An interesting and modern vase of raw, hard-fired clay with natural fire pattern by Terada Teppei (b. 1975). The gaping, irregular sprout stricking outline some sort of volcanic vent. Shaped as a bamboo root, it is one of the “Carbon trapped” series. Signed on the bottom: Fe (Teppei’s signature on his carbon-fired pieces). Terada Teppei is son of Terada Yasuo 4th generation of the Bizan Kiln in Seto, Aichi. Enclosed in the inscribed and signed box with paper, made in 2010. H 23.5 cm. Cond...

With an uncanny ability to emulate features of the natural environment, the creator of this sake vessel,Tsujimura Yui, is one of Japan’s most skilled potters working in the field today. With a breathtaking ash glaze that appears half planned and half left to the dictates of the kiln, we can see a number of textures and colors that one might encounter in a Zen garden or while hiking along a mountain brook. The front of the vessel is adorned with an “enso,” however, unlike the tr...

A classic angular silhouette in vivid Oribe coloration pierced by a jagged handle by Takauchi Shugo enclosed in the original signed wooden box titled Oribe Te-oke. This artist does have a surprisingly wide range, and this piece certainly proves that. Adept at Shino, Oribe, Mashiko styles and others, he is a tough one to nail down and even more difficult to acquire, his pieces proving very popular at exhibition. This is a rare opportunity to acquire one of his masterpieces. It is 36 x 15 x 32.5 ...

Mother and Child by Korea's Most Famous Sculptor, Choi Jongtae (born 1932). There was a recent New York Times article (March 2, 2023) on Choi Jongtae where he is called an "artistic giant who has been a huge influence on many artists" and his work is described as "focusing on the human condition," "bending the rules," "carrying a whiff of Picasso," and "embodying love and peace." Preeminent art critic Gaston Diehl describes Choi as "the equal of the greats of our time" and says of him that thoug...

A voluminous Tsubo decorated with autumn grasses scored into the clay with a gold moon rising up behind on the tarnished silver glaze, a spectacular combination by veteran Karatsu potter Nakazato Yoshitaka enclosed in the original signed wooden box titled Ginsai Tataki Tsubo. It is 33.5 cm (13 inches) diameter and in excellent condition. Nakazato Yoshitaka was born in 1958, a descendant of the famous Nakazato Tarouemon family of Karatsu. He graduated the Saga Prefectural Arita Industrial Ce...

GIZA GIZA

Ceramic work formed with paper coated with mad and burnt by me myself, Fumie Nishimura. ‘Giza Giza’ is a Japanese onomatopoeia and would be translated to “Jagged” in English. H 17.5 x W 17.5 x D 17.5cm (6.88 x 6.88 x 6.88in). Very delicate and fragile piece so that some parts will be chipped, though I'll try my best to pack it very carefully. (So, as long as you want to receive 100% complete actualy piece, please don't order it since I can't g...

GIZA GIZA

Ceramic work formed with paper coated with mad and burnt by me myself, Fumie Nishimura. ‘Giza Giza’ is a Japanese onomatopoeia and would be translated to “Jagged” in English. H 13 x W 13 x D 13cm (5.11 x 5.11 x 5.11in). Very delicate and fragile piece so that some parts will be chipped, though I'll try my best to pack it very carefully. (So, as long as you want to receive 100% complete actualy piece, please don't order it since I can't guarant...

HIDA HIDA

Ceramic work formed with paper coated with mad and burnt by me myself, Fumie Nishimura. ‘Hida Hida’ is a perticular Japanese onomatopoeia and would be somehow translated to “So frilled” in English. H 4 x W 10.5 x D 12cm (1.57 x 4.13 x 4.72in). Very delicate and fragile piece so that some parts will be chipped, though I'll try my best to pack it very carefully. (So, as long as you want to receive 100% complete actualy piece, please don't orde...

A rare large work blasted with natural ash glaze by Koyama Kiyoko enclosed in the original signed wooden box titled Shigaraki Shizen-yu Kama-shizuku O-Tsubo. The rim is crusty and shows Shinshoku (degradation from the flame) a testament to her infamously long firing times. The front is coated in a flow of green and olive ash, while on the raw earth of the back a single drip (shizuku) from the kiln roof has landed as a colorful accent. This rare teardrop of the fire god is highly prized among c...

Here we have an exceptional Raku tea bowl given the poetic name "Setsu-gekka" (snow, moon, flower) — a phrase often used in Japanese art and literature to evoke a sense of beauty, tranquility, and the passing of seasons. With a masterfully applied red Raku glaze and a noticeable aesthetic of asymmetrical balance, this piece highlights a very old technique used in Raku pottery of scraping straight edges along the body of the vessel, thus producing contrast and a degree of desirable ...

A small flaring sake cup by Fukami Sueharu enclosed in the original signed wooden box titled Seihakuji Guinomi. It is 7.7 cm (3 inches) diameter and in perfect condition.
Fukami Sueharu is synonymous with seihakuji celadon. He has been displayed numerous times at the prestigious Nitten, Nihon Togei Ten (National Japanese Ceramic Exhibition) and Nihon Gendai Kogei Ten (National Japanese Modern Crafts Exhibition) among others. He is held in the Yale University Museum among others. For more...

Mastery of the Oribe genre is apparent in this Chawan by Yamada Kazu which comes enclosed in the original signed wooden box titled Kuro-Oribe Chawan. It is 13 cm (just over 5 inches) diameter, 9 cm (3-1/2 inches) tall and in excellent condition.
Yamada Kazu was born in Tokoname city in 1954, one of Japans ancient kiln areas, into a line of potters. He would have been influenced early on by his father, Yamada Kenkichi and uncle living National Treasure Yamada Jozan. He graduated the Osaka...

The ultimate in crusty, a radical charred vessel by Kanzaki Shiho enclosed in the original signed wooden box titled Iga Hanaire. Two sides are completely blackened and coated in Koge-charring. Opposite the darkness gives way to tombo-no-me (Dragonfly eyes) with thick encrustations around the base, a stream of yellow cascading down one clefted face. It is 21.5 cm (8-1/2 inches) tall and in excellent condition.
(Kanzaki Shiho (1942-2018) preferred firing his kiln for ten days, resulting in...

An original painting by Mayumi Oda depicting a goddess holding an infant in one harm and a branch with pomegranates in the other. On her knee is a sleeping child. Painted in black ink on paper and signed in pencil along with a title "Hariti" and "for Yvonn and Bill". Hārītī (in Japanese, Kishi-mojin) was once an ogress but was shown a better path by the Buddha. She is known as a protector of children and women in childbirth.

Dimensions: paper size: 17 1/8" high x 11" wide. Size ...

A print of a nude woman reclining in a garden. Around her grows the lush mint plants in the title. An etching printed in green ink on paper. Signed in pencil and 5/30 in series.

Dimensions: Paper size: 14 3/4" high x 11 1/4" wide. Size of art including signature: 6 1/4" high x 4 1/4" wide

A canonical misshapen Shigaraki Jar by legendary female artist Koyama Kiyoko enclosed in the original signed wooden box titled Shigaraki Shizen-yu Uzukumaru. The igneous coating of mottled natural ash glaze containing clusters of charring gives testament to the fluctuations in temperature during the firing which give the work of this pioneering female artist such a unique quality. Here the form is classic medieval Shigaraki with a cross-work pattern called Higaki engraved into the shoulder of ...

A sculptural form covered in iconic Iga Kiln effects by Toyosaki Nobuhiko of the Korin-kiln in Mie prefecture enclosed in the original signed wooden box. On the convex shoulder, green glass pools crystalline, while a smattering of goma (sesame) ash clings to the bulbous side, gray charring and plenty of flying ash to fill in the blanks. It is 25 cm (10 inches) tall and in excellent condition.
Born in 1955, he graduated Kyoto’s Ritsumeikan University department of Science and Engineeri...

A rare copper plate etching artist proof by, Mayumi Oda (b.1941). A night scene with a goat in a garden under the moon. Printed in black ink on paper. Signed in pencil and titled "Yvonn's Night Goat".

Dimensions: Paper size: 10 1/4" high x 10 1/4" wide. Size of art including signature: 6" wide