Currently in its 5th generation, the Miura Chikusen line of potters has continued to produce high-quality Kiyomizu-yaki and Kyo-yaki porcelains used in sencha for well over 150 years. The piece seen here is by the third generation potter and has the rare distinction of being endorsed by Sokuchusai, a former Head Tea Master of Omotesenke in Kyoto. Simple and elegant, a section of bamboo stands out in contrast to the white crackled porcelain glaze. If you are looking for a representative work by o...

One of the most prominent potters of the Meiji period and one of only five to ever be appointed as Imperial Court Artist, the name Tozan is synonymous with fine porcelains including: Kyo-style tea and sake-wares, pieces for the western export market, distinctively home-grown Japanese motifs, and expertly crafted Chinese-style pieces such as the one seen here.

Apprenticed to Kameya Kyokutei, Tozan (1846-1920) took it upon himself to visit many kilns and to gain technique and advice ...

A very interesting ceremonial tea bowl produced by one of the oldest generational potting families in Kyoto. In excellent condition with one fine gold repair along the rim; apart from its obvious beauty, this piece is interesting as a conversation piece for its involvement of two generations of Eiraku, a Head Tea Master of Urasenke, and a former Head Priest of Daitokuji.

The 14th Eiraku Zengoro potter was Eiraku Tokuzen, however, upon his death in 1909, his wife Myozen (1852-1927) ...

Simple, elegant, and functional, this Meiji period kyūsu (teapot) was crafted with precision and care by one of the periods most accomplished ceramicists. Showcasing refined beauty and delicate craftsmanship for which Japanese porcelain is renowned, its smooth and lustrous white glaze exudes an air of purity and simplicity. Most importantly, its ergonomic shape and comfortable grip, along with its clean lines and minimalist design, help contribute to a sense of tranquility and harmo...

An example of some of the finest porcelain modern Japan has to offer. According to the Wakao Kei, the artist who crafted this piece, it took him years of trial and error to perfect these stunning translucent glazes and associated techniques such as getting the right flowing consistency and pooling effect around the base. The unglazed portions at the base seen here in pictures was created by the artists fingers as he plunged the vessel into the glaze while holding firmly to the porcelain body—a...

A powerful Bizen sculptural vessel by Motoharu Kurokawa Of a trapezoidal shape, with irregular cut away parts on both sides. Kurokawa Motoharu ( Tokyo, 1957 - ) is an innovative craftsman from Okayama, who works with Bizen, he has won numerous prizes for the originality of his works. Member of Japan Kogei Association. Impressed artist’s mark in the bottom and information of the artist. Size: H 30 cm, W 30 cm, bottom: L 18 x 7 cm. Perfect condition

APPLE AND BOX

Set of an wooden apple-formed mold with a carving of flower pattern for making rice cake, and an wooden container for measuring rice, early-mid 20th century, Korea. Apple: approx. D 7 x H 10cm (2.75 x 3.93in), Box: approx. 18 x 18 x H 9cm (7.08 x 7.08 x 3.54in). Some expected damage due to aging as is, but in generally good condition as seen.


selected by kikue




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A great cracked glaze apple green ink pot. perfect shaped with a rounded body and a conical foot ring. The crackles in the glaze is extremely fine and of very high quality. Condition: very good condition. No cracks, hairlines or damage. Measurement: Hight 7.3 cm = 2.9 in

Please note! Customer satisfaction is our top priority. We guarantee 100% accuracy and correct information for each object listed on our website. We are happy to offer a one-time exchange only policy on the return...

Description: A precious inkstone was newly excavated in perfect condition. Carved exquisitely on the surface of the cover with typical motifs of cranes' pine trees, creek and clouds, the instone was shaped in square Cha-Sou type and in three parts. Twin decks of ink pools were rarely find when the inkstone was made of precious Xer stone. With beautiful dark gray tint, brownish incursions were spread all over the surface. A rare piece was in full authentification. Date: Southern Song Dynasty (1...

Description:

A wood water basin was nicely carved in shape of a lotus leaf with a lotus pond.
It was preserved in very good condition by nice brownish patina.
Some of the seeds in the lotus pond were still movable when some were sticked but nothing is missing.
It was a charming and very rare piece by this type.
Most of the old wood pieces were made as brush pots in relief carving.
This piece was carved in delicate workmanship to imitate the lotus leaf by thin wall a...

A Japanese porcelain dish depicting two figures in a garden. The moulded dish has a shaped edge dressed with an iron slip. Late 18th century or beginning of the 19th. A shaped dish with a similar subject is illustrated in 'Japanese Porcelain” by Soame Jenyns, Faber & Faber, 1965.

Approximately 12cm diameter. Near perfect condition, there is a tiny fleabite to one of the points on the rim, noted in the photographs.

Please study the photographs.

Within the UK p...

A Japanese porcelain dish depicting two figures in a garden. The moulded dish has a shaped edge dressed with an iron slip. Late 18th century or beginning of the 19th. A shaped dish with a similar subject is illustrated in 'Japanese Porcelain” by Soame Jenyns, Faber & Faber, 1965.

Approximately 12cm diameter. Perfect condition.

Please study the photographs.

Within the UK payment by bank to bank transfer is preferred.

Customers from other countries may p...

From our Japanese Collection, a truly spectacular, massive, and published pair of imari double gourd vases, late Edo to early Meiji Period circa 1855 -1875, executed in the typical imari palette of iron-red, blue, orange, and gilt, with birds and dragons set against the "Three Friends of Winter" design of pine, prunus, and bamboo.

The double gourd shape is a very desirable form for imari collectors, but rarely is it encountered in such monumental proportions like this massive pair. Typica...

From our Japanese Collection, a published and very fine satsuma charger, Meiji Period (1868-1912), most likely between 1870-1880, depicting Kannon the Goddess of Mercy and Compassion surrounded by deities and adorants, executed in typical satsuma palette but with an especially rich, heavy, and quite skilful gold application. Signed Hodada.

Published in "Imari, Satsuma, and other Japanese Export Ceramics" by Nancy Schiffer, page 151, copyright 1997.

Size and Condition: 12 3/8 inch...

From our Chinese Polychrome Collection, a charming and unpretentious Famille Rose teacup and saucer, Qianlong Period (1736-1795), most likely late Qianlong 1760-1785, decorated in a delicate floral pattern in Famille Rose palette, with a Batavian Brown (iron oxide) dressing on the reverse.

Size and Condition: The saucer is 5 inches in diameter, the teacup 2 7/8 inches across, 1 1/2 inches tall. Small inconsequential nick to footrim of teacup essentially perfect.

Description:

A beautiful Qingbai porcelaneous set of cup and cupstand was found in original condition.
In characteristic greenish tint in the glaze, the ware was revealed with chalk-feel bodyclay underside.
The firing effects were yielded on the body clay.
They were preserved in perfect condition.
Some similar pieces were in the documentations.

Date: Song Dynasty.960-1279.

Cupstand Width: 13cm.

A CUSTOM-MADE BOX IS INCLUDED.

A Quite Large/Rare Korean Iron Silver Inlaid Box with Cover-19th C.: Korea, Joseon dynasty, 19th century. with old silvery patina. An unusual decoration with bat and butterfly, quite large silver inlaid box in rectangular shape box inlaid with a double happiness on the top between floral leafs and sides with bats and butterflies as well surrounded by a key-fret borders, It’s in very fine condition with old patina over the surfaces, Measures 13.2cm x 10cm x 9.6cm.

This jar stands out by its exceptional size and by its very decorative crackled " Guan " glaze. Song - Yuan Dynasty Longquan ware ( Celadon ). Diameter : 11,2 cm. Condition : Perfect original condition. There is a fiering crack from the time when the jar was produced ( which can be seen on the last enlargement ) IMPORTANT AND HIGHLY UP-TO-DATE INFORMATION REGARDING ALL OUR ANNOUNCED PRICES FOR CHINESE CERAMIC ITEMS : SINCE I`M NOW ENJOYING MY RETIREMENT PENSION NOW IT IS A MATTER OF SELLING O...