Japanese Stoneware Sake Bottle, Tokkuri, 13" high, Top area is damaged as is condition.

Japanese Stoneware Sake Bottle, Tokkuri, 1960, 10" high, 5 1/4" wide-widest area, 2" diameter-top rim, with unglazed some faint writings in front, hairline crack start from bottom to side of the bottle, it is not loose, as is condition.

Japanese Stoneware Sake Bottle, Tokkuri, 1960, 10 3/4" high, 5 1/2"-widest area, 2" diameter-top rim, with unglazed panel in front with design and Kanji writings, small flake chip on the top rim.

Japanese Brown Stoneware Sake bottle, Tokkuri with old Cork stopper, 1980, 10" high, 1 3/8" diameter-top rim, 5 3/4" wide-widest area, glued top neck area, as is condition.

Beautiful Japanese antique storage tansu with locking bar, made with all keyaki (elm) wood front and frame, iron hardware, top portion has three drawers covered by a vertical locking bar, bottom portion has sliding panels with horizontal slats, bottom right side opens to reveal two small interior drawers, deep red translucent lacquer finish, Edo Period. Size: 41" high x 38" wide x 19 1/2" deep.

Four(4) Japanese Wooden Straw Mat or Tatami Mat Weaving Weights, Ca. 1930, 6 1/4" long, 1 1/2" diameter for various wood were used, and tied with Straw Rope, one(1) replaced with modern white Nylon rope, used for weaving for many years. The condition is worn and warm rounded patina on wood.

Makuzu Kozan Studio Blue & White Dragon Vase, circa 1920

It is 9.4 inches (24 cm) tall by 4.5 inches (11.4 cm) wide. It is 1.8 LB.

It is in good condition with no repairs, chips or cracks.

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to do is return the item to us within 10 days of receipt and in t...

Japanese Studio Celadon Glaze Porcelain Okimono Figure Marked Ito Tozan 陶山

It is 5.1 inches (13 cm) tall by 5.1 inches (13 cm) wide. It is 1Lb.

It has surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to do is return the item to us within 10 day...

A Japanese studio porcelain okimono of Daruma (the legendary Chinese Buddhist monk Bodhidharma), dating to the first half of the 20th C. The long robe with thick celadon glaze, the face with fierce expression, the ears with movable earrings. Base with sealmark. Condition: fine, one ear with firing crack. Dimension: 22.8 cm high, weight: 1.2 kg.

Japanese studio porcelain Quail family. Three pieces include male, female and young. The male and female heavy (1.8 lbs and 1.29 lbs [814 g and 586 g] respectively) and of stout potting though with well defined details and clear glaze with very faint bluish celadon trace where the glaze pools - mostly between feathers around the birds' necks. These two are clearly of earlier, accomplished production though not marked. The young quail lighter, thinner potting of a purer kaolin, glaze white with n...

This is a very refined studio vase from the Meiji era. The subtle colors and detail are truly beautiful. It is signed by one of the Japanese porcelain masters, Nishiura Enji. The work on Mt Fuji is raised relief and give off a three dimensional look. The shape is elegant and the changing colors are vry elusive. The vase stands just over 6 inches tall and is in excellent condition.

A beautiful Japanese studio pottery vase in a mossy green hue with stylized Chrysanthemums scattered about in artistic form. Studio stamped seal at the base.

Age: Mid Century

Dimensions: 12 1/2" High by 15 1/4" Diameter.

Japanese studio ware ceramic figure of the immortal, Gama Sennin. Based on the Chinese 10th century alchemist, Liu Hai, Gama Sennin is often depicted in relation to the lucky 3-legged money-toad. Gama Sennin can assume the form of a toad and can change his skin to appear young again. In this depiction of the much loved immortal, he sits on a rocky outcropping and hold in one hand a peach, in the other a small toad. Whimsically perched on his head is a large load with a spotted belly.

Me...

A round studio ware vase done on a black base glaze with white covering areas of the vase with a bit swirled with black. The vase contains a signature that appears to read: Kotaro. Age: Late 20th century. Size: height 6.5" diameter 7"

Japanese green studio crackle ware vase with applied silver floral motifs. With tomobako. The foot is signed Shofu Katei (1870-1928). Small wear losses.

Shofu Katei was born in 1870 in Seto, Japan. He later moved to Kyoto where has was adopted into the prestigious Shofu family kiln to create Japanese ceramics. In 1908, he set up the Shofu Ceramics Company, Ltd. and was awarded a Green Ribbon in 1915.

Dimensions: 5" W x 7 1/2" H (Tomobako 6 1/2" x 9" H)

Polychrome Sumida-gawa ceramic bowl made from sandstone, also called Sumida-yaki. Some parts are glazed. Original decoration of an old man trying to climb the bowl.

Mark of Ishiguro Koko (石黒香香): 香二, Koko. The 二 marks the repetition of a character in traditional Chinese. His name can also be written 香々 or 香二). His real name was Ishiga Gôzô (石田郷三). He is a potter of the early Meiji era. He is a part of the first generation with Inoue Ryosai of the Sumi...

Japanese Sumida Gawa Flower Vase Marked Ishiguro Koko

It is 9 inches (22.8 cm) tall by 4 inches (10 cm) wide. It weighs 1.2 Lb.

It has small chips and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to do is return the item to us within 10 days of re...

Japanese Sumida Gawa lidded sake pot or teapot with brown, blue, cream, and pale gray flambé glaze coating dripping down the exterior of the pottery surface. Two applied children in high relief are on the side. A glazed white plaque with a Ban-ni mark in underglaze blue is on the back. 6” diameter x 3" high. Early 20th century. Very good overall condition with no cracks, chips, or losses. Typical wear and production imperfections. The handle is missing. This lidded jar is from a Scott...