Japanese framed woodblock print by sōsaku hanga artist Haku Maki (1924-2000). This print is titled "Wan - 33", numbered 117/151 and signed with a red cartouche. The print depicts gold tone calligraphy over a bowl with silver highlights and embossed texture. Size: (entire frame)14" height, 11.25" width (artwork only) 9" height, 6.25" width

Japanese framed woodblock print by sōsaku hanga artist Haku Maki (1924-2000). This print is titled "Hantou - 75", number 32 in its series and signed with a red cartouche. Depicted is a glossy, embossed vase with silver embossed flower buds. Size: (entire frame)14" height, 11.25" width (artwork only) 9" height, 6.25" width

A framed screen print titled "Soroban 305-S" (soroban means abacus in Japanese), number 38/50 in its series, signed by artist Yoshio Sekine (1922-1988). Dated 1973. Size: (entire frame) 25.5" height, 19.75" width, (artwork only) 19.25" height, 13.75" width

Japanese vintage framed woodblock print titled "Intimacy", by famous artist Yoshitoshi Mori (1898-1992), numbered 17/50, signed in pencil with red cartouche. Dated 1975. Size: (entire frame) 25" height, 31" width (artwork only) 18" height, 24.5" width

This remarkable tea bowl is from the kilns of Yoshida Shuen (1940-1987)—an apprentice of Miwa Kyusetsu (1910-2012) who was awarded the status of Living National Treasure in 1983. It features a warm crackled glazing with a white translucent overcoat that beads in areas.

Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery. Hagi-ware is prized for its subdued colors and classical features, especially the glazing, which is often clea...

A captivating piece described on the box as “aka e sakana bun” which can be loosely translated as, Depiction of Fish with Red Overglaze. Okuda (1920-1999) was a student of both Hamada Shoji and Kawaii Kanjiro and his kiln was visited by a number of well-known artists including the likes of Bernard Leach. A distinctive style following the mingei or, “folk craft,” movement of the mid-20th century, this piece is a delight for the eyes and functional in the hand.

The bowl is 4.7...

A mature work by an artist who’s career as a potter has spanned over 55 years. This beautiful white Hagi bowl by Takenouchi Akihiro (1937-) displays a quiet elegance that sets the mind at ease.

Takenouchi is a member of the Japan Arts and Crafts Association and the winner of various prizes and awards for pieces he produced at the Sousou kiln which he established in 1967.

The piece is 4.5 inches in diameter (11.5cm) and stands 3.7 inches tall (9.5cm) and comes with a ...

This chawan was fired in the kilns of one of Kyoto’s best known raku-yaki potters, Sasaki Shoraku III (1944-). The Shoraku line began when the grandfather of the current potter established a kiln near the famous Kiyomizu temple, nestled at the foot of the eastern mountains in Kyoto. In 1945, the kiln was moved to Kameoka near the Yada shrine where it remains today.

Raku teabowls are made by hand, without the use of a potter's wheel. In the process of shaping the bowls, potters ha...

A beautiful Hagi-yaki chawan done by well-known artist Kaneda Keien (1949-). Keien is an 8th generation potter who has been producing works for over 40 years and is the winner of several awards for excellence. A distinctive feature of his works is that they utilize an iron-rich soil collected on the island of Mishima in the Sea of Japan. Pieces made using this soil tend to display a soft cherry petal hue which gives these bowls an excellent “keshiki” or what might be referred to as a “cera...

A charming akaraku chawan done by third generation potter Kato Ryusei. This piece was fired at the Akahiko Kama which has produced pottery in Aichi prefecture since 1956 and who have the distinction of being commissioned not only by the Showa Emperor and Empress but also by the later Heisei Emperor.

With a soft luminance and subtle charm, this piece would be an valued addition to the collection of any budding tea practitioner.

The bowl is 4.7 inches in diameter (12cm)...

A captivating bowl created by Kyoto potter Kawai Zuiho, most likely in the early 70’s. This bowl features a red undercoat which is visible in places through the greenish overglaze. The effect is quite striking and sure to attract the eye. With a convenient indent on the side, this bowl fits comfortably in the hand.

Kyo-Yaki is high-fired ceramic and pottery that centers around the Higashiyama district of Kyoto. Dating back to the 17th century, this style of pottery stems from the...

A dazzling Hagi-ware bowl with cherry petal and earthen tones made by one of Japan's great potters. The 14th potter of the Sakakura line of potters Sakakura Shinbei XIV (1917-1975) was designated an important human cultural treasure of Yamaguchi prefecture in 1972. For those interested, videos produced by NHK are available online detailing the work of the current Sakakura Shinbei XV, the kiln, and the surrounding estate.

This piece is 5.7 inches in diameter (14.5cm) and 3 inches tal...

A pair of Japanese wooden carvings of the Nio, or wrathful guardians to the Buddha. While Buddhism beliefs are typically pacifist, the Nio justified physical force in order to defend against evil and are usually found on either side of a temple door. The Nio called Misshaku Kongo or Agyo keeps his mouth open to represent the first sound in the Sanskrit language "a", symbolizing birth and overt violence. The other Nio is called Nareen Kongo or Ungyo and has a closed mouth to represent the last so...

This chawan was fired in the kilns of one of Kyoto’s best known raku-yaki potters, Sasaki Shoraku III (1944-). The Shoraku line began when the grandfather of the current potter established a kiln near the famous Kiyomizu temple, nestled at the foot of the eastern mountains in Kyoto. In 1945, the kiln was moved to Kameoka near the Yada shrine where it remains today.

Raku teabowls are made by hand, without the use of a potter's wheel. In the process of shaping the bowls, potters ha...

This brilliant Tenmoku chawan displays gold and flaxen hues interspersed with dark ash glaze. The piece rests upon an unglazed clay pedestal showing the iron-rich clay the bowl is formed from.

Shodai-ware has a long and storied history stretching back as far as the Nara (710 - 794) and Heian (794 - 1192 ) periods. Pieces made in this pottery tradition have a very distinctive look that comes from the iron-rich clay of Kumamoto and the distinctive ash glazes that are used that give t...

Occasionally as I’m browsing through the temple markets of Kyoto or perusing backstreets tea-ware shops, an attractive piece will catch my eye for no particular reason. When this happens, I typically buy it immediately without hesitation, trusting that I will be able to decipher the Chinese script and give it proper attribution through the course of my research. In this case, I was only able to make it half-way there. Unfortunately the bowl does not bear the artist’s seal and the box only pr...

Japanese framed woodblock print by esteemed artist and forerunner to the sosaku-hanga movement Jun/Junichiro Sekino (1914-1988). The subject is a young woman sitting in a red chair, embracing a swan. The forms and colors he uses are pleasing to the eye in the way they compliment each other. Signature in bottom. Size: (entire frame) 53.25" height, 27.25" width (artwork only) 24" height, 18.5" width

A unique Japanese kanban (shop sign) in the shaped of a pipe, with gilt kanji. It hangs from a length of iron chain. A very fun and attractive piece. Vintage age c1950 Size: 8" height (17.5" hanging) 26.5" length