatsu pottery has an unglazed foot, showing the rich ferrous clay, and displays a beautiful ashen glaze with hues of blue, grey, green, and a dark glossy ring encircling the top.

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for. ...

Accents formed using iron pigment stand out across a backdrop of blue-green glaze. The base and a portion of the inside of this ceremonial tea bowl are unglazed displaying rich clay. Created by Shibayama Toshiya, this is an example of contemporary Japanese ceramics at its finest.

A native of Nagoya Shibayama (b. 1959) is exceptionally versatile, working in styles such as Seto, Shino, Karatsu, and Shigaraki among others. A practitioner of tea himself, Shibayama is known for crafting ...

In Japan, woven baskets such as this are often referred to as “karamono” (Chinese style) to denote their stylistic origins tending towards symmetrical proportions and tight weaves. Though the maker and date of production for this piece are unknown, judging from appearance it was likely crafted in Late Edo or in Meiji—with the box being furnished at the time Houn-sai granted his endorsement. Generally speaking, it is more common for Tea Masters to certify and endorse pieces of known origin,...

Perfect Aka Raku Tsutsu Chawan made by the 10th generation Kichizaemon Tan-nyu and enclosed in an authentication wood box written and signed by the 12th generation master of Omotosenke, Seisei (1863-1937).

Tan-nyu (1795-1854) was firstly named as Sojiro. He was the second son of Ryōnyu, the second generation master. In 1811, at the retirement of his father-master Ryonyu, he succeeded as Kichiza’emon. In 1819, together with his father Ryonyu, he assisted Oniwa-yaki Kairakuen ...

Rare Red Raku Summer Tea Bowl named "Yuki," crafted by Houshousai in 1861.

Dimensions:
Height: 6cm
Width: 16.5cm

Condition:
In excellent antique condition, with no signs of damage. Comes with the original wooden box from the period, bearing detailed notes about the artist.

Houshousai, a distinguished tea master from Kanazawa during the late Edo period, enjoyed close camaraderie with affluent merchants such as Choemon, Enemon, and Gohei. During the ...

Antique Aka Raku Chawan by greatest Kichizaemon Tan-nyu, ennobled with a REAL kintsugi gold repair.

Half cylinder shaped (Hanzutsu) tea bowl with a rounded brim, in the typical hand built style of the Raku family. The body is fully covered with a white engobe before the red glaze was applied.

The red glaze turned to to grey where it got in contact with charcoal in the kiln. The bowl has a beautiful repair in real kintsugi (gold lacquer); it is signed next to the foot rin...

The great artist Choraku III made a lot of fantastic chawans - for me this is SURELY HIS BEST: a mysterious Aka Raku Chawan with Buddhist symbols in white slip, which are drawn on the outside of the bowl, slightly deformed and perfectly balanced, definitely one of a kind!

With every turn of the bowl, a new face is shown, offering many opportunities for contemplative experiences. As with many red Choraku tea bowls, the light white over glaze gives a misty and almost ghostly feeling ...

Aka Raku Chawan named "Hanshan" made by Matsuo Fushunsai (1792-1830) who was the 5th generation head of Matsuo-Ryu Tea Ceremony School in Higashi-ku , Nagoya.
The box is signed by Matsuo 6th generation Iemoto Gyosai (1820-1856).

The rim is gently undulated moving to the plump body. The hills are lightly squeezed, and the whole shape is rounded as if it is a sphere. The surface has irregularities that allows to follow the trajectories of hand-modeling, and the dynamic scenery giv...

Wonderful and perfectly balanced Aka Raku Chawan by one of the best contemporary Raku artists, the 7th. Kawasaki Waraku (1936 - ). It was made 50 years ago.

The tea bowl is in mint condition and it bears the seal of the artist on the bottom.

This stunning Chawan comes with its originally signed and sealed wooden box.

Size: 8,8 cm height x 11,5 cm in diameter.

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