Japanese 20th century silver bowl. This contemporary designed bowl was made by Living National Treasure artist, SEKIYA SHIRO. The bowl is signed SHIRO on the bottom. It measures 11 1/2" in diameter and 2 1/2" tall. The bowl comes with TOMOBAKO or original artist signed wooden storage box.

One of the more innovative and international minded ceramicists on the Japanese pottery scene, Ryoji Koie’s interests and expertise are barely confined by this genre—as he often integrates non-traditional methods and materials. Born in the town of Tokonmae in 1938, from a young age he studied potting—a staple of the local economy—and later went on to do independent research, open his own kiln, travel widely participating in international conferences and workshops, and finally to become a...

One of the more innovative and international minded ceramicists on the Japanese pottery scene, Ryoji Koie’s interests and expertise are barely confined by this genre—as he often integrates non-traditional methods and materials. Born in the town of Tokonmae in 1938, from a young age he studied potting—a staple of the local economy—and later went on to do independent research, open his own kiln, travel widely participating in international conferences and workshops, and finally to become a...

Like most Shigaraki-wares, this piece has a somewhat primal feeling to it, as though it belongs to a previous geological era in time. Rivulets of vitrified green, grey, and yellow ash stand against a background gradient of soft to intense ochres of the clay body. The intense firing process of this type of pottery for days in an anagama kiln results in a beautiful ashen glaze with a warm, soft, yet vibrant glow when set in the light.

The vase seen here, is a culmination of many year...

With a design reminiscent of mineral deposits on Martian rock, this bold and visually captivating tea bowl is the creation of one of Japan's more controversial and revolutionary-minded potters. 

Nakamura Kimpei (b. 1935) was born in Kanazawa but later—after a period of residency abroad— made his way to Tokyo where he established a kiln. As a thinker and ceramic artist, Nakamura concerned himself with the concepts of civilization, society, historical eras, and the interplay be...

Japanese 20th century black metal flower holder. This contemporary designed flower holder was made by Living National Treasure artist, SEKIYA SHIRO. The holder is marked 63,2,3 on the bottom. It measures 14" wide, 8 1/2" deep and 7" tall. The holder comes with TOMOBAKO or original artist signed wooden storage box.

Large Sri Cakra Yantra Banner, showing interaction of male and female qualities. Hand Painted on cotton. 119 x119 cm. thought to be Indian or Himalayan. Trace of painting on reverse. Undated. Can be viewed in central London an shipped folded worldwide.

A pair of wood candle stand painted with colorful urushi. The plate for candle on the top is made of metal. In excellent condition except for some tiny chips on the rim of the top plate and urushi came off in the bottom of one candle. 20th century. H:37cm Diameter of the bottom:10cm

Two 1998 Ink Paintings by Renowned Korean Artist Don Ahn aka Ahn Dong Kuk (1937-2013), Black Dragon and Zen Wave. We encourage you to research Don Ahn's sales record and market prices on sites such as Artsy, so you can appreciate what a great opportunity this is to purchase an original work of art by the master at a price well below the actual value. Don Ahn was a pioneer of Korean art in America. In the 1950s he was the first to move permanently to the US and receive recognition here, beginning...

Japanese limited edition aquatint etching by Sarah Brayer (b. 1957) depicting two black cats on a snowy village lane titled "Footprints." The print is pencil-signed, titled, dated ’99, and numbered 80/80 in the bottom margin. Visible paper size: 23 1/2” x 14 1/2" (image: 22 1/2” x 13 3/4”). Original Kanda Gallery frame with non-glare glass measuring 32 3/4” x 22 1/2." The print has not been examined out of the frame, but no condition problems are visible.

Japanese limited edition aquatint etching by Sarah Brayer (b. 1957) depicting a solitary figure walking with a parasol down a snowy village lane titled "Kurodami." The print is pencil-signed, titled, dated ’96, and numbered 74/120 in the bottom margin. Visible paper size: 8 1/2” x 18 1/2” (image: 7 5/8” x 17 3/4”). Original Kanda Gallery frame with non-glare glass measuring 14 1/2” x 24 1/2.” The print has not been examined out of the frame, but no condition problems are visibl...

A Yixing teapot of purple clay from 1990s, made by 鄭彩英 and the craftman seal is there, brand new unused since purchased in 90s

A yixing red clay teapot of plum blossom by a craftman of yixing , made in the 90s , new unused from old stock , safe for brewing tea use

An unused chinese yixing zisha teapot from old stock , it was crafted/made by Meng in 1999, safe for brewing tea use

An unused old stock Chinese red clay teapot by Cheng Zhen Ping , safe for drinking Chinese tea use

An old stock Yixing teapot , unused, by a craftman from yixing region, from 90s , safe for drinking tea

An unused teapot from the 90s from Yixing by Chinese Lady craftsmen, in a traditional Qing era form n design

A striking large Tsubo in silvered Bizen ware by innovative Bizen artist Matsui Tomoyuki enclosed in the original signed wooden box titled Bizen Ginsai Tsubo and dating circa 1990. It exhibits all the features of great Bizen, the smooth clay struck with flashes of darker color. The sense is that of seeing a Bizen Tsubo in an old tintype photograph, a most unique approach. It is 10-1/2 inches (27 cm) diameter, 12 inches (30 cm) tall and in excellent condition.
Matsui Tomoyuki is one of t...