Nabeshima hard porcelain dish. Okawachi kilns. Decoration in underglaze cobalt blue and overglaze enamels. Although the model already exists at the beginning of the 18th century, we do not believe that the dish presented here is authentic. The enamels are perfect, one can distinguish with a magnifying glass discreet wear of use and the enamels show age cracks, but the cobalt blue on the reverse is too pale. It is not a modern copy, as it has been in the Sakura collection for about forty years. I...

A nagazara of conventional rectangular form with compressed indented corners decorated in underglaze blue with a Chinese style landscape featuring a small viewing pavilion on a bridge. The reverse decorated with a stylised peony and a “classic” comb border to the footring, This dish was produced at the Nabeshima fief’s official kiln at Okawachi in Arita for the Shogun in the late Edo period c.1820-60. The dish measures 20.8cm long and is 11cm wide. It stands high 4cm at the rim and weighs...

. A Nabeshima style dish hand painted with an underglaze blue “karahana” pattern. The reverse decorated with Shippo-tsunagi, six coins bound with trailing ribbons to the reverse and a comb pattern to the foot. The dish measures 18.5cm in diameter (six suns) and stands 4.5cm high. The foot-rim measures 8.6cm in diameter and is 1.2cm high. The dish is in good condition no cracks, chips or restoration. Some fly ash to the front of the dish and flaws to the glaze, with a small depression to si...

Fine, old and rare Chang Naga, three paneled body “prestige” cloth with anthropomorphic cowry shell design. Made from very fine hand spun cotton weft and silk warp, the cowry shells have a fine toned aged patina. This is a genuinely old cloth circa 50 to 70 years old (not for the tourist market). This kind of cloth signifies the owner has given a series of feasts or in the past taken a head. There is one 3cm hole, and two frays on selvedge as well as what appears to be an ink s...

Eclectic strand of spherical wood, cylindrical bone and wild boar's incisor tooth beads, from the Naga or possibly Chin ethnic group in Myanmar. Some of the bone beads have been dyed to resemble pumtek heirloom beads, maybe using wax resist method. These were collected in the 1980s and had some age at the time so I will date around 1960. Total L: 71cm/28in. Free shipping via Hong Kong Registered Airmail.

Not to save the best for last, but this piece by Nagae Shigekazu is simply breathtaking. The pattern of light and dark squares which drives direct lines across the distended quadrilateral form hails images of the Ichimatsu-moyo pattern at the Katsura Rikyu imperial palace. The lyrical curves of the vessel itself are in sharp contrast to the extreme precision of the patterns, creating a unique dialog between viewer and viewed. It comes enclosed in the original signed wooden box titled Chokutai...

An exquisite white shape by Nagae Shigekazu enclosed in the original signed wooden box dating circa 1996. Inscribed light patterns like waving blades of grass are almost indiscernible on the surface, incredibly detailed and crisp when viewed close-up, a green splash of color like a Christmas ribbon circling the form in both directions. It measures 14 inches (35 cm) tall, 5 inches (13 cm) square at base, mouth 7-1/2 x 2 inches (18.5 x 5 cm), and is in perfect condition. Included is the origin...

A striking work covered in granulated geometric patterns by Nagae Shigekazu enclosed in the original signed wooden box titled Shikakkei no Katachi (Quadrilateral Form). The form is elastic, warped as if it is stretching after a deep sleep. This contrasts with the concise lines of the decorating pattern, creating an interesting dialog between man’s strive for perfection and order verses the freedom of the natural world. As they say, there are no straight lines in nature. The vessel is 35 c...

Nagakura Kenichi's artwork is imbued with a primal energy and balance executed with a keen understanding of composition. Each piece combines classic Japanese bamboo basketry techniques with a contemporary artist's sensibility. He steps outside traditional limitations of form, function and material, challenging our concept of customary bamboo. The transition from container to sculpture is further explored in this piece, with expressive curves and a lack of any definable shape. This earth encrus...

The bone of this hair pin has carved series of circles and a very delicate cross hatch pattern. The top is decorated with strands animal hair. The hair pin is 7.5 inches long. This hair ornament is Naga, which is an indigenous tribal culture in the hills of the north east region of India.

NAGAREBUTSU

Meltingly well-weathered Buddhist wood carving statue so-called 'Nagarebutsu' (lit. 'Flowing Buddha'), as either one of the Fudo triad (Fudo-Myoo (Acala, the God of Fire) with the two youth attendants), Edo period, 17-18th century, Japan, Total height with stand: 17.8 cm (7.00in).


selected by titcoRet




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Po...

This is an excellently hand-carved netsuke depicting a Japanese Legend Hero wrestling, and about to strike a fierce Shishi. He holds a long ribbon tie that loops over the tail of the dog and wraps around his arms ending in a loop at his waist. The man has a determined expression and his fits are clenched. The Shishi has fine detail to its paws ,its fierce face and fluffy tail. Signed Nagasada on the sole of the Hero’s right shoe, a carver who worked in the late 18th / Early 19th century,...

Old tribal necklace, made of old glass beads with a bronze ornament in the shape of a fish tail. North East India, Naga ethnic group. Length: around 37 cm. Very good condition. Provenance: 1) old European collection, 2) auction sale.

N'aie Pas Peur by Mayumi Oda. N'aie pas peur translates has have not fear, the piece is also known as The Black Madonna. A mother and child stand together under a golden mandorla. The mother is Mary, mother of Jesus, she holds a white lily. This is print 7/50.

A bottle form of rough red clay blasted with a profusion of colors running in rivulets over the heavily tactile surface by Nakagawa Jinenbo enclosed in the original signed wooden box titled Chossen Karatsu Tokkuri. It is 5 inches (12 cm) tall and in excellent condition.
Nakagawa Jinenbo (1953-2011) was always fascinated with Karatsu ware, and studied under the great Inoue Toya from the age of 24. Several years later he returned to his hometown to establish a climbing kiln of his own, wh...

A lobed form by Nakajima Yasumi enclosed in the original signed wooden box. It is 12 inches (30.5 cm) tall and in fine condition. The name of Nakajima first came to notice in 1908, when the first generation Yasumi (1877-1950) was awarded at the Senkatsu Kinen Exhibition. He was a consistent exhibitor with the Teiten-Nitten national exhibitions and was also quite active abroad, being prized at the 1931 Belgian Exposition and serving as juror for the Japanese submissions to the Paris Expositio...

A perfect example of the work of this influential artist, in a rare size which is perhaps a bit more accessible to most collectors than his usual monumental sculptures. In this case he has created it with a combination of blue and sliver dots decorating the bulbous protrusions. Signed on bottom, it is 36 x 19 x 23 cm (14 x 7-1/2 x 9 inches) and is in excellent condition, directly from the artist.
Nakashima Harumi was born in Gifu prefecture, home of a long ceramic tradition, in 1950. H...

A lively bowl of flowers in blue and gold by Nakashima Katsuko enclosed in the original signed wooden box titled Hana no wan. The flowers seem to beam out with glee, each ringed in golden light. The bowl is beautifully formed rising, from an elegant foot. It is 15 cm (6 inches) diameter, 8 cm (3 inches) tall and in excellent condition, directly from the artist.
Nakashima Katsuko graduated the Osaka School of Art and Design and first garnered attention with a silver prize at the Nihon To...