DESCRIPTION: A pair of substantial, deeply carved Chinese doors originating from Zhejiang province and dating from the early 1800’s, Qing dynasty. These handsome, heavy solid elm doors still have all of their original pegs attached, which would have been set into round sockets at the top and bottom, allowing the doors to be opened and closed.

The top panels are carved with flowers and a repeating swastika pattern, the Chinese character meaning good fortune or longevity. A pair of carved c...

Chinese Qing dynasty bronze censer / Incense burner, Xuande mark. 17,2 cm wide. 11,5 cm mouth diameter. 7 cm high. 1078 gram weight. Good conditions .

A large sometsuke style bowl of auspicious Yuanbao form imitating the form of a boat shaped gold ingot decorated in underglaze blue with an elaborate lappet border to the base incorporating Pomegranate and Lotus motifs and a variety of geometric and contrasting karakusa patterns to the narrow border to the rim, repeated both to the interior and the exterior. The interior decorated with a series of roundels, marumon, containing a variety of auspicious geometric and painted motifs, pine, prunus an...

Bamboo brush pot with a seated Sage being visited by a small boy, accompanied by a old man. Mountain scene in the back. Age: Ching - 19th Century. Condition: No repairs. Size: H.16cm Diameter:10.5cm.

A large beautiful and rare pair of colorfully glazed peacocks which were Vietnamese temple birds. The glaze is still vibrant and the sculpturing is very finely executed. Age: Mid 19th century. Size: H. 56cm - 54.2cm. W. 36cm - 36cm. Condition: Very good. Some very minor chips and hairline crack on one wing. See photos.

A very rare large gilded Royal Thayo receptacle created in Mandalay for Buddhist votive use. Thayo is made by mixing lacquer with sifted paddy husks to which pulverized bone is added for strength, resulting in a sort of plastic like material easily molded or stamped in a relief design. Size: H. 104 cm. 40.5 inches W. 44 cm. 17 inches. Condition: No repairs.

Very simple teshoku, hand-held candle stick, used for walking around. The handle made of a bamboo segment, the head made of forged iron and an iron sheet saucer. Mingei. Japan, Edo period, early 19th century. Very rare piece.

L stick 10 in.; diam saucer 2 in.

Iron corroded, bamboo with crack the does not impact the stability or beauty of the piece. Traces of usage.

From the collection (estate) of William Lipton, Ltd., New York

This is a Japanese antique beautiful silk kinkoma gold embroidery fukusa iris family crest pattern red figured satinof a the edo era(1800－1867). There are slight stain. It has no damage.They are not disturbing, and as a whole it is in very good condition. It is a very auspicious pattern, it makes it easy to decorate walls. You it display it and Because this fabric is strong,Good for home decor,wall display,remaking materials such as the patchwork and You wear it and enjoy it.......

Height: 3.4 cm (1.4 in)
Width: 4.2 cm (1.8 in)
Depth: 1.2 cm (0.5 in)

Quality early Chinese toggle of an old Sage resting; natural material; possibly converted to a netsuke in Japan; good patina and condition

A set of three finely executed paintings in gouache and ink, on embossed paper by the British manufacturer Henry Dobbs. Showing different plants and butterflies. Mounted in later red lacquered wooden frames. Dimension: paintings: c. 23.5 cm x 17.3 cm, frames: c. 29.1 cm x 35.4 cm. Condition: fine, frames with some wear. Please see also SK 988 and SK 989 for other Chinese School paintings on Dobbs paper.

A Japanese iron war fan, or 'Gunbai'. These were accessories used on the battlefield to fan in heat but also as lethal, close quarter defensive accessories. A rare item not commonly encountered on the market. Black lacquered and with gold lacquer kanji quoting Sun Tzu (fifth century Chinese political and war strategist). "Swift as the wind, quiet as the forest, fierce as fire, immovable as the mountain", from 'The Art of War', popularized by 16th century Japanese warlord and Buddhist layman, Tak...

This is the Noren used at the ship merchant's house on the Japan Sea side of the Edo Period. It has Mount Fuji, a merchant ship and a family crest. The merchant ship is stylized. This is dyed with indigo. This is Tsutsugaki cotton. There are two small holes, but they are not outstanding. There is a place where a thread came off a little. The back is fading. Size 160cm x 150cm (62.9 "x 59") cace G

This is Noren used by a cotton merchant in Kyoto during the Edo period. Cotton is thick and spun by hand. It is boldly written in Tsutsugaki. It is dyed with natural indigo. It has a faint fade that is sparse in part but does not stand out.It has a small hole but is not outstanding. Size Length 143 cm / 56.2inch Width 128 cm / 50.3 inch ケースF

An impressive large shallow dish of foliate form decorated with a pair of auspicious Hoo birds with Kiri (Pawlonia) painted principally in underglaze blue which trail over the rim on to the reverse of the dish; an “over the wall pattern”. Set against swirling panels of various brocades, aka-e kinrande, hosoge-mon with vine in gilt inset within an iron red ground, a ground of four petal flowers, karahana, in contrasting, blue, yellow and aubergine enamels and iron red ground sometimes refe...

Statue of Kuan Yin, the Buddhist Goddess of Mercy, In formal attire, wearing a diadem, sitting cross-legged, her hands in praying posture. Wood, with remnants of polychrome coloring. China, 19th century or earlier. Height: 22.7 cm. Abrasion due to age, otherwise good condition.

This is a children's kimono used in Kyoto during the Edo period. This is depicted in Tsutsugaki. This is exactly the bold expression only Tsutsugaki has. It is the carps, waves and rocks, movements are boldly expressed in Tsutsugaki. It is a three-dimensional expression. It has a sharp color. This is expressed in high quality natural indigo and is impressive. It has four pinholes and a few slight stains, but it does not stand out. Size length 92 cm 36.2 inch width 88 cm 34.6 inch

18th Century Qing Dynasty.

17cm x11cn (2 pieces)

Original paint preserved.

Chinese Carving candle holder attendant, mounted on a gilt bronze French ormolu base. The heavenly attendant has original polychrome pigments of red, green, brown and beige and holds a long staff connected to the brass candleholder.

Circa 18th/19th century

Dimensions: 7" W x 5" D x 20" H