Japanese solid Keyaki isho tansu from the Sendai region. With original deep red lacquer finish. The interior of the drawers done in black lacquer. With black iron hardware incised with floral motifs, large lock plates with chrysanthemums and open work scrolling leaves, the small corner safe door adorned with a round open work iron plate with peonies and scrolling leaves, opening to two small interior drawers for precious keepsakes.

Meiji period (1868-1912)

Dimensions: ...

Antique Sino-Tibetan repousse hanging censer with iron chain. The hexagonal shaped body has the repeating image of a coiling serpentine dragon with lingzhi clouds of smoke, with inlaid turquoise on each side and touches of gold gilt. The base of the censer with a pomegranate form finial, the top of the censer with a finial in the shape of a fierce deity's head.

Dimensions: 10" w x 20" h (52 1/2" total length w/ chain)

A framed Indonesian tapis, a woman's ceremonial skirt hand-woven with striped and scrolling motifs. Warp ikat, supplementary weft weave, and embroidery with silk thread, gold thread, and mica chip composition.

Late 19th / Early 20th century

Dimensions: 48" x 47 1/2"

The carved overlay glass snuff bottle is an early 20th century product. The red over clear glass snuff bottle is 2 ¾” high, 1 5/8” wide and 3/4” thick. Both sides have the same design which depicts a blossom tree. It has a light carnelian cap which is a later replacement. It is in great condition.

Japanese bronze incenser in the form of Hotei, one of the Seven Lucky Gods of Fortune. Hotei is clothed with open robes, holding a gunbai fan, seated on top of his large sack. Hotei's name literally means "Cloth Sack", for he can be attributed by the large cloth sack he carries with him during his travels. He is also known as the Laughing Buddha due to his carefree happy nature despite being a wanderer with few material possessions.

Meiji period (1868-1912)

Dimensions:...

A stunning framed Indonesian tapis, known as a woman's ceremonial skirt. Hand-woven with striped and chevron pattern detail seen expanding of each consecutive row. Warp ikat, supplementary weft weave and embroidery with fine hand spun silk thread, along with gold thread and mica chip composition.

Late 19th / Early 20th century

Dimensions: 40" x 47 1/2"

A framed Indonesian sarong, a long cloth worn as a wrap skirt, hand-woven with bands of intricate scrolls and medallion repeats. Made of warp ikat, with natural dyes of blues and browns. Originating from Flores Island.

Early 20th century

Dimensions: 60" x 51"

A mounted hand-woven Malaysian Songket head cloth from the Palembang region of South Sumatra. Weft ikat, supplementary weft weave, silk and gold thread with natural dye. The red ground of the cloth with resist dye floral medallions and gold thread rosettes, bordered with geometric zig zag patterns These Songkets were traditionally hung from a wedding bed to announce the wealth of the family, and were also worn during religious ceremonies. The weaver must be highly skilled to create the Songket...

Antique framed Balinese kampuh songket, a men's ceremonial wrapper cloth, handmade with supplementary weft silk, cotton, gold and silver thread. The red ground cloth with gold and silver thread motifs of pairs of robed standing figures wielding staffs with butterflies, and fierce heads above with gaping mouths, full of sharp teeth and long tongues. The edges are bordered in zig zag patterns, geometric scrolls, and woven script in gold and silver thread.

early 20th century