Large Chinese Qing dynasty Guangxu period porcelain jar decorated in famille verte enamels with two central panels on opposing sides. One panel features a veranda with a woman kneeling before an official and his attendant. The opposing panel depicts beauties and children in a garden setting. Between the two large panels are two smaller floral roundels. The panels are set against a cream-colored crackled glaze background densely covered in rust-red flowers and green scrolling foliage. 19th centur...

Two pages of Islamic Arabic calligraphy. Naskhi script by Ali Muhammad Al-Taqani AH1312/1894 AD Pasted to card with recent marbled border. Hand written text on reverse. 48x40 cm

Height: 25 cm (10 in)
Width: 15 cm (6 in)

Fine Chinese cinnabar vase; depicts individuals in mountainous settings; very well carved throughout; minor restoration and wear; good condition

Height: 3 cm (1.2 in)
Width: 2.7 cm (1.1 in)
Depth: 3.8 cm (1.6 in)

Quality Japanese netsuke, carved from natural material to depict a man sharpening a tool; finely detailed throughout; inlaid horn eyes; signed on the base, Masakazu; light honey-coloured patina; good condition

Orchids and Rocks Painting by Kim Eung Won aka Soho (1855-1921). Orchids are an ancient Korean symbol of purity, modesty, and virtue. The rock symbolizes eternity, so the combination of orchids and rock have the meaning of eternal adherence to principle. The orchid grows in remote places, but its fragrance spreads over the land, just as the scholar often works in isolation, but through their scholarly and ethical works their influence is felt throughout the land. Talented painters of orchids wer...

This exemplary work of 19th Century Korean folk art is sculpted in and painted on wood and metal and features the two most revered mythical creatures in Korea: The Yellow Dragon and The Blue Dragon. This creative composition has a patron couple who seem to have the dragons' tails coming out of them. The Dragon brings rain, blessings, and life. The Yellow Dragon writhes dynamically and shows its face at the top of this piece, while The Blue Dragon offers a foundation to the composition and makes ...

In remarkable original condition, the gold lacquer decor represents the culmination of techniques for using gold leaf, gyobu nashiji, kirikane, kinji for a decor that continues from the inside of the room. door to the other door in continuity on the drawers. Originally for storage of tea ceremony utensils or cosmetics as gifts from wealthy aristocrats. Original lacquered box with inscription. Meiji period late 19th century. Dimensions: L14,5 x 10 x H11,5 cm.

Width approximately 20 cm (across the handles). In good condition.

IMAGE OF BIRD

Woodblock print of a Japanese‐style painter, Kono Bairei (1844-1895 / ref. https://en.wikipedia.org/wiki/K%C5%8Dno_Bairei). Paper: approx. 15 x 21cm (5.90 x 8.26in), Frame: approx. 27 x 33cm (10.62 x 12.99in). Highlight of such Bairei's true worth expression for the both of recognizing the subject correctly and feeling of vitality by catching the instant of movement at the same time. Removed its acrylic board for antireflection when shooting the ...

Porcelain vase. Decor of dragons chasing the sacred pearl, painted in underglaze cobalt blue. The ground is covered with an ochre-greenish enamel. Vietnamese work from the 19th century or before? The vase is very broken as shown in the photos. The broken neck has been replaced by a silver neck on which a stopper has been placed. Height: 24cm.

Chinese late Qing dynasty Yixing stoneware teapot of buff colored clay with globular body, fixed upright U-shaped handle, and slightly concave base. The body is decorated around the circumference with relief applied leafy grape vines. The spout and handle are formed to resemble knotty twigs. The lightweight wood lid is deeply carved with three bats. There is a single hole for the spout. 19th century. 9 3/4" high (to top of handle), about 6 3/8” (to top of lid), about 9” across (edge of hand...

Magnificent Late Edo period (19c) Shino ware Chawan for tea ceremony Wabi Sabi

The fine crackle look with natural kiln vivid cracks gives the bowl an authentic wabi sabi feel. Overall, it is a great example of an old, beautifully crafted Shino tea bowl.

Size:
Height 10.3cm
Width 15.5cm
Weight 655g

Condition
Very good.
No damage. No repair.


Shino ware, also known as Shino-yaki, is a type of traditional Japanese pottery that...

Rare Late Joseon Dynasty (18-19c) Mishima Tea Bowl with old box.
The beautiful scenery on the surface resembles white clouds.

Such bowls were highly prized in Japan during Edo period by local daimyo and tea ceremony masters.

Size
6cm in height
14cm in width

Condition No damage
Supplied with old shifuku bag and box labeled "Joseon Dynasty Mishima Chawan"

Ko Hagi Bajohai Chawan with Kintsugi Repair made in the Meiji Period (1868-1912)
Supplied with old wooden box with label "Ko Hagi Bajohai Chawan"


Size
Height 10.5cm
Width 13cm


Repaired with gold lacquer Kintsugi

Hagi ware, also known as Hagi-yaki, is a type of traditional Japanese pottery that originated in the town of Hagi, located in Yamaguchi Prefecture on the island of Kyushu, Japan. Renowned for its simple, rustic, and serene aestheti...

This is a breathtaking work of art, a cherubic figure forms the finial of this later Edo period ceramic incense burner. Atop the lid strides a youth in purple robes wearing a lotus leaf as a hat and blowing a flue, a staff lays at his feet. About the square box of the ash pot are exquisite-colored designs lined with gold like precious jewels dangling from the edge. Two beast heads protrude from the sides and the entire is elevated on a square foot. The koro is 8 x 11 x 17 cm (3-1/4 x 4-1/2 x...

Lohan in Chinese porcelain covered with "famille verte" enamels.The deity is represented standing holding a flowers basket in his hand, it is probably Lan Caihe, one of the 8 Taoist immortals otherwise known as the 8 Baxian. The dress is decorated with flowers, butterflies and clouds in green, yellow and manganese enamels on a cream background. Hairs and details in black enamel. Good condition except a very little chip. No repair or gluing. China Qing dynasty 19th century. Height:32cm In se...

Three large old Indian reverse glass paintings in expensive silk mounts with carved gilded frames. Undated, estimated to be late 19th early 20 th century. Overall size of each is 66 x 52 cm. Can be viewed in central London.