Antique Tibetan tsakli card depicting a wrathful deity (Heruka) wielding a knife on the back of a fu-lion. Painted in mineral colors on paper with Sanskrit description on the back.

Tsakli cards are powerful miniature paintings of Buddhist deities and objects. They have many different ritual uses. They can be used for teaching when a lama holds the card out for a student to focus on, thus helping them with the visualization and meditation on that deity and what it represents. The ca...

Antique Tibetan tsakli card depicting a wrathful deity (Heruka) wielding a sword and banner. He wears a tiger skin around his middle and a human skin tied around his neck. Painted in mineral colors on paper with Sanskrit description on the back.

Tsakli cards are powerful miniature paintings of Buddhist deities and objects. They have many different ritual uses. They can be used for teaching when a lama holds the card out for a student to focus on, thus helping them with the visualiz...

Antique Tibetan tsakli card depicting a ḍākinī with phurba in one hand. Painted in mineral colors on paper with Sanskrit writing on the back.

Tsakli cards are powerful miniature paintings of Buddhist deities and objects. They have many different ritual uses. They can be used for teaching when a lama holds the card out for a student to focus on, thus helping them with the visualization and meditation on that deity and what it represents. The cards are often used as part of altar di...

Antique Tibetan tsakli card depicting a wrathful deity (Heruka) on horseback. Painted in mineral colors on paper with Sanskrit description on the back.

Tsakli cards are powerful miniature paintings of Buddhist deities and objects. They have many different ritual uses. They can be used for teaching when a lama holds the card out for a student to focus on, thus helping them with the visualization and meditation on that deity and what it represents. The cards are often used as part of...

Antique Japanese teshoku candle holder made of bronze. A long handle makes it easy to carry a candle around for light as well as very stable when set down. Cut-out design is of a Hoju, the Buddhist wish granting ball. History of the HoJu: Known as the hōju 宝珠 or hōju-no-tama 宝珠の玉 or nyoi houju 如意宝珠 in Japan, this jewel signifies the bestowal of blessings on all who suffer, for it grants wishes, pacifies desires, and brings clear understanding of the Dharma Buddhist law ...

Antique Japanese pair of bronze candle sticks. Simple and elegant with bell shaped feet. Most likely for use at a temple shrine.

Age: Edo Period (early 1800's)

Dimensions: 13" high x 4 1/4" wide at base

Width approximately 12.5 cm. In good condition.

Edo Period (1603-1868) Japanese Antique Kuro Raku Tachi-Zuru Tsutsu Chawan for Tea Ceremony Wabi Sabi Raku pottery is traditionally used in Japanese tea ceremony since as early as the 16th century. Size Height 10.3cm Width 10.2cm Weight 325g Condition Overall good considering the age, no cracks, no chips. The seal of the potter is stamped at the bottom.

This is a Japanese antique tsutsugaki of indigo dye of shika odori Traditional dance Ornament. This has light stains and small holes.They are not disturbing, and as a whole it is in very good condition. Size:Length:152cm( 59.8inch ) Width:: 27cm(10.62inch) shika (Deer) dance is a traditional dance that has been handed down in the Nanbu territory of the Edo period and the Mutsu territory of the Date clan, that is, around the present Iwate and Miyagi prefectures. There is something in com...

Japanese circular jingasa with a gradual pointed top and curved rim in the front. Lacquered black with a crest in gold. The underside is lacquered red.

Jingasa ("war hat", a type of kasa commonly worn by samurai and ashigaru.
In the Edo period, the politics of display of sankin kôtai and other ceremonial occasions led to jingasa becoming more decorative in appearance, as was also the case for many other items of samurai arms, armor, and clothing. Still, these performed imp...

In the world of Japanese ceramics, Tamamizu-ware has an almost mythical standing. A branch of the main Raku line, at one time the two kilns held equal prominence, both being endorsed by the major tea schools of Kyoto and both being favored by the Imperial household. The first in the line was an illegitimate son of Kichizaemon Ichinyu (Yahē) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho). Though he is the first potter of the Ta...

Hanging scroll. A circle on a black background, divided into ten sections around a white central circle that holds the character ‘shin’, meaning heart or soul. The ten sections represent the ten realms that are the ten possibilities of rebirth. On top the four realms of enlightened beings: Buddhas, Boshisattvas, arhats and pratyeka Buddhas. Underneath, the six realms (rokudo): Heavenly beings, humans, Bellicose demons (Ashura), animals, hungry ghosts and hell. Ink, mineral colors, gofun and ...

A rare pair of 18th century hand carved Edo period solid keyaki (zelkova) peonies that would have been mounted on temple doors. Finely carved three dimensionally with great detail, condition is very good.
Custom fabricated stands with antique bronze finish float each carving securely and ready to display.

Age Edo Period 18th Century

12" wide X 12 1/2" high (each) X 16 1/2" high w/stand X 5" wide

Japanese conical ichimonji gasa (military jingasa) with a gradually pointing top and unusual, wavy brim mimicking cloth material. Lacquered a deep brownish black with areas of red lacquer showing through in a negoro lacquer effect. The raised red lacquer mon is that of either the Katakura or the Matsukura Clan. The underside is lacquered in the same manner as the top except for a round red lacquer circle in the center. On one side of the red circle are 4 rings for attaching chord.

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Antique Japanese bajo jingasa, lacquered military hat for a horseman. Decorated with textured brown lacquer and with the Kyogoku family mon in gold. The underside is lacquered red with a black circle in the center and four hooks for chords.

The samurai class in feudal Japan, as well as their retainers and footsoldiers (ashigaru ) used several types of jingasa made from iron, copper, wood, paper, bamboo, or leather and usually treated with lacquer for weather proofing and decoratio...

Antique Japanese tall and graceful lotus blossom. Made to be part of a Buddhist altar arrangement. The lotus represents enlightenment blooming from out of the mud. Carved of wood and lacquered gold. Lotus petals are carved separately and joined. Fitted with a custom metal stand.

Age: Meiji Period (1868-1912)

Dimensions: 27" high (including stand)

Antique Japanese gracefully curling tall lotus leaf. Made to be part of a Buddhist altar arrangement. The lotus represents enlightenment blooming from out of the mud. Carved of wood and lacquered gold. Fitted with a custom metal stand.

Age: Meiji Period (1868-1912)

Dimensions: 27 1/2" high (including stand)

Antique Japanese wide lotus leaf. Made to be part of a Buddhist altar arrangement. The lotus represents enlightenment blooming from out of the mud. Carved of wood and lacquered gold. Fitted with a custom metal stand.

Age: Meiji Period (1868-1912)

Dimensions: 20 3/4" high (including stand)