This Tibetan gau (aka prayer box) is actually a small shrine. When not being worn as an ornament during festivals, it would be kept in the prayer niche of the family home. The back of the box slides open. Frequently, a special prayer i.e. sutra pages would be placed inside. The small glass window at the front displays a Tsa tsa, which is a clay statue of a Buddhist Deity. These statues were made only by the monks and considered to be a holy relic. This antique gau has a front piece of silv...

Antique Indonesian metal round container bordered with embossed suns and moons, central body and lid decorated with fleur de lys motifs over a crosshatch background, pierced foot with S designs. The inside and bottom of the container have a lovely patina. Size: 6" height, 9.5" diameter

Red clay Roman pottery vessel with handle, flanged lip over curved body, worn white design, most likely a wine ewer, display stand.

Provenance Handley Collection
Date 300 AD
Size without stand H 9.5" x W 4.5"
with stand H 11 1/2"

Rare Antique Northern THAI WOVEN LACQUER STORAGE RICE BASKET. Good condition, size: height 12" x width 8" Difficult to find nowadays

Burmese bronze reliquary stupa which opens by a simple turn locking jig. The stupa in Sanskrit means heap or mound. The stupa's hemispherical structure containing remains of Buddhist monks or nuns is called "sarira". The reliquary is also used in place of meditation. The shape of the stupa represents Buddha, crowned and sitting in meditation posture on a lion throne. His crown is the top of the spire, his head is the square, at the spire's base, his body is the vase shape; his legs a...

Very beautiful antique aka-raku (red raku) chawan (teabowl) with Raku 11th generation Keinyû (1817-1902)'s seal. Early Meiji Era.

Born as a son of Ogawa Naohachi, a sake brewer from Tanba, the present Kameoka City in Kyoto, he was taken into the Raku family as Tannyu's son-in-law. He succeeded as the 11th generation in 1845. He retired in 1871, assuming the name of Keinyu. The period he lived through was an age of transformation from the feudalism of the Tokugawa Shogunate to the m...

A finely done red kutani dish decorated with a dragon flying among the clouds surrounded by scrolling waves and a peony like floral pattern. The bottom of the plate is decorated with dragons and clouds done in an archaic-like style design. The work contains an inscription reading, kutani. Age: Meiji-Showa Period Size: diameter 7.25" height 1.25"

A splendid and refined Satsuma rectangular incense censer. Each painted panel is minutely painted with traditional motifs with images of a phoenix and Shi Shi Lion in raised detail. The bottom of the container contains a signature which reads, Dai Nippon Tokyo, Matsuura Yuzan Zo. Lovely condition Age: Meiji Period Size: length 3.5" width 2.75" height 2.15"

Antique Chinese rare monochrome porcelain vase with handles in the shape of elephant's heads. The coral red underglaze has a beautiful purple iridescence in the light. The form is stout, with a ridge where the neck and the body meet. Late 18th Early 19th Century Size: 5.5" height, 3.5" width

An antique Chinese red brocade panel decorated with auspicious motifs. In the central section, the brocade is decorated with repeating pattern of children where one is holding a musical instrument known as a sheng and the other is holding a toy-like object. The top and bottom panels are decorated with motifs of dragons and phoenixes set within a geometric border. Age: 19th century Size: height 66" width 28"

One-of-a-kind!!! This is an item sui generis.

A yellow glazed Raku chawan, dating from the Meiji Period (ca. 120 years old) with its originally signed wood box.

The chawan is in superb condition with no chips or cracks. Around the bowl are carved chinese characters. The tea bowl is very solid and fits perfectly into the palm of the hands. Great chawan!

No chips or cracks.

Size: 8,6 cm height x 11,9 cm in diameter.

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Antique Raku Chawan of rarest color, made by the 1st Choraku Ogawa, one of the most legendary potters of the 20th century. The Chawan is in great antique condition and comes with its originally signed and sealed wooden box. No chips or repairs. Only natural inborn kiln cracks caused during firing.

Ogawa Choraku was the founder of the Choraku lineage of Raku potters. Choraku studied under Keinyu (11th Raku) and Konyu (12th Raku) of the Raku family, and in 1904, with the support of K...

This quilt is made out of an old Japanese nobori banner probably from the Meiji period (1868-1912). The upper part of the banner, where the family crest (Mon) is dyed, was used for the border and two figures were sewn together side by side. The brown fabrics on each side of the design are the reverse side of an old obi sash. All hand-sewn except for the straight line where the panels were put together.

The design is of two lucky gods from the The Seven Lucky Gods of Japan (SH...

Antique Chinese silk satin stitch embroidery with Embroidered with hanging tassels and ornaments everywhere...This was a hat for the bride...out of my private collection...

This is a Qing Dynasty woman's skirt which has been Adapted for western wear. The 2 panels of the skirt have been sewn together and the original waist band has been narrowed. The skirt easily wraps around the hips so that the flat sections were displayed at at the front and back....the pleated sections hang at draped the sides... The background fabric of this skirt is a red silk satin...the main front and rear panels are beautifully embroidered as are pleated side sections of the skirt The skir...

A scarce antique lady informal padded winter robe, 19th century (Qing Dynasty), China.

Dark blue satin silk is finely embroidered in colored floss satin silk with butterflies flitting amidst peonies, chrysanthemums, and other various flowers.

Sleeves finished with cream-colored satin silk bands embroidered with various figural scenes, bordered with multicolored ribbons and light blue satin.

The front - opening with four toggles and gilt–metal buttons and trimmed together wit...

During the Qing Dynasty, the feathers of the kingfisher bird were used to create ornaments for woman to attach to clothing and/or wear in their hair... Through the 1800's These ornaments were made and formed with heavy paper (light weight cardboard...) They had large areas of feathers and the edges of the paper form were bordered with gold paint...and the ornaments were often domed By the early 1900's the bird were becoming rare almost extinct ...so intricate and smaller sections of fea...

Large Chinese embroidery panel with all over pattern of multiple assorted butterflies...wedgewood blue silk crape fabric surrounded with embroidered border...entire piece is lined with red cotton fabric... measure roughly 27 x 80 inches