Japanese screen painting in two panels of butterflies and moths. The etherial quality of the fluttering creatures is conveyed by delicately painted details and movement. Painted in mineral colors on silk. Each rectangular silk composition has been mounted on a ground of gold leaf on paper. Seal mark on the left hand panel: Watanabe Kiyoshi.

Watanabe Kiyoshi (1778-1861) was born into a family specializing in embroidery in Nagoya. He studied painting in the Kano style under Yoshikawa...

BY THE WATER'S EDGE

Vintage anonymous oil painting on canvas, Showa period, 20th century, Japan, 27 x 22 x 2 cm (10.62 x 8.66 x 0.78in). Some stains due to aging as is.


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A black & white photograph by the Vietnamese photographer Huong Ky, showing two men from an ethnic minority smoking. With blind stamp "Huong Ky Hanoi". Dimension: 17.6 cm x 23.7 cm. Condition: margin with little partial yellowing, one corner with tiny dog's ear.

EARLY MING LONGQUAN CELADON CIRCULAR DISH (MLQ121614)
Date: Early 15th century | Yongle period, early Ming dynasty
Material: Porcelain with a lime-alkali glaze; Longquan celadon ware
Diameter: 33.5 cm / 13.2 in
Height: 6 cm / 2.4 in
Provenance: From a Frisco, Texas estate

A lovely early Ming Longquan celadon circular dish, fully decorated by underglaze incision and carving with a full array of peony floral scrolls and sprays. The glaze is a thick, creamy oli...

c. 1500, late 15th - early 16th century
Hongzhi Period, Ming Dynasty
Porcelain with underglaze cobalt blue
Diameter: 33.8 cm / 13.3 in
Height: 8 cm / 3 in
From an English private collection

A large and rare mid-Ming Hongzhi period blue and white porcelain charger, sturdily potted in the circular dish form with round curving walls and a flat flared rim. Egrets perch amongst river reeds in the central field while fish swim around aquatic plants in the cavetto....

Kangxi Blue and White Goblet
Date: c. 1690s, late 17th century | Kangxi period, Qing dynasty
Materials: Porcelain with underglaze cobalt blue; Jingdezhen ware
Height: 15.3 cm / 6 in
Diameter: 7.7 cm / 3 in
Provenance: From an English private collection

A gorgeous late 17th century Kangxi blue and white goblet, ribbed and molded after European glass goblets from the same period, and decorated with what appears to be okra flowers. The linear quality of the pain...

Lobed Kangxi Blue and White Dish
Date: c. 1700-10, early 18th century | Kangxi Period, Qing Dynasty
Materials: Porcelain with underglaze cobalt blue
Diameter: 15.4 cm
Height: 3.4 cm
Provenance: From Washington DC metropolitan area estate

Description: A lovely small Kangxi period blue and white dish, of molded lobed form with a scalloped mouth rim to imitate the shape of a flower, and painted with flower sprigs in the central well, with the cavetto radiati...

Date: c.1900s | Late Qing - Republic period
Materials: Porcelain with overglaze famille rose enamels
Height: 8.7 cm
Diameter: 3 cm
Provenance: From a southern Illinois estate

Description: a charming little c. 1900s late Qing porcelain snuff bottle, enameled throughout with roosters of different coloring and varieties. The reverse is stamped with an apocryphal Qianlong kaishu mark.

Condition: Age related wear to the enamels, some imperfections to the ...

Ruby-Ground 'Silkwork' Hu Vase (GMR101701)
c. 1890 - 1900
Guangxu Period, Qing Dynasty
Porcelain with overglaze ruby and famille verte enamels
Height: 21.7 cm
Width (at widest point): 13.5 cm
From a Toronto, Canada estate

A rare and unusual late Qing archaistic 'hu' vase, covered with a thick and bubbly ruby glaze, and decorated with cartouches of famille verte silkworms wiggling amongst mulberry leaves. The design and painting workmanship of this piece...

Large Famille Rose Figure of Buddha
Date: c. 1900s, Late Qing - Republic period
Materials: Porcelain with overglaze famille rose enamels
Height: 25 cm
Width: 18 cm
Provenance: From a Shreveport, Louisiana estate

Description: A large and well made c. 1900s late Qing - Republic period 'milefu' figure of Buddha, modeled with an auspicious rotund body draped with a colored robe of polychrome famille rose enamel against a yellow ground and seated on a dais of r...

Cup and saucer, both with a flower border in underglaze blue and a peony in the center. The exterior with a light Café-au-lait variation of the brown “Batavia” glaze (Batavia being the Dutch name for the VOC shipping harbour, today's Jakarta). Yongzheng, early 18th century, the base with a shop mark. Diameter of saucer "4 ½ / 11.5 cm, height of cup "1 2/3/ 4.3 cm. Condition: the cup with three chips to the rim and foot rim, two of them with old repairs (cf. pics).

Small wine bowl, beautifully enamelled in Famille rose colours. Coffee coloured glaze to the exterior, so called Batavia ware (shipped from the Dutch colony in Indonesia, Batavia, today known as Jakarta). Yongzheng or early Qianlong, first half of the 18th century. Diameter "2½/ 6.6 and height "1½/ 4 cm. Condition: a hairline (cf picture).

A set of three blue and white saucer plates, the back brown glazed, so called Batavia ware. Decoration of bamboo, peony and a rock. Yongzheng to early Qianlong, first part of the 18th century. Diameter "5½/ 13,5 cm. Condition: small repair to the border of one plate, all with hairlines.

CAKE MOLDS

Two wood carving molds for making rice cake, with flower and dragon-like designs, early 20th century, China, approx. 18.5 x 9.5 x 2cm (7.28 x 3.74 x 0.78in), 18.5 x 10.2 x 2.6cm (7.28 x 4.01 x 1.02in). Some expected stains and scratches due to aging, but generally in beautiful used condition as is.


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CAKE MOLDS

Two pieces set of Chinese wood carving molds for rice cake, with fish and landscape-like designs, early 20th century. approx. 24.5 x 7.5 x 2 cm (9.64 x 2.95 x 0.78in), 23 x 11.5 x 2 cm (9.05 x 4.52 x 0.78in). Some stains and scratches due to age, but generally in good antique condition as is.


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菓子型 / CAKE MOLDS

Two pieces set of botanical-patterned wood carving molds for making rice cakes, early 20th century, China, approx. 28.5 x 9 x 2.5cm (11.22 x 3.54 x 0.98in), 31.5 x 6.5 x 2cm (12.40 x 2.55 x 0.78in). Some expected stains and scratches due to aging, but generally in beautiful used condition as is.


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Calligraphy by the Joseon Dynasty's Last Prime Minister, Lee Wan Yong aka Ildang (1858 - 1926). He was prime minister of Korea in 1906 - 1910. Lee is Korea's most infamous traitor, the "Benedict Arnold of Korea", for signing the Japan-Korea Annexation Treaty in 1910. Connoisseurs begrudgingly acknowledge his great talents as a calligrapher, but the disdain with which he is regarded keeps the demand, and thus the prices of his work very low. Mounted on sky blue silk. Scroll: 74.5 x 17.5 inches, 1...

Calligraphy by Korea's Most Famous Calligrapher, O Se Chang aka Wichang (1864 - 1953). Not only is O Se Chang the most renowned calligrapher in Korean history, his books on calligraphy have become the definitive texts on the subject. He is famous for his works in seal script, as in this example here. 53 x 12 inches, 134 x 30 cm, unmounted. O Se Chang's calligraphy is currently prominently featured in the Los Angeles County Museum of Art's exhibition on Korean calligraphy, Beyond Line: The Art of...