Width: 13 cm (5.2 in)
Height: 7.6 cm (3 in)
Weight: 530 gm

Fine Chinese gilt splashed bronze censer; lobed in form with an excellent patina; some pitting and encrustations below rim; no damage; the uncommon mark (méi-zhu shan-fáng, or gao zhu shan fang) is gilt and crisply cast; this censer is very well modelled and cast; feels wonderful in the hand; 18th century

A pair Kangxi period (1662-1722) molded plates with foliated rim, painted in overglaze red pigment and gold. This kind of trade porcelain was produced to special order for the Dutch market and called there "melk and bloed". Condition: wear to gilding, rims with fritting - no hairlines or restoration. Dimension: c. diameter 21.7 cm, 2.5 cm high.

Japanese Buddhist scroll painting of Eight Armed Kannon , the bodhisattva of compassion, seated in a lotus position. In her other seven arms she holds a staff, a trident, a bow and arrows, a Dharma wheel, and other attributes with symbolic meaning.

Standing figures are arranged below the seated Kannon, each holding various offerings for the bodhisattva such as rice, sake, dumplings, silk fabrics, and other material objects. Among the figures is the immortal Lucky God Daikoku, wiel...

An Arita porcelain small bowl with barbed lotus style lobed rim, a namasu, typically used in Japanese cuisine to serve various pickles. Potted in mid 17C transitional Chinese style without a foot-rim as such, but an unglazed ring, kodai. The interior of the bowl painted in ko-sometsuke style. One half painted with Su Shi’s “First Ode to the Red Cliffe”, divided into twelve columns reading from right to left. The stanza is not complete with several columns of characters missing at the end ...

Intricately carved mask for the Nuo esoteric theater, representing the legendary character of Bao Gong, or Judge Bao, wearing a formal hat, his face in relief with a fierce expression, with bulging eyes, open mouth revealing fangs, and a stylised beard. Wood, with traces of the original polychrome colouring. China, 18th century. Height: 29.6 cm. Very good condition despite signs of old insect infestation (no danger).

Chinese eggshell thin ding ware porcelain bowl, with celadon crackle glaze that ends just below the rim, left in bare porcelain. Inside the bowl, the well has a deeply incised outline contrasting with the inner walls of the bowl. The outer edges of the bowl are carved with delicate floral scrolls.

Song Dynasty

Dimensions: 6 3/4" w x 2 1/2" h

A nagazara or long dish of bean-pod form, a very unusual shape, decorated with auspicious un-ryu, dragons and clouds, in its central reserve, surrounded by Matsu-fuji, entwined Pine branches and Wisteria vine, a traditional Japanese motif associated with longevity. The reverse decorated with further auspicious Dragons and precious objects, cash and scrolls with flaming pearls. Within the footrim and to the base of the dish a four character fukichosun mark signifying a wish for a long and prosper...

A fine Kakiemion dish painted in sometsuke style with a Fuyo-de pattern with four landscape vignettes in European style adapted from a Delft original attributed to Fredrick van Frytom (see image no 6) which in turn provided elements of the so-called Deshima or Scheveningen with contrasting panels of stylised Peonies, Botan karakusa. A central motif of wreath form composed of Pomegranates. The reverse decorated with karakusa, trailing lotus vine, and a spiral fuku, good luck, mark within a double...

Tibetan repousse copper polychrome mask of Yamataka , a horned yak headed deity wearing a crown of three skulls on its head. Gold gilt ground and painted pigment accentuate the expression of the Yamataka mask.

Yamataka is a violent aspect of the Bodhisattva Manjushri, who assumes this form to vanquish Yama, the god of death. By defeating Yama, the cycle of rebirth (samsara) that prevents enlightenment is broken.

Yamakata, who shares many attributes with Mahakala, ...

Japanese Arita porcelain square sake bottle with Dutch Kakiemon decoration. The bottle is square with a short waisted neck and everted lip. Each side is painted with unique images of birds, flowers and plants. The color scheme is iron-red, turquoise, blue and green with some gold. Minor wear consistent with age. Provenance: San Francisco collection.

Date: circa 19th Century

Dimensions: 8.5" X 4"

Unique double diamond Chinese Lacquer Box from the 18th C. The lid of the box has a gold painted mountain scene with two sages near a mountain stream. The crackling of the lacquer indicates the age of the box. The woven wicker inserts encased in a red painted frame on the 8 sides are in pristine condition. Small gold flowers are painted adjacent to the frames. The interior of the box is a large open space.

Date: 18 Century

Dimensions: 8" X 18" X 13"

Large and rare Laos wooden standing Buddha, with gilded gold.

Age: Laos, 18th Century
Measurement: Height 174 C.M. / Width 32 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

A rare Chinese large jar.These jars were originally used for storage of food for trading ships. They were eventually traded to the natives in Southeast Asia, mainly Borneo, and were highly prized. The center of the vase has a relief of two dragon with white claws. Size: H. 70 cm. W.46 cm. Condition: Very good with no repairs.

A nagazara of conventional rectangular form decorated somenishikide style, a combination of underglaze blue, sometsuke, and, nishikide, enamelled decoration. Nishiki literally means brocade. In this case a dense diaper pattern made up of repeating and contrasting cells of Karahana against an iron red ground and five petal flowers, presumably, ume hana, Plum flowers against a striated green ground, usually used to suggest pine needles. Inset within the brocade ground niche shaped reserves with st...

A nagazara of conventional rectangular form decorated somenishikide style, a combination of underglaze blue, sometsuke, and, nishikide, enamelled decoration. Nishiki literally means brocade. In this case a dense diaper pattern made up of repeating and contrasting cells of Karahana against an iron red ground and five petal flowers, presumably, ume hana, Plum flowers against a striated green ground, usually used to suggest pine needles. Inset within the brocade ground niche shaped reserves with st...

An Arita dish decorated entirely with a dense arabesque of trailing bush clover vine and leaf with flowers, lotuses These belong to a class of design called hosoge which ultimately derive from Chinese patterns of the Tang period. This particular form popular from the seventeenth century features Bush Clover, Hagi one of the auspicious akikusa-de, and is known as Hagi Karakusa, where karakusa means Chinese (literally Tang) grasses. This type of design would have required great dexterity and skil...

An Arita dish decorated entirely with a dense arabesque of trailing bush clover vine and leaf with flowers, lotuses. This design belongs to a class of designs called hosoge which ultimately derive from Chinese patterns of the Tang period. This particular form, popular from the seventeenth century, features Bush Clover, Hagi one of the auspicious akikusa-de, and is known as Hagi Karakusa, where karakusa means Chinese (literally Tang) grasses. This type of design would have required great dexteri...

A rare, large architectural Buddhist temple carving of a Dragon (Ryu), with reverse glass painted eye. The high relief carvings show the dragon's body coiled behind clouds of smoke and waves. Its serpentine body reveals his 3 appendages with classic three claw anatomy. The relief is solid keyaki "zelkova serrata" wood with the original red patina. The dragon which symbolizes the heavenly realm has control of rain, fire, and earth. Dragons are the powerful embodiment of yin and yang and are se...