Perfect for the humble entrance of a tea room, an orthodox wall vase by legendary Atarashi Kanji enclosed in the original signed wooden box titled Iga Tabi-makura Kake-Hanaire (Travel Pillow Hanging Vase). It is 10.5 cm (4 inches) diameter, 17 cm (6-1/2 inches) tall and in excellent condition.
Atarashi Kanji was born in Osaka in 1944, and graduated the Osaka College of Craft design. After 3 years in Kobe, and 4 in Kishiwada (Wakayama) he came to settle in Iga, where he was one of the dri...

What a joy to hold this igneous Guinomi by Atarashi Manabu, the stone like texture and form are a pleasure to the palm. It is covered in thick ash outside, pooling into crystalline shades on the surface outside, while the inside is largely left untouched, offering a view of the clay and a stark contrast between the inner and outer surfaces to enjoy visually. It comes enclosed in the original signed wooden box titled Iga Shinogi Guinomi. The vessel fits perfectly in the palm, roughly 7.5 cm (3...

This raw form covered in scorched white has been slabbed off in the Shinogi style by Atarashi Manabu. The word Shinogi denotes the curve on a samurai Sword blade, and has come to be used in pottery to describe things which have been scored or sculpted with a knife. The sake vessel is 15.5 cm (6 inches) tall and in excellent condition and comes enclosed in the original signed wooden box titled Shino Shinogi Tokkuri.
Atarashi Manabu has been growing in popularity as one of the leaders in ...

A rare Tausug raw silk sash fragment woven in two pieces. Tapestry weaving with geometric pattern and zigzag design from the Sulu Archipelago near Mindanao in the Philippines. Provenance: old Swiss collection. Condition: slightly faded, one narrow side shortened, patina, little staining, a small hole. Dimension approx.: 33.3 cm x 228 cm.

A rare Tausug sash made in tapestry weaving, raw silk with geometric pattern and zigzag design from the Sulu Archipelago near Mindanao in the Philippines. Provenance: old Swiss collection. Condition: faded, one narrow side maybe little shortened, patina, stained, discolored, few small thin areas and one selvage with small fraying. Dimension approx.: 36 cm x 275 cm.

Yuzo Kondo is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blue and white porcelain), he did not settle on this style until well into his potting career that lasted over seven decades. The piece shown here then would be from an earlier period and is evidence of his competency with varied styles and glazes—not just the one he is most well-known for. As any experienced potter will tell you, tenmoku ...

Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors. Interestingly, though it may likely not have been intentional, the abstract sym...

A Thai Brass Kettle with an Overhead Handle. Well decorated in relief with birds and squirrels among and below a dense floral pattern. Thai L19thC. Height to top of handle: 9 1/4" (23.5 cm) Condition: very good, traces of polish

From our Southeast Asia Collection, a good contemporary nephrite jade carving of a mother elephant with her infant. Sourced directly from the Chiang Mai region of Thailand in the early 1990's, the jade is a very deep emerald green color, somewhat darker than the website photos which seem to have lightened the jade color due to the flash. A small but charming piece with an endearing subject matter, nicely carved with good weight and heft, and overall an attractive genuine example of Northern Thai...

A Thai Niello Silver Tea Caddy C1940. Base marked Silver 925%. Height 8.5 cm. Weight including thin liner 179gm. Slight dent on corner of cover

An oval Thewa pendant from Rajasthan in northern India. Thewa is the technique invented around 400 years ago where filigree gold designs are fused onto a coloured glass ground, then backed with silver foil. This pendant depicts prey being attacked in what looks like a palace garden. The work is very fine and I have had to show the photographs oversize to show the detail. The pendant is missing its frame but still has a small card protector and the green silk backing.

Approximately 5...

A Tibetan Bronze figure of Shakyamuni, 19th century or earlier.

Buddha sat in a mediative pose, one hand in his lap, the other connects to the earth. The head has been dressed with gold paint, the hair exhibits traces of blue. A good quality sculpture that seems to have had a hard life and has seen better days. There is a bruise to each upper arm, one larger than the other and some distortion to the bottom of the lotus base.

Approximately 9.5 cm high.

Pleas...

An attractive copper and brass food container from Tibet. I am attracted by its simplicity and note that the copper part is brass brazed with a large dovetail seam around the middle.

Approximately 28.5cm high. One or two small dents from use.

Please study the photographs.

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A Tibetan Copper Tea Pot of plain form, the spout with a silver and turquoise mount. Tibet 18/19thC. Height: 3 1/4"

A contemporary but very attractive Tibetan ewer, crafted of thin, hand-worked sheets of white metal that appear to be some type of nickel/aluminum amalgam, decorated with deep repousse and chasing techniques forming the decorative bands along the shoulder, neck, lid, and upper base of vessel, with well-formed makara shaped spout and handle, all atop a splayed footed base. This is a contemporary piece exactly 15 years old, but a very attractive ethnic handicraft.

Size and Condition: 12 1/2...

Description:

A bronze Shakyamuni buddha was kept in very good condition.
Had been gilt on the surface but just faded, there are only traces left in the pleats.
It was rarely found that the under cover at the bottom was original when tickling sound was heard inside the hollow base.
It hinted that the original devotion items were still kept within after 600 years.

Date: 15th/16th century.

Height: 11.3cm

Description: A wood manuscript cover was wonderfully carved by traditional craftsmanship.
By a unique design of rectangular panel in the center, the Shakyamuni Buddha seated on an Indian Pala-style throne with lion base and in earth-witness gesture.
Around the central panel are a pearl border and a border of lotus petals next to it.
Reserved with ancient brownish patina, the wood panel still kept the original aroma of the burning worship oil.
Smoothen-off on the surface in some w...

With an uncanny ability to emulate features of the natural environment, the creator of this sake vessel,Tsujimura Yui, is one of Japan’s most skilled potters working in the field today. With a breathtaking ash glaze that appears half planned and half left to the dictates of the kiln, we can see a number of textures and colors that one might encounter in a Zen garden or while hiking along a mountain brook. The front of the vessel is adorned with an “enso,” however, unlike the tr...