This is a long thick zanshi cotton boro noragi from the Meiji era. The dark indigo shade is the warp, and the white thread is the weft. Thick hand-spun threads are also mixed in the weft. There are light stains and small holes.Size:Length:125cm (49,2inch) Cuff to cuff, across the back: 125cm(49.2inch)

Late Qing Dynasty, most likely Guangxu Period porcelain vase with wonderful mountain and garden scene and two scholars playing weiqi. The mouth rim is cracked and is noted in close-ups. 23cm/9in height and 15cm/5.9 diameter.

Laos wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.

Age: Laos, 19th Century
Size: Height 30 C.M. / Width 7.8 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Width: 13 cm (5.2 in)
Height: 7 cm (2.8 in)

Quality Chinese famille jaune medallion bowl from the Daoguang Period; shows four circular cartouches with depictions of dragons, fish lanterns and auspicious objects, surrounded by shaded polychrome florals; Shen de tang zhi mark to the base; good condition

One of the extremely rare Raku tea bowls by one of the best artists in the history of Japan, Eiraku Hozen, made during the late Edo Period.

Eiraku's style includes all ceramic techniques of China, Korea and Japan, which were appreciated at that time, such as Cochin, celadon, blue and white porcelain, Raku-yaki, Shunsui, Akae, Kinrande, Jinsei copies and Goryeo copies. With his diverse resources, he has created a new tea pottery that goes beyond mere imitation and reflects the taste...

A Very Fine Korean 책가도-冊架圖) 8 Panel Screen-19th C.: Scholar’s accoutrements (Chaekgori), Korea, Joseon dynasty, 19th century. Chaekgeori paintings always included books, bronzed, boxes of various kinds, lacquer, porcelain flower vase and bowls of fruit, writing paraphernalia (rolled scrolls of paper, brushes, ink sticks, and ink stone) and glass fishbowls, among other objects. There is literary evidence for the tradition of Ch’aekgori from the late 18th century. It’s in...

Antique Japanese surimono woodblock print by Hokkei (1780-1850) entitled "The Chomonju - Snake and Melons". A snake entwined with a tray of melons. The poem above speaks of how the snake will become a dragon which will make clouds of white cherry blossoms in the mountains. Snakes and dragons are closely associated with water. The poems alludes to a wish for rain and the blossoming of Spring.

Dimensions: Unframed: 21.2 cm x 17.7 cm. Framed: 15 1/4" x 15 1/4"

This is a thick zanshi long boronoragi from the Meiji era. Hand-spun hemp and cotton threads are mixed with thick indigo threads. There is light dirt, but there is no damage. Size: Length: 1 cm (43.3 inches) Cuff to cuff: 122 cm (48 inches)

Kurume kasuri futonji (bedding) with geometric pattern. Kurume kasuri was invented by Inoue Den around 1800, a woman lived in Kurume in Fukuoka prefecture in Kyushu. This futonji is made of hand-spun cotton and vegetable indigo dye. Weaving of Kurume kasuri changed from handloom to machine weaving around 1883, so it may be woven before 1883. In excellent condition Late 19th century. 130cm x 144cm

Kapala lid in embossed copper and gilded with mercury technic.Dimension: 96x103x35mm Good condition, slightly worn gilding on the reliefs. Beautiful old patina. Tibet 19th century or before.

Large furoshiki made of hand-spun cotton with tsutsugaki design which are auspicious motifs, such as fukura suzume (sparrow), bamboo, pine tree. plum flower and scrolls. Vegetable indigo and natural brown dye. In good condition except for some brown color faded parts and a rip (2cm). The second half of the 19th century. 130cm x 140cm

1900's Chinese Coral Carved Flower Shaped Hat Button

It is 0.8 inch (2.2 cm) long by 0.9 inch (2.4 cm) wide and 7.3 mm thick. It is 3.96 gram.

It has inclusions and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to do is return the ite...

KANNON BOSATSU WITH ELEVEN FACES

Wood carving 'Juichimen Kannon Bosatsu zazo' (Seated statue of Kannon Buddhisattva with eleven faces), Edo period, 19th century, Japan, H 20 x 11 x 11cm (7.87 x 4.33 x 4.33in). Such a kind and merciful face as is.


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23 1/4" high Chinese late Qing dynasty Guangxu period baluster form floor vase decorated in underglaze blue against a white background with “shuangxi” symbols (indicating double-happiness and wedded bliss) surrounded by a stylized pattern of pencil style scrolling sweet pea vines (symbolizing “many children”). This type of decoration with a sweet pea floral background was produced for the Straits Chinese communities and is also referred to as blue and white nonya ware or "Shanghai ware"...

Burmese wooden seated crowned Buddha, or sometimes known as 'King Buddha', wearing diadem-crowns and ornaments of kings instead of ordinary monk's robes. Crowned Buddha represents the Buddha's role as a universal sovereign.

Age: Burma, Mandalay Period, 19th Century
Size: Height 28 C.M. / Width 13.5 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from B...

An unusual Tibeto-Chinese cloisonne gau box having a domed and hinged cover with a multi-colored scroll pattern surrounding a central cartouche. The cartouche features the Tibetan character “hum” which translates as “the spirit of enlightenment” or “the enlightened mind”. This gau would have been worn by a high ranking lama. An almost identical gau, which most likely came from the same workshop, comprised lot 428 of Christie’s New York, ‘The Scholar’s Vision: The Pal Famil...

Cloisonne enamel vase on hammered copper base. The meticulously positioned wires are in silver, as are the borders. The decor is simple, showing a bridge between two hills but exceptional because of its historical interest. Indeed it is a vase commemorating the bold construction of an aqueduct by a Japanese electricity company in the 1900s. The Chinese characters written below must relate the event, date it and also probably give the name of the creative artist or that of the enameling workshop....

Scrolling characters are inscribed into the side of this hand formed elongated basin by Otagaki Rengetsu enclosed in the original signed wooden box titled Hissen Chawan (Brush washer shaped Tea bowl). The poem reads:
Shigayama ya On Mount Shiga...
hana no shirayuki flowers like white snow
harahara to flutter down
furuki miyako no in the ancient capital
haru zo kure yuku. Spring is fading
The bowl is 17 x 12 x 7 cm (6-1/2 x 4-3/4 x 2-3/4 inches) and is ...