A pair joss-stick holders with Buddhist lions standing on a leave-shaped base and a single one with wooden stand. Made of biscuit porcelain and glazed in the "sancai" palette. Dating to the Kangxi period (1662-1722). Condition: the balls of the male lions are lost, both with small restorations, the bulging eyes of the beasts with glue residues, one lion with small flake on the tail. Dimension: pair height: c. 10.1 cm, single one: c. 15.5 cm high.

Three Chinese late Qing dynasty to Republic period robin's egg (called lu Jun, or "furnace Jun") glazed porcelain scholar's desk articles including a hexagonal form water pot with an applied qilong climbing on the side (about 3" diameter by 2 1/8" high), a ribbon bound triple-gourd vase with three openings (4 1/2" high), and a rectangular brush holder in the form of a stove (2 3/8"L x 1 3/4"D x 1 3/4"H). Developed in the 18th century, the lu Jun glaze is a low fired version of the Song Jun gla...

A rare pair little cups with branch-shaped gilt copper handles, different flowers finely painted in "Famille rose" on white, base with a flower head. And a lobbed cup on four tiny feet, the four sides painted with a flower reserve between pink ground, the base with a stylised blue dragon. Condition: please look at the photos carefully - enamelware is much more delicate than porcelain, several hairlines and losses to enamel, wear to gilding. Dimension: pair: c. 7.3 cm long with handle, height. c....

Three Chinese snuff bottles made of porcelain, painted in underglaze blue, one with little underglaze red accentuations. The small one decorated with fishes among seaweed, the stopper made of jade-imitating glass. The cylindrical bottles painted with a court scene or deers in a landscape, the stoppers made of tiger eye stone. All have bone spoons. Condition: the one with the fishes having a rim chip, the other two with kiln flaws, the court scene one with two losses of the glaze, the other one w...

Three Chinese 20th century yixing teapots wit enamel decorations. size around 7cm to 8cm. Teapots in good conditions except very small chipped at inside the lid. Free from any repair.

DESCRIPTION: Four beautifully detailed, red and gold lacquered sheets of Burmese Buddhist manuscripts describing rules of ceremony. Kammawasa are elaborately decorated manuscripts extracted from the Pali Vinaya pitaka, the monastic code of discipline which is generally read aloud at monastic assemblies. Topics covered would include formalities for the ordination of monks and the bestowal of their robes, the consecration of an ordination hall, celebrating the festival of the full moon, and other...

THREE BLUE EMPTY BOTTLES

Aesthetic glass texture with impurities. Unintentional, distorted, and incomplete, as it is. Showa period, early-mid 20th century, Japan. approx. 16.3 x 6.8 x 4.5cm (6.41 x 2.67 x 1.77in). In such natural condition as is, with coincidental dents due to uneven old manufacturing process in which look like cracks. More solid than it looks.


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A collection of a large porcelain peach and two citron (Buddha Hand) porcelain fruit. Such ceramic fruits were used to decorate a family alter when worshiping ones' ancestors. The peach measures about 4 1/4" long. The citrons measure 3 3/4" long and 4 1/2" long. The condition of all three fruit is excellent. All three pieces date to the late 19th Century. Free shipping within the USA.

Three unusual large ancient beads from China. Size: See last photo.

Three(3) large Chinese Cloisonne enamel on metal beads, 1 1/8" diameter, various colored enamel work with raised metal design. They are in good condition.

THREAD

Five pieces set of cotton thread wound around the cores of several materials (as bamboo or sort of straw? And, iron-like stuff), unused and stored for long years in deadstock condition (but with some expected stains due to aging), late 20th century, Korea, approx. 13.5-18.0 x H 5.0-6.5cm (5.31-7.08 x 1.96-2.55in).


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THINK

Vintage Japanese oil painting on canvas, titled 'Think' as the two people sitting and thinking, by Kazuko Kamada (or Kamata), 1965. 38 x 45.5 x 2 cm (14.96 x 17.91 x 0.78in). Dynamically thickly painted. Aged deterioration as is, with stain, slight peelings, and partial deformation (extension of canvas surface).


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Japanese hardwood burl display stand of a unique natural shape with gnarled edges. Smooth silky finish compliments the beautiful natural woodgrain. 20th Century Size: 34" L x 18" W x 2" H

Japanese antique Thick hand-spun otton tsutsugaki Horse cover of the Edo period.(1800-1867)The string currently attached to this is shirakage-shibori-dye. It is very impressive and beautiful. It is made of hand-spun and hand-woven and natural indigo dyed cotton. It has a thin stain. However, it is in a state good on the whole. size:190cm x 47cm (74.8" x 18.5")

This is a representation of Shotoku taishi (574 A.D.-622 A.D.), the young princely protector of Buddhism in Japan. At the age of twenty, he reorganized Japan by promoting Chinese Confucian and Buddhist principles. His well known "Constitution with 17 Articles" was the first written law of Japan. The articles begin by emphasizing the importance of harmony, which is still the foundation of the Japanese culture. The figure is from the Kutani kilns, 7 inches tall

This is a child kimono worn in the Taisho era. As for this, thin silk expresses a pattern in Shibori. Thin cotton is in this for thermal insulation inside. This does not have a stain and damage. The state is very good. Size 78cm x 70cm (30.7 "x 27.5")

THE STORY OF SHIBA ONKO

Lovely old Japanese clay okimono as the iconography with boys and a large jar, depicting *the famous story of Shiba Onko, so-called 'kamewari' (jar crushing). Meiji-Taisho period, early 20th century, Tohoku region. H 14.8 x 15.2 x 7.2cm (5.82 x 5.98 x 2.83in). Some paint-peelings as is due to aging.

*The Story of Shiba Onko --- Shiba Onko (Chian/Sima Qian in Chinese) was a famous statesman and historian of the Han Dynasty, ...

A free-form watercolor on silk image of a dancer by Nishimura Goun inside a Kurogaki (black persimmon) frame with patterned brocade border. Who could not fall in love with this unusual expression of early twentieth century Japanese Art. She speaks of an era when a new freedom was growing in Japan, the growth of Democracy and rise of women’s rights. She dances free of care and self-consciousness, a blue ribbon tying her hair. Signed and stamped in the upper left corner, the painting is 42 x...