Tibetan thangka painting in reverence to the bodhisattva Avalokitesvara. When he is shown having four arms, he is called Chaturbhuja Avalokitesvara. This is his most commonly depicted form. Chatur + bhuja are the two Sanskrit words that mean 'four arms.' He holds a white peony flower in one raised hand, and a stand of mala beads in his other. He is surrounded by various other bodhisattvas, including Mahakala, his wrathful form, below. Two human figures appear in a bed of flowers, and each ...

This small elaborate Buddhist monk's medicine bottle is sewn into a larger pouch of burgundy homespun wool fabric with yellow/gold silk lining. When worn, the stopper would be securely held in the bottle by a system of handmade cords and bands. The medicine bottle would be worn outside the robes and suspended on the Monk's belt. These were used for both travel and ceremonies.

Tibetan Himalayan Buddhist Copper and Brass Prayer Wheel, with Bamboo handle supported by round Shell Disc, 17" high, 3 1/4" wide, Paper Scrip is inside the drum, copper cap wrapped around the tip of Bamboo handle at the end of the handle, the condition is good. This piece was in the private collection since 1990, purchased in Lhasa during their trip.

This is a relatively modern Buddhist painting, done entirely by hand, depicting Lhamo, a Buddhist protector deity. Exceptionally well painted, as the photos will show, this painting was most probably done in Nepal. The painting itself, excluding the cloth "mount," measures 16" X 21". Given the quality of the painting, my sense is that even though relatively modern, the piece was in fact intended for devotional purposes and not as an item of trade. In exceptional condition, complete with the orig...

Burl wood and silver bowl, used for Tsampa, the traditional Tibetan porridge, and for buttered tea. The silver lining plain, the exterior with chased and delicately engraved decoration of flowers. Tibetan silver normally lacks hallmarks and this bowl tested for a silver content of 925 /1000. Probably antique, late 19th or early 20th century. Diameter "4 ½ / 11 cm, height "2 ¼ / 5.7 cm. Condition: fine.

Tibetan yak butter tea “po cha” or barley beer “chang” bowl carved from burlwood, possibly Rhododendron circa 50 to 100 years old. D:11.8cm/4.6in and H: 5cm/1.9in, there is one worn chip on the edge. A charming old piece- difficult to find these days. This was not turned on a lathe, but entirely carved by hand.

A beautiful Wangden carpet from Tibet, made with Yak hair warp with thick wool pile and fringe borders. Central floral pattern surrounded by a large tridimensional meander pattern. These kind of carpets were traditionally used in the monasteries to keep warm while sitting during long pujia ceremony in the cold winter. But were also used by wealthy families. Size: L. 160 x 92 cm; 63 x 36 inch Early 20th cent. Condition: very good colours but on one of the short sides there is a small area ...

A very attractive and unique 19th Century collar necklace of natural matching-colored glass coral beads and unusually carved turquoise pieces sewn onto a heavy cloth backing and wearable. Purchased in Lhasa Tibet 20 years ago. Size: L. 42.5cm. W. 3.5cm. Condition: No repairs and complete.

Set of three paintings each 13x10.5 cm showing three dancing Dakini. Text on reverse. Mounted between plastic with tape binding edges. Undated, estimated to be 19th century or earlier. Can be viewed in central London and shipped worldwide.

The mystical Dzi beads are implements of ancient Tibetan and other Asian cultures for several hundreds of thousands of years. Dzi beads are believed to hold magical properties bringing prosperity and protection to whomever wore these beads. They are also thought to hold medicinal properties, and so can be characterized by the "dig marks" left over the surface of the bead, where a small portion has been scraped away to be ingested. The Dzi bead has patterns of 9 white "heavenly eyes", considered...

Fine lime box, made of silver with embossed decoration of floral and geometric design, its lid being adorned at its top with an embossed brass decor representing a stylised Buddhist Wheel of the Law. Beneath, an embossed design representing a stylised Buddhist Wheel of the Law surrounded by a floral decor. The box still contains remnants of lime, which is used for the betel. Tibet, early 20th century, maybe earlier. Dimensions: height: 4.8 cm, diameter: 6.3 cm. Very good condition.

The expression of Sakyamuni is beautiful and serene. Clearly carved by a master artist. The image is made of one single piece of precious, dark purplish zitan wood. These type of wood images were made of different parts and assembled ( it can be seen by the holes where the various parts would have been stacked together ). Unfortunately the arms and lower part of the body has been lost but it is still a very charming piece! Fixed on a newer hardwood stand. Tibet, 16–17th cent. H 14,5 ...

A very attractive votive image of Akshobya Buddha in fire gilt bronze. He is seated on a fairly high, lotus throne. The hem of his robes are accentuated with raised lines made as strings of pearls with the lower parts decorated w. incised patterns. The robe covering the left arm is open underneath and the rim of the seat has large pearls in accordance with 15th century stylistic features for Central Tibetan bronze images of Buddha. Remains of cold gilding on the face and blue pigments on the ch...

A fine portrait-image of Tsongkapa (1357–1419), the founder of the Gelugpa School of Tibetan Buddhism. Brownish bronze alloy with a high content of copper. Tibet, 17th century. H 14 cm. Fully sealed with original closing. Condition: Some rubbing to gold, and sword on the right shoulder missing.

Unusually large Tibetan copper and silver or silverplate mihrab form reliquary, or portable shrine box, decorated in repousse on the cover with a pattern of abstract scrolls. The back, sides, and side handles are copper. Also called a “gau,” these prayer boxes were used to hold protective amulets, personal deities, and written prayers. A strap or belt could be attached to the side handles when traveling. Otherwise, they were usually placed on the home altar. 9” high x 8” across at t...

Tibetan bronze gilt statue of Kubera, known as the "Lord of Wealth and the North". He originates from Hindu mythology but is also recognized in Buddhism and Jainism. He holds a mongoose as a symbol of his victory over the Nagas, snakelike deities and guardians over treasures. He sits upon the back of a lionlike creature and has an arch of flames with gilt tips behind him. The jewels on his crown and around his neck are dotted with blue and red enamel. Size: 13.5" height, 10" width, 6" depth

Antique Tibetan gilt bronze statue of a wrathful male and female deity in tantric Yabyum pose. The pair stands on six Naga or snakes atop a gilt bronze lotus pedestal, with copper bottom impressed by a four prong vajra. Dates from the 19th century.

Provenance: Acquired from the Ashby Estate.

Dimensions: 6 1/2" x 3 1/2" x 8 1/4" H

Tibetan gilt bronze Buddhist statue, of a wrathful deity assumed in the tantric Yabyum position with his female consort. Below the pair is a Garuda vehicle, devouring the Naga (snake), while a human figure is crushed underneath. They are all raised on a lotus platform, with mixed metal bottom and floral impression.

Mid 20th century

Size: 12" L x 7.5" D x 13" H