A most delicate hand painted KANGXI (1662-1722)octagonal blue and white porcelain wine or liquor cup. The exterior of the cup has 8 panels with delicately rendered flower motifs, whereas the center medallion depicts a charming scene with pagodas, trees and a seascape. Condition: very good, no chips, cracks, hairlines nor restorations. Size: 2 1/2" (6 cm,) diameter x H, 1 1/2" (3.5 cm.)

Height: 20.8 cm (8.3 in)
Width: 14.3 cm (5.8 in)

Chinese Kangxi Period lidded jar; depicts figures in a rural setting; cloud effect on the shoulder and lid with finely painted rock and screen work; minor restorations to lid and base rim; 1 cm hairline to rim; otherwise very good condition; email for additional pictures

Early 18th century
Mid-late Kangxi Period, Qing Dynasty
Porcelain with underglaze cobalt blue
d: 15.7 cm
Nearly perfect condition: one very tiny, almost invisible hairline
From a Massachusettes, USA estate

This rare Kangxi period dish illustrates a scene from Romance of the Western Chamber, a story about the secret love affair between Zhang Sheng, a young scholar, and Cui Yingying, the daughter of a chief minister of the Tang court. When Yinying's family disco...

Early 18th century
Kangxi period, Qing dynasty
Porcelain with underglaze cobalt blue & overglaze famille verte enamels
d: 22.5 cm
Nearly perfect condition (some tiny flea bits to rim, and one chip to backside)
From a Netherlands estate

Height approximately 22.6 cm. There are some chips at the rim.

Diameter approximately 27.5 cm. There are bits of chipped glaze on the rim. In good condition.

A blue and white jar with the six character reign mark of the Kangxi emperor (1662-1722) within a double ring to the base. This item was made later, for export, during either the late 19th or early 20th Century. Condition: excellent - no damages and no restoration. 12cm (4.75 inches) high.

清末民初 康熙款青花人物莲子罐 约1880-1920
底有“大清康熙ॲ...

A small heavy porcelain jar (without its original cover) finely decorated with stylized peony scrolls in green and iron red against a yellow enamel ground and with four cartouches depicting flowers, insects and precious objects painted with additional overglaze blue and aubergine enamels. Although painted in early 1th Century Kangxi style this item was made in China, for export, during the late 19th or early 20th Century, probably during the reign of the Guangxu emperor, (1875-1908). Condit...

KANJIKI RACK

Handmade hanging rack applied to Japanese 'kanjiki' (traditional snowshoe) attaching hemp string, pannier shoulder strap, and natural wood handle engraved its trader's name of 'Mountain'. Showa period, early-mid 20th century, Japan. H 30 x 38 x 35 cm (11.81 x 14.96 x 13.77in)


selected by Pottari




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Kanmei F. K. (Active 1940s)
General Douglas MacArthur, 1947.
Size: Oban. Approximately 16.75 x 11.0 inches.
Edition: First and only.
Publisher: Watanabe Shozaburo. Bears rarely used Watanabe seal at lower right margin.
Carver: Aoyanagi Isao (seal)
Printer: Ono Gintaro (seal)
Sealed by the artist and signed in English and Japanese.
Medium: Japanese woodblock print.
Condition: Paper slightly toned. Small surface spot at right. Original drying pinholes ...

A spectacular Edo Period Bizen Ceramic Sculpture representing the Goddess Kannon riding a Shishi. This is an early and Museum Quality piece used as a Brazier Cover in the tea ceremony, used by the highest class. 8 inches (20.5 cm) high. Excellent Condition. Mid 18th Century. From a prominent and widely exhibited collection.

KANNON BOSATSU WITH ELEVEN FACES

Wood carving 'Juichimen Kannon Bosatsu zazo' (Seated statue of Kannon Buddhisattva with eleven faces), Edo period, 19th century, Japan, H 20 x 11 x 11cm (7.87 x 4.33 x 4.33in). Such a kind and merciful face as is.


selected by Jinta




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The deity is represented seated surrounded by his multiple arms holding various attributes. Excellent quality of sculpture, on its skull multiple small heads (10+1) pegged, pretty draping, beautiful facial expression, the eyes and the third frontal eye in glass or rock crystal. Thick, solid lacquer, beautiful gilding. Avalokitesvara wears all her jewelry. Complete set with its glory and its original base. Japan Edo period 18° or before. This statuette has fortunately never been restored, and i...

We present a Japanese Hanging Scroll of the famous painter Kano Eisenin. This is a real poetic and romantic theme in Japanese culture - Crescent Moon.

Kano Eisenin Michinobu (1730~1790) was the 6th of Kibikicho Kano-ha.

His father is Kano Furunobu, and his son is Kano Korenobu. In 1762 he was given rank of Hogen when he was 33 years old. After he had been given the estate in Kobiki-cho, he got the larger private painting school than other Kano-ha and the students we...

A fine KANO SCHOOL Painting, Japan, 17/18th Century. This album silk painting mounted on heavy gold paper depicts a mountainous landscape with trees and is dramatically rendered with a flying bird of prey (Hawk?), it's hunting instinct drawn to a flying bird. Overall good condition. Size 9.75" x 8.25" framed (25 cm. x 21 cm.)

A fine KANO SCHOOL Painting framed, Japan, 17/18th Century. This album Silk Painting mounted on heavy gold paper depicts a wonderful blooming SAKURA Tree with white blossoms and pink buds. Nice overall condition. Size 9.75" x 8.25" (25 cm. x 21 cm.)

Hanging scroll. Painting of a tiger before a rock and bamboo, text in the upper half. Black ink and some faint red color on silk. Signed 73 year old hogen Sosen hitsu. Red artist’s seal. Japan, 18th century.

Yamamoto Sosen (1679-1760), Kyoto, Kano School

Painted area: 40 x 17 inches
Overall height 73 ¼ inches

Few tiny worm holes, old very light water stain, otherwise very good condition.

Third son of the director of the Kano School of painting, Yasunobu was appointed head of the Kyoto branch at a young age after his father’s death. Meanwhile, his two older brothers went to Edo to take up prestigious positions painting for the Tokugawa Shogunate. In 1662 Yasunobu gained the honorific title of “Hogen,” and near the end of his life in his 70s he wrote a treatise on the art of painting that would server as a central doctrine for later generations of painters. Here we see a str...