A spectacular large vase by Kashima Aya featured at the “Ceramic Synergy Exhibition” held at the Kyoto Kyocera Museum of Art in late 2023. In fact, the initial form is created, then a thin layer of ceramic is made separately, dried, then cracked, and the individual pieces are applied like mosaic to the prepared form. The space in between the tiles is then abraded, the tiles glazed with color and the space n between glazed with iron. Each piece requires a great amount of painstaking dedicati...

A large white Tea Bowl by Kashima Aya enclosed in the original signed wooden box. The technique is deceptively complex. In fact, the initial form is created, then a thin layer of ceramic is made separately, dried, then cracked, and the individual pieces are applied like mosaic to the prepared form. The space in between the tiles is then abraded, the tiles glazed with color and the space n between glazed with iron. Each piece requires a great amount of painstaking dedication to complete. It is ...

Hand knotted kashkaie rug made of wool. It has a beautiful design of bands with large medallions interspersed with bands of small rectalinear medallions (c1950) It measures 6'2" by 8'7".

Attractive Kashmir tea service with handles made in the shape of a serpent. Consisting of a sugar bowl, cream jug and teapot with hinged lid. The metal base, here copper or bronze, was first engraved with special tools to create the design in relief, the grooves were later filled with glass and then embellished with additional engraving and shiny gilding. This technique is called in India "meena" or "meenakari" and was first applied by the Mughal. Condition: little partial wear to gilding, few t...

This katana (69.09 cm [27.2 inches] cutting edge) was purchased in May, 2014. Signed Kashu Ju Kanewaka Tsukuru/Zo. It was left in the care of a second party subsequently invited into the investment. I hold title as the principal and also retain correspondence introduced with the purchase as well as a Shinsa document (images of tang [nakago] attached - note the three mekugi-ana [retaining holes] though ubu [not shortened].) I am offering $500 for the safe return of the katana and another $500 for...

Beautiful thick Kasuri cloth almost in new condition. Hand sewn with four panels, little cotton stuffing on reverse side. Dimensions: 51 inches x 62 inches

Beautifully hand sewn ka-gasuri summer kimono, partially lined with black and blue cottons, the color is dark blue to almost black, new condition with basting stitches. This is another Tsukurioki kimono. Tsukurioki means that it has been left unused after it was made into a kimono. These Kasuri kimonos have been associated with old women from the country-side, definitely for the non-fashionable group. These kasuri kimono are very durable, many were made to be worn as casual work clothes. I ...

This kasuri kimono appears to be hand woven (to my eyes) and another Tsukurioki kimono in new condition. Tsukuri-oki means that it has been left unused after it was made into a kimono. This was caused by the drastic changes in their clothing especially after the World War II. In modern days, Kasuri kimonos have been associated with old women from the country-side, definitely for the non-fashionable group. These kasuri kimono are very durable, many were made to be worn as casual work clothes....

KATAKANA

45 pieces of vintage Japanese metal letterpress movable type, 'Katakana' (Angular form of Japanese syllabary, primarily used for words of foreign origin). Showa period, 20th century, Japan. One piece: approx. 1.5 x 1.5 x D 2cm (0.59 x 0.59 x 0.78in)


selected by hotoke




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order wi...

An armorer's tsuba, with very slightly raised rim on the strong, flat iron plate. Pierced decoration of a shrimp with pleasing, subtle swell along the antennae and legs (mostly on the ura.) Small, irregular brass inlays for the eyes (missing from one eye - not conspicuous.) The kogai-ana plugged with a copper rich alloy. Oval form about 2 7/8" (7.3 cm) by 2 3/4" (6.985 cm). Thickness at rim about 5/32" (.39 cm). Late 16th century to early 17th century - perhaps Momoyama period. Or possibly earli...

Katharine Jowett (1890-1965) Sunset Behind East Gate, Peking.
Date: ca. 1930.
Size: 10.5 x 6.0 inches.
Pencil-signed by the artist.
Medium: Woodblock print.
Condition: Light crease. See additional photos. Top back margin has transparent tape from previous framing.

Lovely Seto ware chaire (tea caddy) made by Japanese Seto ceramist Kato Bakutai (1861-1943).
The mark of the artist is stamped at the bottom.

Kato Bakutai was a prominent potter who initially worked under Kato Shuntai (1802-1877) being responsible for revival of Seto ware techniques in Japan in the 19th century. He is also known to work with a variety of traditional pottery styles including Shino, Tenmoku, Mishima etc.

Seto pottery, dated as early as the 13th century,...

Rare antique Seto ware teabowl made by Japanese potter Kato Bakutai (1861-1943) decorated with elegant horse and the calligraphy describing the First Firing of the year. The mark of the potter is stamped at the bottom.

Kato Bakutai was a prominent potter who initially worked under Kato Shuntai (1802-1877) being responsible for revival of Seto ware techniques in Japan in the 19th century.
He is also known to work with a variety of traditional pottery styles including Shino, Tenmoku...

Elegant Tsutsu Chawan made by Living National Treasure Kato Hajime in his renowned Hiyoshi kiln. The mark of the artist is stamped on base.
It is very rare to find Kato Hajime's works on the market.

Size
Width 10.5cm
Height 9.5cm

Condition
Excellent
Supplied with signed wooden box

Born in Seto, Aichi Prefecture in 1900, Kato Hajime embarked on a remarkable journey in the realm of ceramics. He honed his skills as an assistant at the Aich...

Kato Harutake (1886-?) Shino Ware Chawan (Tea Bowl) for Tea Ceremony

Kato Harutake is of the same lineage as Seto ware founder Kato Kagemasa (1168-1249), and was born into a family that passed down the name Kato Buemon from generation to generation. Kato himself inherited the title of Buemon VII.

Shino pottery is produced in today's Gifu prefecture since 16th century and it is distinguished by thick white glazes, red marks and the surface of small holes.

Size
...

Kato Juemon (1894-1974) Aka Oribe Chawan with box signed by Sen Soshitsu XV Grand Master (Iemoto) of Urasenke Tea School (b.1923)

Fine Red Oribe Chawan for tea ceremony made by Kato Juemon (1894-1974).
Of irregular Kutsugata shape with unglazed foot ring.
The mark of the potter is stamped on the bottom.
Juemon Kato (1894 (Meiji 27 year) - 1974 (Showa 49year)) is a renowned Japanese ceramist. He was born in Kasahara-cho, Toki-gun, Gifu Prefecture (currently Tajimi Ci...

A fabulous baluster form vase by the first generation Kato Keizan enclosed in the original signed wooden box titled Gaoji Ryumimi Chokoku Kabin(Ivory Porcelain Dragon Ear Carved Vase). Low on the flaring neck two dragons form handles, and the body of the vessel as carved with archaic symbols reflecting continental taste popular from the Meiji through Taisho to early Showa period. It is 33 cm (13 inches) tall 19.5 cm (7-3/4 inches) diameter and in excellent condition. Attached to the base is a ...

Size
Height 9cm
Width 12cm

In excellent condition
Comes with signed wooden box

In 2010, Kato Kozo was bestowed with the esteemed title of Living National Treasure, a testament to his mastery in the realm of ceramics. His renown stems from the exquisite range of Shino and Ki-seto glazes, as well as his distinctive Tetsu-yu (iron glaze), cherished for its inviting tactile quality and subtly intricate surface textures. The ample, graceful contours of his works,...