This is a samurai armor set (yoroi and helmet) for Boy’s Day in Japan. By displaying a set like this, the parents hope to inspire boys in their manliness, bravery, discipline and the honor codes that come with it.

Here on the lids, it is written the name of the owner and the occasion. It is to celebrate his first Sekku in the fourteenth year of Showa period (1939). On the reverse side of the lids, there are labels of Tanimoto Yousuke, the doll maker. The store, Tanimoto Yousuke was ...

Cast bronze warrior with multiple patinas, partly gilded. The samurai, wielding a naginata, fights furiously. The artist may have wanted to designate here the Japanese medieval hero, Miyamoto Musashi because the latter fought bareheaded and during the fights his hair electrified by fury stood on his head. History teaches us that he would have triumphed in 60 duels during his life as a swordsman. Good condition, original gilding and patina. The spear blade appears to have been broken and welded ...

Samurai Yoritomo (Minamonoto) Japanese Doll, first Kamakura Shogun dressed in Suoh, high ranking Samurai's attire in Kamakura Period. The doll was possibly made by Maruhei in Kyoto. Circa Taisho period, 1920-1930. Damages in the black cloth hat.

The measurements: 14 inches to the tip of his hair and 13 inches across the sleeves at the bottom when the doll is displayed. The bow is a new addition.

This is a "kataginu" (shoulder cloth), only the upper vest of kamishimo without trousers. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai's formal attire when they attended official meetings at the Edo castle. It was worn over a kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx. 1.5 times longer) were chosen for special occasions. The s...

This is “kataginu” (shoulder cloth), only the upper vest of kamishimo without a trouser. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai’s formal attire when they attended official meetings at the Edo castle. It was worn over kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx. 1.5 times longer) were chosen for special occa...

This is “kataginu” (shoulder cloth), only the upper vest of kamishimo without a trouser. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai’s formal attire when they attended official meetings at the Edo castle. It was worn over kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx. 1.5 times longer) were chosen for special occa...

This is the upper part of a kamishimo; samurai's formal attire without the trousers. It was worn over a kosode (kimono with small sleeves) with trousers. The texture is hemp like; coarse, slightly translucent, thick threads (thicker than other kamishimo). The family crest is the feathers of a hawk. Kami-shimo (upper-lower) that we currently have are quite dandy and fashionable. The amazing thing is the work that is involved when making these fabrics. You can make a kamishimo top into a g...

Meiji Era (around 1910) Samurai Tea Bowl with fantastic painting, marked on the bottom 'Heian'.

White porcelain from Kyo ware is coated with vivid silver glaze and a handpainting of ocean, clouds and a kabuto (a Japanese amor samurai helmet).

Kabuto is a type of helmet first used by ancient Japanese warriors, and in later periods, they became an important part of the traditional Japanese armour worn by the samurai class and their retainers in feudal Japan.

Great...

An unusual, sancai glazed stoneware caparisoned elephant form vessel. The larger opening on its back is suggestive of a lime pot (our best guess) with only traces suggested by an off white cast on the sides of the otherwise buff colored unglazed interior. The trunk, curled above the head, ends in a smaller aperture but not optimal as a kendi. The form, in the round, and the pleasantly crazed sancai glaze (cream, amber and a rare blue) suggest influence of the Cizao kilns legacy of Fujian (known ...

Rare water-pot,dropper? (too little for wine and not covered for tea) for schollar in Sancai enameled porcelain, Kangxi period. Fruit-shaped, appears to be a pomegranate, with stem leaves and flower. The flower is admirably made with thin petals like paper which is daring, miraculously none is missing, however, looking with a magnifying glass we can see on the edges of small gaps that we can guess or imagine on photo but it is not obvious because the petals are naturally jagged. Honestly, it's r...

Small rooster in green and orange yellow glazed clay. Tang period. I will take more pictures on request. Good condition. A glued label with the number 7 of an old collection. The age is certain because I bought it 50 years ago and in 1970 there were no copies of Tang ceramics of such small size, the only copies that were made at that time were of important subjects, large horses, camels and riders.... I have found and attached the reference photos. Height: 99mm Good condition.

Unusual Sandstone Elephant from Burma, good condition, 17-18th Century, size: L. 17cm x H. 15cm x W. 8cm, collector's item

Attractive antique Sandstone Elephant from Burma, good condition, size: L. 7" (18 cm.) x H. 5.5" (14 cm.) x W. 3" (7.5 cm.)

It is an astonishing vase which does not resemble anything known.The shape is very elegant and the decor simple but powerful. But I have absolutely no idea what it is. It is probably buffed sandstone rather than terracotta. The decoration presents a dragon in slight relief pursuing the sacred pearl. The decoration seems to me molded rather than sculpted. A cream glaze covers the whole, stained with brown iron oxide. On the shoulder there are 4 heads of bearded old men which can be used as rings ...

Rare 4.9cm/1.9in Thai stoneware bowl from the Sankampaeng kiln circa 15th/16th CE with two fish in the center and scalloped cavetto, there is well done repaired chip on the inner rim noted last enlargement. This is a classic and definitive piece for the Sankampaeng kiln as the incised/impressed fish motif is only found on ceramics from this Thai kiln. There are some blue flambé highlights in the center, probably accidental but quite attractive. D: 21.5cm/8.2in and H: 5cm/2in.

Rare 4.9cm/1.9in Thai green glazed stoneware bowl from the Sankampaeng kiln circa 15th/16th CE with two fish in the center and scalloped cavetto, there is well done repaired chip on the inner rim noted last enlargement. This is a classic and definitive piece for the Sankampaeng kiln as the incised/impressed fish motif is only found on ceramics from this Thai kiln. There are some blue flambé highlights in the center, probably accidental but quite attractive. D: 21.5cm/8.2in and H: ...

Sankampaeng pottery jar with brown glazed, Sankampaeng is a Northern Thai ceramic which kilns were found in Chiangmai province.

Age: Thailand, Sankampaeng Period, 15th century
Measurement: Height 29 C.M. / Width 21.5 C.M.
Condition: Nice condition overall (Minor chips and restorations on mouthrim and some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-...

Sankampaeng pottery jar with light olive green glazed, Sankampaeng is a Northern Thai ceramic which kilns were found in Chiangmai province.

Age: Thailand, Sankampaeng Period, 15th century
Measurement: Height 39 C.M. / Width 28 C.M.
Condition: Nice condition overall (Minor chips on mouthrim, visible broken lines on body, and a chip on one of the loop on the side and some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: W...