Tsuchiya Koitsu
Nara Horyuji, 1930s
Size: Chuban. Approximately 10.5 x 7.5 inches.
Publisher: Takemura Hideo
Koitsu catalogue no.: TK-TM-72
Condition: Tipped at top to original cardstock. Toning and light foxing.

Tsuchiya Koitsu
Port Tomo, May 1939
Size: Chuban. Approximately 10.0 x 7.5 inches.
Publisher: Takemura Hideo
Koitsu catalogue no.: TK-TM-54
Condition: Tipped at top to original cardstock. Very light foxing.

Tsuchiya Koitsu
Onomichi Saikokuji, December 1935
Size: Mitsugiriban. Approximately 16.0 x 7.25 inches.
Publisher: Takemura Hideo
Koitsu catalogue no.: TK-TM-10
Condition: Tipped at top to original cardstock. Wavy crease and and light foxing.

Koizumi Kishio
Lingering Snow at Five-storied Pagoda
No. 7 from the series, Views of Nikko National Park
Date: 1936.
Size: Chuban. Approximately 10 x 7.75 inches (25.6 x 19.6 cm).
Medium: Japanese woodblock print.
Possibly faintly signed at lower right.
Condition: Excellent.

Copper greens splash this bold chawan by Kojima Kenji enclosed in the original signe wooden box. It is 5 inches (12.5 cm) diameter, 3-3/4 inches (9 cm) tall and in fine condition. Kojima Kenji was born in Aichi prefecture in 1953, and graduated the Tokoname Ceramics High School in 1971. He moved to Iga where he studied and was immediately accepted into the Asahi Togeiten Ceramics Exhibition. The following year he moved to Okayama, where he would remain 5 years studying Bizen and the complexi...

KOKDU, Escorts of The Dead

Traditional Korean wooden funerary figures called ‘Kokdu’, late 20th century, approx. H 19 x 8.5 x 4.5cm (7.48 x 3.34 x 1.77in), H 19 x 9.5 x 9.5cm (7.48 x 3.74 x 3.74in), H 19 x 11 x 3.5cm (7.48 x 4.33 x 1.37in). Accompanied with such dolls with heartwarming faces, because don't make the dead men feel alon. Darkened overall and some damage and peelings due to aging as is. (ref. https://londonkoreanlinks.net/2012/07/07/korean-fune...

Japanese Meiji period woodblock print triptych by Utagawa Kokunimasa (1874-1944), aka Ryua, titled “The battle between Japan and Russia at Seoul” depicting troops landing on the Korean peninsula at the start of the Russo-Japanese War. The print was published by Fukuda Hatsujiro and is dated in the cartouche at the lower left 2/1904. Signed at the lower right "Ryua" and with the artist's red "Edokko" seal below. Each of the three panels measures 14 1/2" - 14 5/8" x 9 3/4" (paper size). Go...

Japanese dish or bowl, Ko-Kutani revival from the Meiji period, late 19th century. Enameled in purple, yellow and green with a wave-line border surrounding a motif of poets (?) and a weeping willow in a mountainous seascape. Dark brown rim, the back with Kutani mark in green. Diameter "8 ½ / 21.5 cm. Condition: the back with some rubbing marks and a glaze bubble (cf. pics).

A large Ko-Kutani style porcelain, charger sized, deep dish or shallow bowl. In the Ao-Kutani palette but with addition of red enamel to the array of blue, green, aubergine, yellow, black and chocolate brown enamel. The interior with bird perched on a peony stem, the cavetto with band of repeating diamond pattern. The back glazed green over black karakusa. The bottom yellow with black mark under a square green glazed reserve. Probably early 20th century, this quality of production can routinely ...

A crusty black clay vase by Sakata Jinnai enclosed in the original signed wood box. Sculpted out into a crescent, it roughly forms a 24 cm (9-1/2 inch) diameter circle. Excellent condition.
Sakata Jinnai was born in Tokyo in 1943, and began as an apprentice under the legendary Kamoda Shoji in 1964, establishing his first kiln in 1966. His work was selected for display at the Nihon Dento Kogei Shinsaku Ten (National Traditional New Crafts Exhibition) in 1969, and the following year the Ni...

Pure elegance and simplicity of form by Komazawa Risai enclosed in the original signed wooden box titled Mage-Kensui (Round Spent Water Container). It is lacquered outside is tame-nuri opaque wine-red, inside is polished ro-iro black decorated with gold reeds overlapping from all directions. It is 16 cm (6-1/2 inches) diameter, 7 cm (2-3/4 inches) tall and in excellent condition. It is made by Komazawa Risai; head of one of the ten crafts families of the three Senke tea schools adhering to th...

19th C. Japanese Boxwood Netsuke: TANUKI NO HARA TSUZUMI,

Signed Juzan (ishikawa Komei) This is a finely carved boxwood netsuke depicting Tanuki, seated, wearing a kimono, with a striker on his right hand, getting ready to beat his hairy distended scrotum that is resting on a cushion as if it were a mokugyo. Very skillfully done miniature sculpture that is signed Juzan within an oval reserve on the bottom of the netsuke. The cord holes (himotoshi) are lined up with natural material. <...

A Japanese large bronze sculpture depicting a perched falcon with light and pleasant patina. Eyes, beak and legs in black enamel and gilted. Kōmin 高民 signature under the tail within an oval silver reserve. Provenienza: Giappone Periodo: Meiji 1880 c.a Dimensioni: 51 x 30 x 20 cm. Stato di conservazione: Ottimo

A lidded vessel of diamond form decorated with a circle and square viewed through vertical blinds of changing colors beaded with silver dew by Kondo Takahiro. It comes enclosed in the original signed wooden box enclosed inside a red lacquered outer wooden box (Niju Tomobako) dating circa 2002. The piece measures 7-1/2 x 4 x 10 inches (19 x 11 x 25 cm) and is in perfect condition.
Takahiro (b. 1958) was born the grandson of Living National Treasure Kondo Yuzo. However he graduated Hosei...

A striking ceramic box scrawled with abstract lines covered in silver on top with silver droplets of mist covering the blue sides by Kondo Takahiro enclosed in the original signed wooden box titled Jigen Jikiro. It is 14.5 x 8.5 x 7 cm (5-3/4 x 3-1/4 x 3 inches) and is in perfect condition.
Kondo Takahiro (b. 1958) was born the grandson of Living National Treasure Kondo Yuzo. However, he graduated Hosei University not with a degree in sculpture or crafts, but in Literature. From there he...

A cascade of flowers descends from a branch hanging into the dark matt night of this large pate by Kondo Yutaka enclosed in the original signed wooden box titled Funka-sara. In the upper right a white intrusion on the dark surface, is that a crook in the tree…or perhaps the corner of the rising moon? It is 32 cm (12-1/2 inches) diameter and in excellent condition dating circa 1980.
Kondo Yutaka (1932-1983) was born into a traditional pottery family in Kyoto. He studied under Living Na...

White blossoms decorate a scattering of branches on the surface of this footed sweets dish by Kondo Yutaka enclosed in the original signed wooden box titled FunKa Daizara. It is 8 inches (21 cm) diameter, 3 inches (8 cm) tall and is in excellent condition. The deeply impressed white patterns are striking against black.
Kondo Yutaka (1932-1983) was born into a traditional pottery family in Kyoto. He studied under Living National Treasures Kondo Yuzo and Tomimoto Kenkichi at the Kyoto Mu...

A quintessential example of this artists most sought-after style, a ‘Scattered Blossoms’ vessel by Kondo Yutaka enclosed in the original signed wooden box titled Funka Bin (Scattered Flowers Bottle). The pattern of petals is impressed deeply into the surface, and filled with white slip, contrasting starkly against the textured black background. It is 23 cm (9 inches) tall, 17 cm (7 inches) diameter and in excellent condition. For a similar work see the collection of the Metropolitan Museum...